User:Shannon: Difference between revisions

Latest revision as of 21:15, 12 September 2023

10.31.22 Presentation PDF PPT

Sweet little flower,

https://vimeo.com/319400151

The Sun Burns An Image Into My Eye

cyanotypes, chlorophyll prints

sound/performance

Areas of research

agronomy

seed laws

floriculture/horticulture

flower industry and auction in the Netherlands

considering waste and trash objects

emotional, physical, chemical presentations of boundaries/permeability

desire for preservation

Notebook

Reading, Writing, Research Methodologies

What, How, Why

Interview

Synopsis

References

Index Cards by Moyra Davey

Braiding Sweetgrass by Robin Wall Kimmerer

Another Country by James Baldwin

Peace is Every Step by Thich Nhat Hanh

The Argonauts by Maggie Nelson

Department of Speculation by Jenny Offill

Take Care of Yourself by Sophie Calle

The Overstory by Richard Powers

The One-Straw Revolution by Masanobu Fukuoka

""Taryn Simon Unearths the Flowers that Witnessed History’s Most Pivotal Political Decisions'

The Mushroom At The End Of The World by Anna Lowenhaupt Tsing

Crawling Doubles - Colonial Collecting and Affect by Mathieu Kleyebe Abonnenc

@@ Line 1: / Line 1: @@
-==Projects==
-'''The Sun Burns An Image Into My Eye'''
-{{vimeo|479917305}}
+.31.22 Presentation [https://drive.google.com/file/d/10E0_Zq-c6dvs_aOqKGSXaIfEbH_vKx_F/view?usp=sharing PDF] [https://docs.google.com/presentation/d/1qcfV4GJGZgXkeTKpFfwavQvaI9sWu6Cy/edit?usp=sharing&ouid=109513610581024551239&rtpof=true&sd=true PPT]
+[[File:Look natural in any light.png|500px]]
+*Sweet little flower,
+https://vimeo.com/319400151
+*The Sun Burns An Image Into My Eye
+*cyanotypes, chlorophyll prints
+[[File:Cyanotype 1.jpg|400px]]
+[[File:Cyanotype 2.jpg|400px]]
+[[File:Chlorophyll Print.jpg|500px]]
+*sound/performance
+==Areas of research==
+*agronomy
+*seed laws
+*floriculture/horticulture
+*flower industry and auction in the Netherlands
+*considering waste and trash objects
+*emotional, physical, chemical presentations of boundaries/permeability
+*desire for preservation
 == Notebook ==
-[[User:Shannon/other page|Other Page]]
 '''Reading, Writing, Research Methodologies'''
@@ Line 16: / Line 45: @@
 [[User:Shannon/Interview|Interview]]
-'''Synopsis'''
+[[User:Shannon/synopsis|Synopsis]]
+'''References'''
+*''Index Cards'' by Moyra Davey
+*''Braiding Sweetgrass'' by Robin Wall Kimmerer
+*''Another Country'' by James Baldwin
+*''Peace is Every Step'' by Thich Nhat Hanh
+*''The Argonauts'' by Maggie Nelson
+*''Department of Speculation'' by Jenny Offill
+*''Take Care of Yourself'' by Sophie Calle
-''Braiding Sweetgrass''
+*''The Overstory'' by Richard Powers
-Robin Wall Kimmerer’s chapter of Braiding Sweetgrass: “Learning the Grammar of Animacy”, explores the effect of language on our perception of nature. English is a noun-based language - only 30% of the words are verbs. In the Potawatomi indigenous language, 70% of the words are verb - and nouns and verbs are both animate and inanimate. You hear a person with a word that is different from the one with which you hear a train. In Potawatomi, there are verbs “to be a Saturday,” “to be red,” “to be a long sandy stretch of beach,” “to be a bay.” The verb form “to be a bay” holds the idea that the living water has decided to shelter itself between the shores. It could do otherwise - become an ocean, a waterfall, or a spring. These verbs are possible when water, land, color, a day, are all alive - “the language sees the animacy of the world.” Places, songs, medicines, and stories are all animate in Potawatomi. The inanimate are mostly objects made by humans - “for a table, the language says “What is it?” For an apple “Who is that being?”” The same words used to address family, are used to address the living world. In English, all non-humans are called “it,” reduced to an object - “it” denies all other living beings “the right to be persons...worthy of respect and moral concern”. Kimmerer suggests that “a grammar of animacy could lead us to whole new ways of living in the world...a world with a democracy of species, not a tyranny of one.”
+*''The One-Straw Revolution'' by Masanobu Fukuoka
+*"[https://www.artsy.net/article/artsy-editorial-taryn-simon-tackles-international-politics-with-flowers "Taryn Simon Unearths the Flowers that Witnessed History’s Most Pivotal Political Decisions']
-''Once Upon a Time in Anatolia''
+*''The Mushroom At The End Of The World'' by Anna Lowenhaupt Tsing
-The film, directed by Nuri Bilge Ceylan, follows a search for the buried body of a murder victim following the perpetrator's confession to the crime. He claims not to remember the exact location, and the police convoy including the commissioner, prosecutor, and a doctor drive through the night in rural Anatolia, searching for the spot. In the darkness, which rolls over the stark hills, the lights of the cars draw long fiery lines in the night. As the search drags on, and daylight begins to come, we learn bit by bit about each member of the search party - about the police commissioner's impatience and quick temper, the chip on his shoulder; the prosecutor's image of calm and control, controverted by an inconsistency in examining a previous case; the doctor's fraught history with women and existential struggles. Subverting traditional narrative structures, the film focuses on how the examination of the crime brings to light more about the investigators, than about the victim or the perpetrator - telling the story through the surroundings.
+*''Crawling Doubles - Colonial Collecting and Affect'' by Mathieu Kleyebe Abonnenc