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* John Cage (1970), [https://monoskop.org/images/0/03/Cage_John_Song_Books_Volume_1.pdf Song Books] Vol 1 | * John Cage (1970), [https://monoskop.org/images/0/03/Cage_John_Song_Books_Volume_1.pdf Song Books] Vol 1 | ||
* Brian Eno: [https://monoskop.org/images/8/8c/Eno_Brian_Schmidt_Peter_Oblique_Strategies.pdf Oblique Strategies] (card game) | * Brian Eno: [https://monoskop.org/images/8/8c/Eno_Brian_Schmidt_Peter_Oblique_Strategies.pdf Oblique Strategies] (card game) | ||
* Karen Barad (2007), diffraction-reflection in: Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning | * Karen Barad (2007), [https://possiblebodies.constantvzw.org/files/implicancies/reflection-diffraction.pdf diffraction-reflection] in: Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning | ||
== Additional resources == | == Additional resources == |
Revision as of 21:43, 25 April 2022
- Mel Y. Chen. Animacies: Biopolitics, Racial Mattering, and Queer Affect. Durham and London: Duke University Press, 2012. (p23-35)
- Larissa Lai, The Tiger Flu (chapter 1 + 2)
- Wendy Hui Kyong Chun (2018), Queerying Homophily
- Simon Yuill (2008), All problems of notation will be solved by the masses
- Scratch Orchestra (1969), Nature Study Notes
- John Cage (1970), Song Books Vol 1
- Brian Eno: Oblique Strategies (card game)
- Karen Barad (2007), diffraction-reflection in: Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning
Additional resources
Watching / listening
- Wendy Chun (2017), Crisis + Habit = Update
- Syed Mustafa Ali (2018), ‘White Crisis’ and/as ‘Existential Risk'
- Melanie Feinberg (2014), A Story Without End: Writing the Residual into Information Infrastructure
- Romi (Ron) Morrison (2018), Decoding space: Liquid infrastructures
- Romi (Ron) Morrisson (2019), Residual Black Data
- Aimee Bahng (2017), Plasmodial Improprieties: Octavia E. Butler, Slime Molds, and Imagining a Femi-Queer Commons
- Martine Syms (2013), The Mundane Afrofuturist Manifesto
- Ursula Leguin (1985), She Unnames Them
- Edouard Glissant (Manthia Diawara, 2010), One World in Relation
- Denise Fereira Da Silva, Arjuna Neuman (2019), Four waters: deep implicancy
- Four Rooms – Denise Ferreira Da Silva (2020), on the Logics of Exclusion and Obliteration
More reading
- Manthia Diawara, Edouard Glissant (2009), Edouard Glissant in Conversation with Manthia Diawara
- Orit Halperin (2014), Beautiful Data, A History of Vision and Reason since 1945
- Hope A. Olson (1998), Mapping Beyond Dewey’s Boundaries: Constructing Classificatory Space for’ Marginalized Knowledge Domains
- Dahlia S. Cambers, Mary Coffey, Måns Wrange / OMBUD (2014), The Law of Averages 1, 2 + 3
- Romi Ron Morrison (2019), Gaps between the digits. On the fleshy unknowns of the HUMAN
- Oulimata Gueye (2019), No Congo, no technologies
- Martine Syms (2013), The Mundane Afrofuturist Manifesto
- Ramon Amaro (2019), Artificial intelligence: Warped, colorful forms and their unclear geometries
- Donna Haraway (2019), A Giant Bumptious Litter: Donna Haraway on Truth, Technology, and Resisting Extinction
- Denise Fereira Da Silva (2016), On difference without separability
- Katherine Mckittrick, Mathematics Black Life
- Donna Harraway (1988), Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective
- Karen Barad, Adam Kleinmann (2012), Intra-actions
- Karen Barad (2016), Diffracting diffraction
- Katherine Mckittrick (2021), Dear Science or Footnotes (Books and papers scattered about the floor) (in: Dear Science and Other Stories)
- Zach Blas & Micha Carde (2015), Imaginary computational systems: queer technologies and transreal aesthetics
- Noah Tsika (2016), CompuQueer: Protocological Constraints, Algorithmic Streamlining, and the Search for Queer Methods Online
- Wendy Hui Kyong Chun (2009), Race and/as Technology; or, How to Do Things to Race (introduction)
- Syed Mustafa Ali (2016), A brief introduction to decolonial computing
- Michael Murtaugh (2020), Eventual consistency
- Saidiya Hartman (2020), The Plot of Her Undoing