User:Aitantv: Difference between revisions
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<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Hito_Steyerl_(2014)_Proxy_Politics:_Signal_and_Noise|Hito_Steyerl_(2014)_Proxy_Politics:_Signal_and_Noise]]''</span> | <span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Hito_Steyerl_(2014)_Proxy_Politics:_Signal_and_Noise|Hito_Steyerl_(2014)_Proxy_Politics:_Signal_and_Noise]]''</span> | ||
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/John_Tagg_(1988)_The_Burden_of_Representation:_Essays_on_Photographies_and_Histories_| | <span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/John_Tagg_(1988)_The_Burden_of_Representation:_Essays_on_Photographies_and_Histories_|John Tagg (1988) The Burden of Representation: Essays on Photographies and Histories]]''</span> | ||
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Metahaven_(2018)_Digital_Tarkovsky| | <span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Metahaven_(2018)_Digital_Tarkovsky|Metahaven (2018) Digital Tarkovsky]]''</span> | ||
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Rolando_Vázquez_(2021)_Vistas_of_Modernity| | <span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Rolando_Vázquez_(2021)_Vistas_of_Modernity|Rolando Vázquez(2021) Vistas of Modernity]]''</span> | ||
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Donna_Haraway_(2021)_Staying_with_the_Trouble| | <span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Donna_Haraway_(2021)_Staying_with_the_Trouble|Donna Haraway (2021) Staying with the Trouble]]''</span> | ||
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Thomas Nail_(2019)_Kinopolitics._Posthuman_Ecologies_by_Braidotti_&_Bignall|Thomas | <span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Thomas Nail_(2019)_Kinopolitics._Posthuman_Ecologies_by_Braidotti_&_Bignall|Thomas Nail (2019) Kinopolitics. Posthuman Ecologies by Braidotti & Bignall]]''</span> | ||
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Gaston Bachelard (1958) The Poetics of Space|Gaston Bachelard (1958) The Poetics of Space]]''</span> | <span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''[[User:Aitantv/Gaston Bachelard (1958) The Poetics of Space|Gaston Bachelard (1958) The Poetics of Space]]''</span> |
Revision as of 13:19, 21 February 2022
B I O
Aitan Ebrahimoff (@aitan.tv) creates videos and directs promos for the media and cultural sector.
As a Fine Art & Design student at the Piet Zwart Institute, his videos combine parody, speculation, fantasy and documentary. With a background in Anthropology he builds new hybrid realities with human and non-human actors. Official Selections include Fringe, Shorts on Tap, Palace International and London Experimental Film Festival. His genre of choice is Utopia-Apocalypse.
Since moving to Amsterdam, he directs promos for art institutions, combining clear messaging with fresh imagery. During a stint as a Promo Director in TV, he collaborated with DOPs, art directors, motion designers, and sound designers. He was nominated for Best Newcomer at PROMAX 2019 and received a Silver at PROMAX Africa 2020. He manages productions from concept to delivery, expanding the idea throughout the process.
More of me? Go a i t a n t v . x y z
T O O L B O X
M E T H O D S
W I P
p r o d u c t i o n f o r m u l a
B I B L I O
Slavoj_Zizek_(2001)_Enjoy_Your_Symptom
Siegried_Zielinski_(2006)_Deep_Time_of_the_Media
Val_Plumwood_(1999)_Being_Prey
Hito_Steyerl_(2014)_Proxy_Politics:_Signal_and_Noise
John Tagg (1988) The Burden of Representation: Essays on Photographies and Histories
Metahaven (2018) Digital Tarkovsky
Rolando Vázquez(2021) Vistas of Modernity
Donna Haraway (2021) Staying with the Trouble
Thomas Nail (2019) Kinopolitics. Posthuman Ecologies by Braidotti & Bignall