Special Issue 17 Work: Difference between revisions
No edit summary |
|||
(19 intermediate revisions by the same user not shown) | |||
Line 1: | Line 1: | ||
<div style=" | <div style=" | ||
font-family: PT Mono; | font-family: PT Mono, Courier, monospace; | ||
font-size: 14px; | font-size: 14px; | ||
"> | "> | ||
Line 7: | Line 8: | ||
<br> | <br> | ||
With our second issue and the seventeenth for XPUB, we dived into the topic of "productive play", led by artist and researcher Lídia Pereira. During the reading sessions, we have elaborated on gamification, video games, monetisation mechanics and all of their's impacts on our work & personal life. In order to reflect on the topic, we formed reading groups and made discussions in class. Here are all of the (mini)projects I was part of during this special issue. <br><br> | With our second issue and the seventeenth for XPUB, we dived into the topic of "productive play", led by artist and researcher Lídia Pereira. During the reading sessions, we have elaborated on gamification, video games, monetisation mechanics and all of their's impacts on our work & personal life. In order to reflect on the topic, we formed reading groups and made discussions in class. Here are all of the (mini)projects I was part of during this special issue. <br><br> | ||
== Glossary == | == <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">Glossary </span>== | ||
[https://pzwiki.wdka.nl/mediadesign/Glossary_of_productive_play All the terms connected to the topic, researched & defined by us all.] | [https://pzwiki.wdka.nl/mediadesign/Glossary_of_productive_play All the terms connected to the topic, researched & defined by us all.] | ||
== Reading list == | == <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">Reading list </span>== | ||
[https://pad.xpub.nl/p/alnik-si17-reads Reads for the trimester] with notes and annotations. | [https://pad.xpub.nl/p/alnik-si17-reads Reads for the trimester] with notes and annotations. | ||
== Research == | == <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">Research </span>== | ||
[https://pad.xpub.nl/p/alnik-si17-research Research pad.] | [https://pad.xpub.nl/p/alnik-si17-research Research pad.] | ||
== Weekly == | == <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">Weekly </span>== | ||
* [https://pad.xpub.nl/p/alnik-si17-week01 '''week 01'''] '''[introduction]''' | * [https://pad.xpub.nl/p/alnik-si17-week01 '''week 01'''] '''[introduction]''' | ||
getting to know Lidia, Sebastian and the topic of the Special Issue 17 | getting to know Lidia, Sebastian and the topic of the Special Issue 17 | ||
Line 59: | Line 59: | ||
[https://pad.xpub.nl/p/Intro_SI17 work on the editorial texts] (intro letter, colophon) with Steve [★★★★★ a wonderful private editing master-class ★★★★★]<br> | [https://pad.xpub.nl/p/Intro_SI17 work on the editorial texts] (intro letter, colophon) with Steve [★★★★★ a wonderful private editing master-class ★★★★★]<br> | ||
copy edited all of the contents of the publication on git<br> | copy edited all of the contents of the publication on git<br> | ||
wrote the meta tags & descriptions for the contents on the website | wrote the meta tags & descriptions for the contents on the website<br> | ||
* '''week 11 [production mode & launch event]''' | |||
[[File:Production-line.jpg|frameless]] | |||
== Projects & research work == | == <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">Projects & research work </span>== | ||
[[File:Assassin.jpg|thumb]] | [[File:Assassin.jpg|thumb]] | ||
===00. [https://pad.xpub.nl/p/si17-karaoke Karaoke reading group] [w/ Chae, Kamo, Mitsa & Erica]=== | ===<span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">00. [https://pad.xpub.nl/p/si17-karaoke Karaoke reading group] [w/ Chae, Kamo, Mitsa & Erica] </span>=== | ||
<br> | <br> | ||
'''[Karaoke]''' is a playful format (a game?) that makes the player follow the lyrics and play along. While you are singing the song you get to spend some time with the lyrics as well - some pay attention to them, others are more concentrating on keeping up with the tempo. However, you definitely pay more attention to them than when simply listening to the song. <br> | '''[Karaoke]''' is a playful format (a game?) that makes the player follow the lyrics and play along. While you are singing the song you get to spend some time with the lyrics as well - some pay attention to them, others are more concentrating on keeping up with the tempo. However, you definitely pay more attention to them than when simply listening to the song. <br> | ||
Line 70: | Line 72: | ||
[[File:Connect-less.png|thumb]] | [[File:Connect-less.png|thumb]] | ||
===01. [https://pad.xpub.nl/p/alnik-si17-diablo Game analysis: Diablo II Lord of Destruction] [individual work]=== | ===<span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">01. [https://pad.xpub.nl/p/alnik-si17-diablo Game analysis: Diablo II Lord of Destruction] [individual work] </span>=== | ||
<br> | <br> | ||
I played this game a lot when I was a teenager. My favourite moments were collecting rare items (armoury, charms, weapons) for my character and enhancing her skills and strength. I used to spend extra time | I played this game a lot when I was a teenager. My favourite moments were collecting rare items (armoury, charms, weapons) for my character and enhancing her skills and strength. I used to spend extra time walking around to reveal the whole map of each world, thus I was always trying to make my character able to run faster. I was even repeating some levels in order to make her stronger before going to the next Act. | ||
[Ideology analysis] was a curious process to get back to something familiar from another life and look at it from another point of view. H[https://pad.xpub.nl/p/alnik-si17-diablo ere are some observations] about the game design and gameplay.<br> | [Ideology analysis] was a curious process to get back to something familiar from another life and look at it from another point of view. H[https://pad.xpub.nl/p/alnik-si17-diablo ere are some observations] about the game design and gameplay.<br> | ||
===02. Connect[less] [individual work]=== | ===<span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">02. Connect[less] [individual work] </span>=== | ||
<br>Visit its own wiki page: ▶▶[[Connect-less]]<br> | <br>Visit its own wiki page: ▶▶[[Connect-less]]<br> | ||
“Well, if you are a [well-connected] man, you will [network] from morning till night. When you [wake up], you [get outside], and when [you get there, you network - you meet people and you connect with them]. You do that right straight through the day. And what’s more, no back talk. Now a [well-connected] man does just what he’s told to do, and no back talk. Do you understand that?" | “Well, if you are a [well-connected] man, you will [network] from morning till night. When you [wake up], you [get outside], and when [you get there, you network - you meet people and you connect with them]. You do that right straight through the day. And what’s more, no back talk. Now a [well-connected] man does just what he’s told to do, and no back talk. Do you understand that?" | ||
Line 86: | Line 88: | ||
The game was part of the publication.<br> | The game was part of the publication.<br> | ||
===03. [https://pad.xpub.nl/p/fanfiction_jian_al_miri ''Flirting at School'' game fan-fiction] [w/ Jian & Miriam]=== | ===<span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">03. [https://pad.xpub.nl/p/fanfiction_jian_al_miri ''Flirting at School'' game fan-fiction] [w/ Jian & Miriam] </span>=== | ||
<br> | <br> | ||
We did not find common games, so we decided to write fan-fiction about the game Miriam brought to class - "Flirting at School". Whilst playing the game a little bit, we agreed that it is impossible to write anything about it since we found everything about its gameplay and storyline wrong. That is why we took the rules of the game and rewrote them. | We did not find common games, so we decided to write fan-fiction about the game Miriam brought to class - "Flirting at School". Whilst playing the game a little bit, we agreed that it is impossible to write anything about it since we found everything about its gameplay and storyline wrong. That is why we took the rules of the game and rewrote them. | ||
===04. [https://pad.xpub.nl/p/si17-modding Modding discussion] [w/ Jian & Miriam]=== | ===<span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">04. [https://pad.xpub.nl/p/si17-modding Modding discussion] [w/ Jian & Miriam] </span>=== | ||
<br> | <br> | ||
'''[Group discussion]''' of Chapter 2:"Game Modding: Cross-Over Mutation and Unwelcome Gifts" from "The Player’s Power to Change the Game" by Anne-Marie Schleiner. The approach to look at modders as "parasites" and opportunists was quite new to us - this and other observations we discussed are written [https://pad.xpub.nl/p/si17-modding here].<br> | '''[Group discussion]''' of Chapter 2:"Game Modding: Cross-Over Mutation and Unwelcome Gifts" from "The Player’s Power to Change the Game" by Anne-Marie Schleiner. The approach to look at modders as "parasites" and opportunists was quite new to us - this and other observations we discussed are written [https://pad.xpub.nl/p/si17-modding here].<br> | ||
[[File:Si17 intro-letter.jpg|thumb]] | [[File:Si17 intro-letter.jpg|thumb]] | ||
===05. Editorial Work [w/ Gersande]=== | ===<span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">05. Editorial Work [w/ Gersande] </span>=== | ||
<br> | <br> | ||
▶▶'''[[Special Issue 17 Editorial]]''' In order to help the groups (teams 1, 2 and 3) connect their ideas in a joint concept as well as exchange feedback and make editorial decisions, together with Gersande, we facilitated a meeting with the group representatives. To prepare, on the previous day, I took part in the small groups' meetings with Lidia, observed each group's key ideas and created summaries. Then, I extracted the main concepts and simplified them for the teams. During the editorial meeting we went through them and each group representative was invited to contribute by answering some important questions that were raised during the previous day. As a result of the meeting, we agreed on the main angle, setting, narrative and method. Pads: [https://pad.xpub.nl/p/xpub1-editorial-draft the preparation for the meeting + the notes from the small groups talks] and [https://pad.xpub.nl/p/xpub1-si17-editorial-groups-outlines the pad of the editorial meeting].<br><br> | ▶▶'''[[Special Issue 17 Editorial]]''' In order to help the groups (teams 1, 2 and 3) connect their ideas in a joint concept as well as exchange feedback and make editorial decisions, together with Gersande, we facilitated a meeting with the group representatives. To prepare, on the previous day, I took part in the small groups' meetings with Lidia, observed each group's key ideas and created summaries. Then, I extracted the main concepts and simplified them for the teams. During the editorial meeting we went through them and each group representative was invited to contribute by answering some important questions that were raised during the previous day. As a result of the meeting, we agreed on the main angle, setting, narrative and method. Pads: [https://pad.xpub.nl/p/xpub1-editorial-draft the preparation for the meeting + the notes from the small groups talks] and [https://pad.xpub.nl/p/xpub1-si17-editorial-groups-outlines the pad of the editorial meeting].<br><br> | ||
Line 104: | Line 106: | ||
'''[The 400 folds]''' The introduction letters were printed at the studio, folded and closed by me, Gersande and Carmen. Folding 99 letters was a great labour-learning process to get from 0 folding skills to nearly a pro. For real. :D | '''[The 400 folds]''' The introduction letters were printed at the studio, folded and closed by me, Gersande and Carmen. Folding 99 letters was a great labour-learning process to get from 0 folding skills to nearly a pro. For real. :D | ||
===06. [[Licenses]] [w/ Michael, Manetta & Aymeric's disertation]=== | ===<span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">06. [[Licenses]] [w/ Michael, Manetta & Aymeric's disertation] </span>=== | ||
<br> | <br> | ||
While looking for the right license for the publication, in a conversation with Michael and Manetta, the need for an XPUB wiki page collection of useful licenses emerged. Thus, [https://pzwiki.wdka.nl/mediadesign/Licenses here] is a starting point.<br> | While looking for the right license for the publication, in a conversation with Michael and Manetta, the need for an XPUB wiki page collection of useful licenses emerged. Thus, [https://pzwiki.wdka.nl/mediadesign/Licenses here] is a starting point.<br> | ||
===07. One sentence game ideas [whole group work]=== | ===<span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">07. One sentence game ideas [whole group work] </span>=== | ||
<br> | <br> | ||
Since the beginning of our work on the special issue, we started collecting game ideas in a minimalistic manner - [https://pad.xpub.nl/p/2022_onesentencegameideas in just one sentence]. My contributions were often connected to a particular moment of our group work or joint experiences, in search of a common ground for the game idea and thinking of inside jokes.<br> | Since the beginning of our work on the special issue, we started collecting game ideas in a minimalistic manner - [https://pad.xpub.nl/p/2022_onesentencegameideas in just one sentence]. My contributions were often connected to a particular moment of our group work or joint experiences, in search of a common ground for the game idea and thinking of inside jokes.<br> | ||
Line 118: | Line 120: | ||
The one-sentence game ideas were also part of the final publication. | The one-sentence game ideas were also part of the final publication. | ||
===08. Event launch soundtrack [w/ Miriam & Kamo]=== | ===<span style="color: white; font-family: Menlo; text-decoration:none; background-color: #ff0033; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">08. Event launch soundtrack [w/ Miriam & Kamo] </span>=== | ||
<br> | <br> | ||
The playlist for the event has to be full of music from games, right? My contributions were the soundtracks of (#90skids vibes):<br> | The playlist for the event has to be full of music from games, right? My contributions were the soundtracks of (#90skids vibes):<br> | ||
Line 125: | Line 127: | ||
* [https://www.youtube.com/watch?v=dIKdZ2827rM Donkey Kong Country 2] (1995) | * [https://www.youtube.com/watch?v=dIKdZ2827rM Donkey Kong Country 2] (1995) | ||
* [https://www.youtube.com/watch?v=Y2VJeZDejtc Final Fantasy 6] (1994) | * [https://www.youtube.com/watch?v=Y2VJeZDejtc Final Fantasy 6] (1994) | ||
== Prototyping == | |||
== <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">Prototyping </span>== | |||
==== Connect[less] ==== | ==== Connect[less] ==== | ||
The game was born in the prototyping classes. Manetta gave us the task to create some simple games and puzzles whilst experimenting with Python functions to create mazes and sort our characters in playful ways. [https://hub.xpub.nl/soupboat/~alnik/xpub1/lab/si17/week%2005/connect-less.html The initial prototype of connect[less<nowiki>]</nowiki>] was created as a Python function to generate a game board for 2 or 3 players. ([https://hub.xpub.nl/soupboat/~alnik/xpub1/lab/si17/week%2005/ The prototyping experiments during the class]) | The game was born in the prototyping classes. Manetta gave us the task to create some simple games and puzzles whilst experimenting with Python functions to create mazes and sort our characters in playful ways. [https://hub.xpub.nl/soupboat/~alnik/xpub1/lab/si17/week%2005/connect-less.html The initial prototype of connect[less<nowiki>]</nowiki>] was created as a Python function to generate a game board for 2 or 3 players. ([https://hub.xpub.nl/soupboat/~alnik/xpub1/lab/si17/week%2005/ The prototyping experiments during the class]) | ||
== Reflection == | == <span style="color: white; font-family: Menlo; text-decoration:none; background-color: #0033ff; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;">Reflection </span>== | ||
▶▶[https://pzwiki.wdka.nl/mediadesign/SI17_reflection:_%E2%98%BE_%C3%85l_Nik_%E2%98%BE My personal reflection on the whole Special Issue 17 journey.] |
Latest revision as of 16:22, 1 July 2022
With our second issue and the seventeenth for XPUB, we dived into the topic of "productive play", led by artist and researcher Lídia Pereira. During the reading sessions, we have elaborated on gamification, video games, monetisation mechanics and all of their's impacts on our work & personal life. In order to reflect on the topic, we formed reading groups and made discussions in class. Here are all of the (mini)projects I was part of during this special issue.
Glossary
All the terms connected to the topic, researched & defined by us all.
Reading list
Reads for the trimester with notes and annotations.
Research
Weekly
- week 01 [introduction]
getting to know Lidia, Sebastian and the topic of the Special Issue 17
- week 02 [ideology, gamification]
exploring gamification
reading and annotating Gamification as twenty-first-century ideology by Mathias Fuchs
ideology with Steve: reflection on How ideologies are expressed in today's everyday life?
- week 03 [monetization mechanics, further reading, karaoke]
monetisation models & reads; predatory monetisation mechanics map with Kamo and Erica
karaoke group reading (monday & wednesday)
typography class (monday, wednesday & friday) at the Publication station
SI16 reflection with (almost) the whole group: https://pad.xpub.nl/p/si16_debrief
- week 04 [digesting, tutorials, glossary]
digesting, reflecting, more reads
individual tutorials
creating a glossary for productive games
- week 05 [prototyping: puzzles, mazes, human computing; editorial: modding; fan-fiction]
building little games, playful things, make mazes with python
what is modding and how it is connected to culture and labour
kim & chae's experimental kitchen session - to try different roles within the group and new decision-making approach
- week 06 [playing games made by us; git pushing mess]
collaboration tools and git play our little games (connectless was tested with Jian, Chae and Supi) clarifying the elements of the loot box
- weeks 07 & 08 [spring break]
group meeting discussing prototypes and (dis)agreeing on the SI form & content
prototype of a concept for the loot box content
the group being stuck on decision-taking and therefore made a group division
writing workshop at the Research station
- week 09 [prototyping with Manetta, small groups meetings with Lidia, ediorial meeting & FIBER lab]
bots, IRC [hello, again, mIRC-a :D] & chat bots with python [we were banned hehe]
took part in all of the meetings with Lidia and the teams in order to make a summary and support the editorial decision-taking; pad of the day with my notes
editorial meeting preparation
editorial meeting with Gersande, Chae, Emma and Erica
FIBER lab "Natural Intelligence" in A LAB, Amsterdam: my pad, varia's pads, tools brainstorming pad
- week 10 [progress updates to tutors & creating the editorial texts]
prototyping classes with check in and git tutorial (how to push our contents)
finished connect[less] and pushed on git
work on the editorial texts (intro letter, colophon) with Steve [★★★★★ a wonderful private editing master-class ★★★★★]
copy edited all of the contents of the publication on git
wrote the meta tags & descriptions for the contents on the website
- week 11 [production mode & launch event]
Projects & research work
00. Karaoke reading group [w/ Chae, Kamo, Mitsa & Erica]
[Karaoke] is a playful format (a game?) that makes the player follow the lyrics and play along. While you are singing the song you get to spend some time with the lyrics as well - some pay attention to them, others are more concentrating on keeping up with the tempo. However, you definitely pay more attention to them than when simply listening to the song.
[Rewriting a symbolic song] The process started with reflecting on the readings as a group and putting in place key phrases that stuck with us. Things we wanted to bring up when we were writing the new lines. While rewriting someone else's lyrics, we were following the number of syllabises in order to keep the rhythm. And only after that, we managed to work on matching the rhymes. The lyrics were edited several times, re-written and supplemented by Chae and Mitsa. Chae and I finalised them to meet the deadline for sending the contents for printing.
Our karaoke was part of the publication.
01. Game analysis: Diablo II Lord of Destruction [individual work]
I played this game a lot when I was a teenager. My favourite moments were collecting rare items (armoury, charms, weapons) for my character and enhancing her skills and strength. I used to spend extra time walking around to reveal the whole map of each world, thus I was always trying to make my character able to run faster. I was even repeating some levels in order to make her stronger before going to the next Act.
[Ideology analysis] was a curious process to get back to something familiar from another life and look at it from another point of view. Here are some observations about the game design and gameplay.
02. Connect[less] [individual work]
Visit its own wiki page: ▶▶Connect-less
“Well, if you are a [well-connected] man, you will [network] from morning till night. When you [wake up], you [get outside], and when [you get there, you network - you meet people and you connect with them]. You do that right straight through the day. And what’s more, no back talk. Now a [well-connected] man does just what he’s told to do, and no back talk. Do you understand that?"
—rephrased Frederick Winslow Taylor, The Principles of Scientific Management (1911) [rephrased content is in square brackets]
—from"Selfwork", Karen Gregory; Kirsty Hendry; Jake Watts; Dave Young February 02, 2017
Networking is quite crucial for our work and success, isn't it? The better we are connected, the more opportunities we have. The more opportunities we get, the more chance we have to get work and gigs. Your success and wellbeing depends on how connected you are. The more, the merrier.
However, some might feel the pressure of constant networking and being out there. The fear of missing out. The opportunities never reached. All the anxiety that may bring.
In this silly exercise you and your partner will explore ways to connect to other well-connected creatures like you (either circles or squares). And to reflect on all of this in a simple conversation while doing some simple lines. However, you networks might collide. You must not cross any other connection (line) and find your way around them. You must connect as much as possible.
The game was part of the publication.
03. Flirting at School game fan-fiction [w/ Jian & Miriam]
We did not find common games, so we decided to write fan-fiction about the game Miriam brought to class - "Flirting at School". Whilst playing the game a little bit, we agreed that it is impossible to write anything about it since we found everything about its gameplay and storyline wrong. That is why we took the rules of the game and rewrote them.
04. Modding discussion [w/ Jian & Miriam]
[Group discussion] of Chapter 2:"Game Modding: Cross-Over Mutation and Unwelcome Gifts" from "The Player’s Power to Change the Game" by Anne-Marie Schleiner. The approach to look at modders as "parasites" and opportunists was quite new to us - this and other observations we discussed are written here.
05. Editorial Work [w/ Gersande]
▶▶Special Issue 17 Editorial In order to help the groups (teams 1, 2 and 3) connect their ideas in a joint concept as well as exchange feedback and make editorial decisions, together with Gersande, we facilitated a meeting with the group representatives. To prepare, on the previous day, I took part in the small groups' meetings with Lidia, observed each group's key ideas and created summaries. Then, I extracted the main concepts and simplified them for the teams. During the editorial meeting we went through them and each group representative was invited to contribute by answering some important questions that were raised during the previous day. As a result of the meeting, we agreed on the main angle, setting, narrative and method. Pads: the preparation for the meeting + the notes from the small groups talks and the pad of the editorial meeting.
[Creating the editorial for the publication] Gersande and I discussed what should the format of the introduction to the publication be. We decided to make it as a letter written by the loot box. Then, Gersande made a draft following our structure to be short, concise and to have a paragraph of context, a paragraph about the box and another one about what the reader can do with it. On the next day, Steve and I edited it line by line - simplified and clarified it. We also did a copy edit of the contents on the publications; Gersande did proofing. A tidy pad with the editorial texts is here. I also made some meta tags for the website here.
[The 400 folds] The introduction letters were printed at the studio, folded and closed by me, Gersande and Carmen. Folding 99 letters was a great labour-learning process to get from 0 folding skills to nearly a pro. For real. :D
06. Licenses [w/ Michael, Manetta & Aymeric's disertation]
While looking for the right license for the publication, in a conversation with Michael and Manetta, the need for an XPUB wiki page collection of useful licenses emerged. Thus, here is a starting point.
07. One sentence game ideas [whole group work]
Since the beginning of our work on the special issue, we started collecting game ideas in a minimalistic manner - in just one sentence. My contributions were often connected to a particular moment of our group work or joint experiences, in search of a common ground for the game idea and thinking of inside jokes.
*you receive a point for each moving/floating tile on the street you encounter *a portal will take you to the opposite spot on the globe from the one you've picked up *you are stuck in reality and you're trying to get back to your imaginary world but cannot find the door *you get to experience your whole life in reverse *the printer that works is hidden somewhere in a maze
The one-sentence game ideas were also part of the final publication.
08. Event launch soundtrack [w/ Miriam & Kamo]
The playlist for the event has to be full of music from games, right? My contributions were the soundtracks of (#90skids vibes):
- The Neverhood (1996) [still one of the best games ever...]
- Grim Fandango (1998)
- Donkey Kong Country 2 (1995)
- Final Fantasy 6 (1994)
Prototyping
Connect[less]
The game was born in the prototyping classes. Manetta gave us the task to create some simple games and puzzles whilst experimenting with Python functions to create mazes and sort our characters in playful ways. The initial prototype of connect[less] was created as a Python function to generate a game board for 2 or 3 players. (The prototyping experiments during the class)
Reflection
▶▶My personal reflection on the whole Special Issue 17 journey.