User:Aitantv/Old Food, Ed Atkins: Difference between revisions
(Created page with "Old Food (2017) exhibition, at Martin-Gropius-Bau, Berlin == Moses Hubbard (2017) I Spent Four Hours Inside Ed Atkins' "Old Food" Show Hunting the Mysterious Shit Sandwich. Published in SLEEK Magazine. Availabe: https://www.sleek-mag.com/article/ed-atkins-old-food/ == * Old Food teaser - https://www.youtube.com/watchv=FXPbIJlF0W8&ab_channel=BerlinerFestspiele * "The next two rooms both have single vertical screens, one with a baby standing in the rain, and one with the...") |
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* A Primer for Cadavers (2011) - video back of the head | * A Primer for Cadavers (2011) - video back of the head | ||
* "Discovered that I had this misanthropic tone when I wrote in the first-person singular" (Atkins 2015) | * "Discovered that I had this misanthropic tone when I wrote in the first-person singular" (Atkins 2015) | ||
* ( | digital-analogue | ||
* "excessive performance of analogue (in effect) - lens flares, dust marks, "(Atkins 2015) | |||
== death mask 3 (2011) == |
Revision as of 22:16, 7 February 2023
Old Food (2017) exhibition, at Martin-Gropius-Bau, Berlin
Moses Hubbard (2017) I Spent Four Hours Inside Ed Atkins' "Old Food" Show Hunting the Mysterious Shit Sandwich. Published in SLEEK Magazine. Availabe: https://www.sleek-mag.com/article/ed-atkins-old-food/
- Old Food teaser - https://www.youtube.com/watchv=FXPbIJlF0W8&ab_channel=BerlinerFestspiele
- "The next two rooms both have single vertical screens, one with a baby standing in the rain, and one with the monk figure." (Hubbard 2017)
- "I go to the last room, where there’s another vertical screen. This one features the maudlin boy again, sitting on a stool, facing away. There’s hay scattered on the ground and the same weird lurching sound from in the first big room, so maybe this is supposed to be the space outside the hole in the wall. Once a minute, the boy turns around and gasps."(Hubbard 2017)
- "Atkins doesn’t seem to be all that interested in making one coherent point with Old Food. Rather, he establishes certain thematic nodes (embalmment, memory, disembodiment), and lets the juxta-/ contraposition do the rest of the work."(Hubbard 2017)
- "Fortunately, that doesn’t interrupt the show’s emotional core: a deeply felt exploration of remembrance, memory, traces of things past. I find myself repeating that line — “Sir, who are all the dead?” It brings to mind all of the things that have happened that we’ll never have any idea about. This is balanced against Atkins’ avatars, which seem to be pretty much the exact opposite of “all the dead” – though they’ve never had bodies, or lives, they exist, and we have to deal with them." (Hubbard 2017)
Atkins, E (2015) Artist Talk, Contemporary Art Society https://www.youtube.com/watch?v=l5b8C59qcng&ab_channel=thisistomorrow
- "I didn't know what to point my camera at so I pointed it at the structure" (Atkins 2015)
- the sensation of manipulation
- Death Mask 3 - manifesting mourning - losing his father - countering melancholia with a nameable mourning, you know what you lost -
- "There's nothing more opaque than the back of a head." (Atkins 2015)
- A Primer for Cadavers (2011) - video back of the head
- "Discovered that I had this misanthropic tone when I wrote in the first-person singular" (Atkins 2015)
digital-analogue
- "excessive performance of analogue (in effect) - lens flares, dust marks, "(Atkins 2015)