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* R - The Jewish Bride, by Judith Neurick (the disappearing history of iraq) | * R - The Jewish Bride, by Judith Neurick (the disappearing history of iraq) | ||
* R - The Story of the Jews, by Simon Schama / Russel Shortall | * R - The Story of the Jews, by Simon Schama / Russel Shortall | ||
== TUTORIALS == | |||
=== 07.02.23 === | |||
Rosella | |||
* is there anough depth in the interviews? maybe reveal more or go deeper | |||
* could become a larger patchwork | |||
* could be there interviews pull you out of the fictional elements | |||
* meeting around the table - a group encounter - where all the pieces come together | |||
* the interviews certainly feel like real life | |||
* interesting interaction between the enacted and documentary - you wonder about the connections between the elements - the interviews are so focused on the narration and the fiction is a more spatial/visual representation + but there is connective tissue | |||
* W - Pere Portabella 'El Sopar' (1974) - collective discussion, political action/activism, people meeting, preparing dinner, and eating - the context around the political oppression | |||
* what is the most simple thread - write a scene which concretely depicts this | |||
* more intentionally pushing communicating the relationship between artist-host-parasite | |||
* now you have ingredients but you need the recipe - reduce the ingredients | |||
* the dinner table - a place of universal connection - relatable from different backgrounds - hints at this with G-Zi - now you can expand to have an ensemble cast - | |||
* the interviews/vignettes could be establishing shots of the guests at the dinner | |||
* Bela Tarr - https://www.eyefilm.nl/nl/programma/bela-tarr/125976 - film about banquet with homeless people - | |||
* part of the banquet is the duration of the event - | |||
* Bunuel - discreet charm of b - https://en.wikipedia.org/wiki/The_Discreet_Charm_of_the_Bourgeoisie - (1973) so might have influenced | |||
* https://www.youtube.com/watch?v=LyoAiP4mGhE&ab_channel=FilmStruck | |||
* how to render visual considerations around 'hungry host' - how to maintain the subtlety of the themes between multiple characters - explaining big themes through simple small talk - | |||
* believability - project is closer to reality so absurdism can be relative | |||
* | |||
* |
Revision as of 12:07, 6 February 2023
PRACTICAL
KEY THEMES
- Hybridity
- Tribalism
- Surveillance (hyper visibility)
- Predator/Prey relationships
FORMAT
cooking interview / fieldwork
- sound divorced from image
the host / the host
- the host - director cooking stew for speculative scenes
the guests / the parasites
- specualtive scenes - talk (of the host) from behind the camera
which camera lens?
- Is it a combination of camera approaches?
- Is it a simple handheld DV camera? This could help overlap with Paranormal movies (like Blair Witch) lending it a certain authenticity
- A wide lens for the indoor scenes and a more narrow lens for the outdoors? Or go even wider with the outdoors to reference surveillance.
RESEARCH IDEAS
- food related internet conspiracies
RECEE
- greenhouses south of rotterdam
- Het Nieuwe Oost Cemetery
- Synagogue in Bourtange
- Mevalana Mosque (name after Turkish for Rumi)
- Mescidi Aksa Mosque, Den Haag (very near gallery 1646)
INTERVIEWS
Salimah Gablan, Coffee Meeting, 02.12.22
Yaakov Gablan (father)
- A painter who moved from Iraq, to Israel, to the Netherlands.
- Looking for connection in older life he went to Schak, a chess cafe, enjoying the games and community. The men from the Schak came to his funeral.
- Favourite Iraqi dishes are Kubba Shorba (meat, onion, herbs, spices) and Torshi (pickled vegatables). Also mention of a lebanese fglat bread
- The funeral took place in November 2022. Yaakov was wrapped in a linen showl. Olive branches garnished his body. His paintings decorated the space. Light flooded in through the open doors.
- his children were important to him than his own sibligs who he'd had various disputes with, usually in relation to money.
- He is buried in Het Niuwe Oost Cemetery - specifically wanted to be buried in a public cemetery - but his wife Christine (Swiss Dutch) wanted him to be buried in a Jewish cemetery.
Jewish diaspora
- tribalism - the idiosyncracy of each and every jewish family and custom
- embodied otherness - it's something you can't get away from - it carries through inter-generational - even Salimah's daughters are considered other, 'where are you from?'
Resources
- R - The Hadji, by Leon Unis (Jewish Arab symbiosis)
- R - The Jewish Bride, by Judith Neurick (the disappearing history of iraq)
- R - The Story of the Jews, by Simon Schama / Russel Shortall
TUTORIALS
07.02.23
Rosella
- is there anough depth in the interviews? maybe reveal more or go deeper
- could become a larger patchwork
- could be there interviews pull you out of the fictional elements
- meeting around the table - a group encounter - where all the pieces come together
- the interviews certainly feel like real life
- interesting interaction between the enacted and documentary - you wonder about the connections between the elements - the interviews are so focused on the narration and the fiction is a more spatial/visual representation + but there is connective tissue
- W - Pere Portabella 'El Sopar' (1974) - collective discussion, political action/activism, people meeting, preparing dinner, and eating - the context around the political oppression
- what is the most simple thread - write a scene which concretely depicts this
- more intentionally pushing communicating the relationship between artist-host-parasite
- now you have ingredients but you need the recipe - reduce the ingredients
- the dinner table - a place of universal connection - relatable from different backgrounds - hints at this with G-Zi - now you can expand to have an ensemble cast -
- the interviews/vignettes could be establishing shots of the guests at the dinner
- Bela Tarr - https://www.eyefilm.nl/nl/programma/bela-tarr/125976 - film about banquet with homeless people -
- part of the banquet is the duration of the event -
- Bunuel - discreet charm of b - https://en.wikipedia.org/wiki/The_Discreet_Charm_of_the_Bourgeoisie - (1973) so might have influenced
- https://www.youtube.com/watch?v=LyoAiP4mGhE&ab_channel=FilmStruck
- how to render visual considerations around 'hungry host' - how to maintain the subtlety of the themes between multiple characters - explaining big themes through simple small talk -
- believability - project is closer to reality so absurdism can be relative