User:Aitana25: Difference between revisions
| Line 27: | Line 27: | ||
==Seminars / Workshops== | ==Seminars / Workshops== | ||
[[Complicating the Subject by RES Aitana | #2 Complicating the Subject]] | |||
[[Is it possible Aitana | #3 Is it possible to talk about power...]] | |||
[[Decoloniality and film Aitana | #4 Decoloniality and film]] | |||
[[Thematic History & practice of the photo-essay & photo book Aitana | #5 Thematic History & practice of the photo-essay & photo book]] | [[Thematic History & practice of the photo-essay & photo book Aitana | #5 Thematic History & practice of the photo-essay & photo book]] | ||
==Projects in construction / Research== | ==Projects in construction / Research== | ||
Revision as of 10:43, 25 January 2023
significaciones prescriptas
Reading and Writing & Research Methodologies
Texts on practice
Session3 Scratch
#4 Exploring a relevant question
On books
Seminars / Workshops
#3 Is it possible to talk about power...
#5 Thematic History & practice of the photo-essay & photo book
Projects in construction / Research
Notes
Aitana: [no title yet] Are we having a conversation? / Do you understand what I am saying? sneak into a vague and hardly visible world This short film invites to sneak into a vague and hardly invisible world and asks the question "do you understand what I am saying?"
words describe things but also words are "performative speech act" an invitation is an insert invite. Communicating something that may change the world, it has more meanings than the simplified fact of describing. Invitations are questions about performative things, they are acting the world.
A series of films that pose a series of questions. It stabilises it in that frame.
Requiremets: Title Invitation Question
How generous am I going to be to the reader? How do we do that today in a very short and concise way.
"We ask the questions"
Performativity in what we are doing. Words are very active in the world.
Questionnaire.
[[1]]
Notes on Eye On Art: Sexual Unease - Marilyn Monroe as symbol of female oppression in film: women can only become a tragedy. The beautiful lady being killed by her fame. Her appearance is most important. Struggling woman that always was controlled by a man. - Gender unease works both ways. Both stereotypical representations keep the others intact.
'LIST'
https://iffr.com/en/iffr/2023/films/mudos-testigos https://iffr.com/en/iffr/2023/films/é-noite-na-américa https://iffr.com/en/iffr/2023/films/night-walk https://iffr.com/en/iffr/2023/films/pett-kata-shaw https://iffr.com/en/iffr/2023/films/revolution-der-augen https://iffr.com/en/iffr/2023/films/slowly-nowhere https://iffr.com/en/iffr/2023/films/three-sparks