Al's XPUB2 proposal draft: Difference between revisions

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'''[for the final graduation moment]''' i would like to make a sound performance and/or sound installation using the [https://pad.xpub.nl/p/alnik-xpub2-research-audiozines audiozines], created during our research during the whole year [could make a rhythm of making one zine per month, e.g.]. Those zines would be also documented in printed zine versions [the two formats can also go together - transmedia storytelling - like some part of the content is only on the printed zine; some - on the audio]. <br>
'''[for the final graduation moment]''' i would like to make a sound performance and/or sound installation using the [https://pad.xpub.nl/p/alnik-xpub2-research-audiozines audiozines], created during our research during the whole year [could make a rhythm of making one zine per month, e.g.]. Those zines would be also documented in printed zine versions [the two formats can also go together - transmedia storytelling - like some part of the content is only on the printed zine; some - on the audio]. <br>
'''I am struggling with finding my research question.'''
<br>
What could it be about? I have many ideas, some of them are: <br>
* methods to create audiozines?
* methods to create collective audiozines?
* parallel diaries - ways to connect each other by recording something in the same moment
* sounds from the public spaces (to what sounds, noises are we exposed) - like at 1:30 AM roadworks next to my room [collect field recordings + add my personal emotions to those moments with music/abstract sounds + add keywords/illustration]
* recording the sounds of the body (hugging...)
Interested in facilitating jams. Research pad about that is [https://pad.xpub.nl/p/alnik-xpub2-jams here].
<br>
'''[notes from interviews]'''
'''[notes from interviews]'''
-one audio part - a sound pub - can be placed in many ways <br>
-one audio part - a sound pub - can be placed in many ways <br>
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-process of scheduled zine creation (they become a collection to use for performing and make a documentation of) <br>
-process of scheduled zine creation (they become a collection to use for performing and make a documentation of) <br>
-improvised creations - ''sketches in sound'' <br>
-improvised creations - ''sketches in sound'' <br>
-the ideas: very meta; what are the actual contents of the zines? they can be records of specific moments - what is the criteria, how do you choose these moments and with whom <br>
-it is about the structure and not about the topic <br>
-put a deadline for topic exploration - until when it's ok to not know it :D <br>


== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> Why do you want to make it? </span> ==
== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;"> Why do you want to make it? </span> ==

Revision as of 17:24, 29 September 2022


Questions

  1. What do you want to make?
  2. How do you plan to make it?
  3. What is your timetable? [stages] [deadlines]
  4. Why do you want to make it?
  5. Who can help you and how?
  6. Relation to previous practice
  7. Relation to a larger context
  8. References/bibliography
  9. Who is the work for (part of why do you want to make it)

What do you want to make?

[collaborative research] this project is being done [partially] in collaboration with Mitsa. Together, we aim at researching and working on sound as a format for our project/s.

[for the final graduation moment] i would like to make a sound performance and/or sound installation using the audiozines, created during our research during the whole year [could make a rhythm of making one zine per month, e.g.]. Those zines would be also documented in printed zine versions [the two formats can also go together - transmedia storytelling - like some part of the content is only on the printed zine; some - on the audio].

I am struggling with finding my research question.


What could it be about? I have many ideas, some of them are:

  • methods to create audiozines?
  • methods to create collective audiozines?
  • parallel diaries - ways to connect each other by recording something in the same moment
  • sounds from the public spaces (to what sounds, noises are we exposed) - like at 1:30 AM roadworks next to my room [collect field recordings + add my personal emotions to those moments with music/abstract sounds + add keywords/illustration]
  • recording the sounds of the body (hugging...)

Interested in facilitating jams. Research pad about that is here.


[notes from interviews] -one audio part - a sound pub - can be placed in many ways
-physical zine
-process of scheduled zine creation (they become a collection to use for performing and make a documentation of)
-improvised creations - sketches in sound
-the ideas: very meta; what are the actual contents of the zines? they can be records of specific moments - what is the criteria, how do you choose these moments and with whom
-it is about the structure and not about the topic
-put a deadline for topic exploration - until when it's ok to not know it :D

Why do you want to make it?

How do you plan to make it?

What is your timetable?

Who can help you and how?

Relation to previous practice

Relation to a larger context

References/bibliography

Who is the work for?

Archive


the first draft pad [created during the Graduate Seminar on 29-09-2022]