User:Luni/Thematic Seminars /Sabine: Difference between revisions
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== Santiago Alvarez - L.B.J. (1968) == | == Santiago Alvarez - L.B.J. (1968) == | ||
1ST cinema - Hollywood. Meant to entertainment. | |||
2ND cinema - European auteur. Unconventional, experimental. | |||
3RD cinema - Latin American film movement. Filmmaking relating to other cinema. Militant cinema, collective filmmaking. Revolutionary activism - against capitalism. | |||
== Gunvor Nelson. Schmeerguntz (1965) == | == Gunvor Nelson. Schmeerguntz (1965) == | ||
catalyst - a call to action—the circumstance that thrusts your protagonist into the story. | catalyst - a call to action—the circumstance that thrusts your protagonist into the story. | ||
| Line 26: | Line 30: | ||
1. Compilation. Not questioning the representational nature of the image. To illustrate the point - for example, in a documentary. Not subverting. | 1. Compilation. Not questioning the representational nature of the image. To illustrate the point - for example, in a documentary. Not subverting. | ||
2. Manipulating the material. Avant grade. Not matching image and sound. Critiquing. Juxtapositions, irony, disruptions. | 2. Collage. Manipulating the material. Avant grade. Not matching image and sound. Critiquing. Juxtapositions, irony, disruptions. | ||
3. Appropriation. Not a critique. Meant to entertain, to illustrate the mood. A playful way of making an image into something else. | 3. Appropriation. Not a critique. Meant to entertain, to illustrate the mood. A playful way of making an image into something else. | ||
== Strategies for image recycling: == | |||
- Removing sound | |||
- Adding audio that doesn't belong | |||
- Repetition | |||
- Match cut | |||
- Kuleshov effect. One shot is influenced by the other | |||
- Layering images | |||
- Refraction. Different images, different materials. | |||
--- other notes: | |||
- Changing the point of view instead of changing the meaning (!) changing the perspective | |||
- Sound in reverse - how some other language sounds to foreigners | |||
- | |||
- | - Connecting movements so it's fluent | ||
- | - Have a side project just to play around. | ||
- Being nice to the people that are being pictured. Ethics of the cinema. The violence of the lens are resolved in editing - which thought (shot) comes first. | |||
- | |||
- | - Presence of the editor. | ||
- | - Creating soundtrack for the silent film. Makes strangening effect, tension, something is off. | ||
== Intuitive editing : == | == Intuitive editing : == | ||
| Line 67: | Line 79: | ||
6. Break the time day by day, don't stay too long on one thing! Plan breaks!! Rumination - step away!!! | 6. Break the time day by day, don't stay too long on one thing! Plan breaks!! Rumination - step away!!! | ||
== Other notes == | |||
'''Defamiliarization (ostranenie)''' - artistic theory and technique of presenting to audiences common things in a strange and unfamiliar way, prolonging the perceptive process and allowing for a fresh perspective. | |||
'''Subversion''' - something that’s likely to make the public question the values and the principles of a system in place, which in turn might lead to a change in social structures. Calls prevailing ideologies into question. | |||
'''Juxtaposition''' - the fact of two things being seen or placed close together with contrasting effect | |||
BBC sound archive | |||
In the Blink of an Eye. Walter Murch | |||
MacCare @Amsterdam | |||
Latest revision as of 09:55, 22 March 2023
When working with found footage - intentionality is reframed. The context might be (ideologically) changed.
Esfir Shub - Fall of Romanov Dynasty:
(1984-1959- one of the first women (publically) working with found footage .
Idealogical "Perfection" --> Argument ---> Flip side of 'perfect ideology' ---> Propaganda on gender equality -> Warning
Santiago Alvarez - L.B.J. (1968)
1ST cinema - Hollywood. Meant to entertainment.
2ND cinema - European auteur. Unconventional, experimental.
3RD cinema - Latin American film movement. Filmmaking relating to other cinema. Militant cinema, collective filmmaking. Revolutionary activism - against capitalism.
Gunvor Nelson. Schmeerguntz (1965)
catalyst - a call to action—the circumstance that thrusts your protagonist into the story.
Harun Farocki - Respite (2007)
"Are these images an embellishment?" "Nobody seems to see them as a threath"
Close reading of images. Minimal intervention.
Recycled Images: The Art and Politics of Found Footage Films (1993)
Willem Wees
1. Compilation. Not questioning the representational nature of the image. To illustrate the point - for example, in a documentary. Not subverting.
2. Collage. Manipulating the material. Avant grade. Not matching image and sound. Critiquing. Juxtapositions, irony, disruptions.
3. Appropriation. Not a critique. Meant to entertain, to illustrate the mood. A playful way of making an image into something else.
Strategies for image recycling:
- Removing sound
- Adding audio that doesn't belong
- Repetition
- Match cut
- Kuleshov effect. One shot is influenced by the other
- Layering images
- Refraction. Different images, different materials.
--- other notes:
- Changing the point of view instead of changing the meaning (!) changing the perspective
- Sound in reverse - how some other language sounds to foreigners
- Connecting movements so it's fluent
- Have a side project just to play around.
- Being nice to the people that are being pictured. Ethics of the cinema. The violence of the lens are resolved in editing - which thought (shot) comes first.
- Presence of the editor.
- Creating soundtrack for the silent film. Makes strangening effect, tension, something is off.
Intuitive editing :
1. Expertise. Intuition through skills.
2. Implicit learning. Non-conscious (watching films, reading, etc)
3. Judgement. Decisions are based on understanding.
4. Sensitivity. Attentiveness to detail. To reset anxiety - have someone to sit with you while editing, meditate, take breaks, anything to gain a new set of eyes.
5. Creativity. Capacity for problem-solving. Notes, sheet on the wall eg. - "Potential turning point". Don't drop what you are doing.
6. Break the time day by day, don't stay too long on one thing! Plan breaks!! Rumination - step away!!!
Other notes
Defamiliarization (ostranenie) - artistic theory and technique of presenting to audiences common things in a strange and unfamiliar way, prolonging the perceptive process and allowing for a fresh perspective.
Subversion - something that’s likely to make the public question the values and the principles of a system in place, which in turn might lead to a change in social structures. Calls prevailing ideologies into question.
Juxtaposition - the fact of two things being seen or placed close together with contrasting effect
BBC sound archive
In the Blink of an Eye. Walter Murch
MacCare @Amsterdam