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<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Atkens, E (2019) Old Food|Atkens, E (2019) Old Food]]''</span>
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Atkens, E (2019) Old Food|Atkens, E (2019) Old Food]]''</span>
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Perec, G (1997) Species of Spaces and Other Pieces|Perec, G (1997) Species of Spaces and Other Pieces]]''</span>





Revision as of 14:41, 1 February 2023

B I O

Aitan Ebrahimoff (@aitan.tv) creates videos and directs promos for the media and cultural sector.

As a Fine Art & Design student at the Piet Zwart Institute, his videos combine parody, speculation, fantasy and documentary. With a background in Anthropology he builds new hybrid realities with human and non-human actors. Official Selections include Fringe, Shorts on Tap, Palace International and London Experimental Film Festival. His genre of choice is Utopia-Apocalypse.

Since moving to Amsterdam, he directs promos for art institutions, combining clear messaging with fresh imagery. During a stint as a Promo Director in TV, he collaborated with DOPs, art directors, motion designers, and sound designers. He was nominated for Best Newcomer at PROMAX 2019 and received a Silver at PROMAX Africa 2020. He manages productions from concept to delivery, expanding the idea throughout the process.

More of me? Go a i t a n t v . x y z

H U N G R Y H O S T

v i s u a l a b s t r a c t

t h e s i s

p r o j e c t p r o p o s a l

p r o j e c t

j o u r n a l


T O O L B O X

c a m e r a

p h o t o b o o k

G A N

h a n d m a d e f i l m


T H E M A T I C

i n s t a l l a t i o n


M E T H O D S

w h a t ? h o w ? w h y ?

n o n v i o l e n t c o m m s

i n t e r v i e w

a n n o t a t e

f r e e w r i t i n g

t e x t o n p r a c t i c e




W I P

p r o d u c t i o n f o r m u l a

a b c

A v P

C L A Y I N G

T e x t - I m a g e s

t u t o r i a l s

L E D

b u b b l e t o u r s

l i z a r d l a r r y


B I B L I O

Slavoj Zizek (2001) Enjoy Your Symptom

Siegried Zielinski (2006)Deep Time of the Media

Val Plumwood (1999) Being Prey

Hito Steyerl (2014) Proxy Politics: Signal and Noise

John Tagg (1988) The Burden of Representation: Essays on Photographies and Histories

Metahaven (2018) Digital Tarkovsky

Rolando Vázquez(2021) Vistas of Modernity

Donna Haraway (2021) Staying with the Trouble

Thomas Nail (2019) Kinopolitics. Posthuman Ecologies by Braidotti & Bignall

Gaston Bachelard (1958) The Poetics of Space

The Pleasure of Research (2015) Henk Slager

Venus in Two Acts (2008) Saidiya Hartman

Artaud, A (1978) The Theatre and Its Double

Kolk, B (2014) The Body Keeps the Score

Jones, S (2016) Living Bodies of Thought

Foucault, M (1984) Of Other Spaces

Deleuze, G (1989) Cinema 2: The Time Image

Ernesto Pujol (2013) Vulnearbility as Critical Self-Knowledge

Lisbeth Lipari (2014) Listening, Thinking, Being: Towards an Ethics of Attunement

Amin Maalouf (1998) On Identity

Ursula Le Guin (1988) The Carrier Bag Theory of Fiction

Octavia Butler (1980) Wild Seed

Lia Dostlieva (2022) Grain, Ink, and Stones: The Story of Ukrainian Hunger. e-flux #128

Mythri Jegathesan (2022) Passing Blood, Consuming Memories. e-flux #128

Dillon & Marquez (2021) Taking the Fiction out of Science Fiction. e-flux #121

Goldsmith, K (2011) Uncreative Writing

Kraus, C (2000) Aliens & Anorexia

Derrida, J (2000) Of Hospitality

Atkens, E (2019) Old Food

Perec, G (1997) Species of Spaces and Other Pieces


top quotes

F I L M

Here and Elsewhere, Godard

Slow Action, Ben Rivers

Space is the Place, Sun Ra