User:Aitantv/Handmade Film: Difference between revisions
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Expanded/Absolute Cinema - 01/02/22 | |||
* Jordan Belson - organic, optical lens | * Jordan Belson - organic, optical lens effects; thinking of the analogue legacy/conventions that influences digital post-production workflows e.g. layering, blending, compositing, etc.; also uses optical soundtracks; imagine doing the photogram/lithogram process but creating moving image spectacles | ||
* the projector can also move; it can be dynamic; frame rates don't have to be stuck at 24 | * the projector can also move; it can be dynamic; frame rates don't have to be stuck at 24 | ||
* Guy Sherwin - Man with Mirror (1976-2011); ongoing performance piece; film of artist looking into mirror projected and refilmed onto artist with mirror decades later; master of manipulating time and space; profound yet simple appreciation of the fundamental component of cinema language of film; almost a dance choreography have to remember by heart. 'Paper Landscape' reveals the artist ripping paper projected on transparent screen which the artist revelas by painting it white; again a meditation on collapsing past-present into a single action; dialogue with with past self; echoing one another revealing the landscape; cuts the screen at the end at the point of vanishing point. Dialogue between memory and present. Physically going beyong the frame. The basic elements of cinema offer a lot of dexterity. | * Guy Sherwin - Man with Mirror (1976-2011); ongoing performance piece; film of artist looking into mirror projected and refilmed onto artist with mirror decades later; master of manipulating time and space; profound yet simple appreciation of the fundamental component of cinema language of film; almost a dance choreography have to remember by heart. 'Paper Landscape' reveals the artist ripping paper projected on transparent screen which the artist revelas by painting it white; again a meditation on collapsing past-present into a single action; dialogue with with past self; echoing one another revealing the landscape; cuts the screen at the end at the point of vanishing point. Dialogue between memory and present. Physically going beyong the frame. The basic elements of cinema offer a lot of dexterity. | ||
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* Malcolm LeGrice - Horror Film (1972/2014) : involved with London Filmmakers coorprative; miming through projection; going beyond the strait expected projection; multiple color filters on projector. | * Malcolm LeGrice - Horror Film (1972/2014) : involved with London Filmmakers coorprative; miming through projection; going beyond the strait expected projection; multiple color filters on projector. | ||
* Anthony McCall Line Describing a Cone - simple geometry filmed on 16mm to get true blacks and whites; projected in black space it creates 3D sculptural objects | * Anthony McCall Line Describing a Cone - simple geometry filmed on 16mm to get true blacks and whites; projected in black space it creates 3D sculptural objects | ||
* The Whitney Brothers - synaesthesia - grandads of motion graphics - Vertigo title sequence | |||
Structural Materialist Film - 01/02/22 | |||
* repetitive rhythm to create structure; duration; actions punctuate the rhythm; without narrative how do you structure a film? What is the choreograhy. | |||
* Michael Snow - e.g. Back & Forth, Wavelength, Le Region Centrale (1971) (180mins) continuous shot; Solar Breath (2002) | |||
* Andy Warhol, man sleeping, | |||
* Stan Brackhage - Mothlight (1963) | |||
Revision as of 15:55, 1 February 2022
Expanded/Absolute Cinema - 01/02/22
- Jordan Belson - organic, optical lens effects; thinking of the analogue legacy/conventions that influences digital post-production workflows e.g. layering, blending, compositing, etc.; also uses optical soundtracks; imagine doing the photogram/lithogram process but creating moving image spectacles
- the projector can also move; it can be dynamic; frame rates don't have to be stuck at 24
- Guy Sherwin - Man with Mirror (1976-2011); ongoing performance piece; film of artist looking into mirror projected and refilmed onto artist with mirror decades later; master of manipulating time and space; profound yet simple appreciation of the fundamental component of cinema language of film; almost a dance choreography have to remember by heart. 'Paper Landscape' reveals the artist ripping paper projected on transparent screen which the artist revelas by painting it white; again a meditation on collapsing past-present into a single action; dialogue with with past self; echoing one another revealing the landscape; cuts the screen at the end at the point of vanishing point. Dialogue between memory and present. Physically going beyong the frame. The basic elements of cinema offer a lot of dexterity.
- What are the forms of your work: e.g. there could be a series of presentations on a single topic; go in depth into an idea; you have to go deeper to see what others have done before; how does it form a dialogue with whats come before
- Malcolm LeGrice - Horror Film (1972/2014) : involved with London Filmmakers coorprative; miming through projection; going beyond the strait expected projection; multiple color filters on projector.
- Anthony McCall Line Describing a Cone - simple geometry filmed on 16mm to get true blacks and whites; projected in black space it creates 3D sculptural objects
- The Whitney Brothers - synaesthesia - grandads of motion graphics - Vertigo title sequence
Structural Materialist Film - 01/02/22
- repetitive rhythm to create structure; duration; actions punctuate the rhythm; without narrative how do you structure a film? What is the choreograhy.
- Michael Snow - e.g. Back & Forth, Wavelength, Le Region Centrale (1971) (180mins) continuous shot; Solar Breath (2002)
- Andy Warhol, man sleeping,
- Stan Brackhage - Mothlight (1963)