User:FLEM/1.3

.my notebook is the place where everything is // i like to annotate in there what get stuck into my brain for one reason or another (//not all the thoughts are my exclusive property)

.special issue 17 // 10.01.22_25.03.21

12.04.22

There is a city in the south of Italy, where the water is really blue and you can actualy see the bottom.There is a city in the North, that is Venice, where you can't see the bottom. There is a city in the UK where the water can be transparent but ... ocean, you can see a different sound. There is a city in the NL (Rotterdam) where sometimes you can see something, sometimes you can... what you mostly see are reflections on the water rather than underneath.

There were no human actors in this one, factual statements, connected by materiality (water) describing them in a factual way, rather than emotional. Because it comes from Emma's mouth, I can see what Emma is interested in, and when she navigates cities, what she focusses on. A perspective interest. Between the factual and observational, repetition of "there is a city", "you can see"... Paints the scene and introduces someone that is both speaking and drawing you to that city. Both making the city emerge and also introducting the observer of thoses different waters in those different cities. By layering we start to understand that this much be a observer travelling. Destiny doesn't seem to be in this one. No Teleology here or in previous... Bringing non inter-personal relationships, also happening here , the city and the water takes part in what makes an introduction.