User:Aitantv/Camera: Difference between revisions
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'You hear the dollars running through the camera' (David Fincher) | 'You hear the dollars running through the camera' (David Fincher) | ||
Etymology: 'In Camera' (in private) / Photography (light writing) | |||
Something | Proxy audience. | ||
Something I must not drop. | |||
A weapon. ‘I shoot people for a living’ | A weapon. ‘I shoot people for a living’ | ||
A box that documents and fictionalises | A box that documents and fictionalises. | ||
Memory recorder. | |||
Selfie Creator. | Selfie Creator. | ||
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Behaviour augmentor. | Behaviour augmentor. | ||
Performative spotlight. | |||
Energy extractor | Energy extractor. | ||
Light writer. | Light-writer. | ||
Selector. | Selector. | ||
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Give a brief 1 minute presentation proposing your research idea and process. | Give a brief 1 minute presentation proposing your research idea and process. | ||
== Experiment == | |||
<span style="color: black; ext-decoration:none; background-color: #FFF300; padding-top: 0.1vw; padding-bottom: 0.1vw; padding-left: 0.1vw; padding-right: 0.2vw;" >''m o b i l i t y''</span> is the key variable. | |||
Questions: | |||
* Inspired by the nimble cinematography of Anthony Dod Mantle, Christopher Doyle, & Emmanuel Lubezki, how much impact does movement have on a scene? | |||
* How does the dance with the camera change the result or emotional resonance of a subject or object? | |||
* What message or feeling can movement/stasis translate? | |||
Method | |||
* Shoot the same controlled scene/s multiple times with different stabalisers. | |||
* Scene: Vinisha Umashankar COP26 Speech | |||
* Stabalization tools: tripod v mononpod v plank v plank with two operators v handheld on wheely chair | |||
* Camera: GX80 m43 sensor, 1080p, 24fps | |||
{{vimeo|653683018}} | |||
Latest revision as of 14:23, 6 December 2021
Camera
'You hear the dollars running through the camera' (David Fincher)
Etymology: 'In Camera' (in private) / Photography (light writing)
Proxy audience.
Something I must not drop.
A weapon. ‘I shoot people for a living’
A box that documents and fictionalises.
Memory recorder.
Selfie Creator.
Perspective obscura.
Surveillance inductor.
Extra limb.
Evidence collector.
Behaviour augmentor.
Performative spotlight.
Energy extractor.
Light-writer.
Selector.
Cropper.
Reality Curator.
Camera Features
- cost
- weight, dimension, mobility, maneuverability
- connectivity, connectedness
- sealedness (water / air / sand)
- resolution
- sensor size
- lens quality and (inter)changeability
- focal length (angle of view, all the way to 360)
- noisee-ness
- battery
- recording capacity
- sensitivity (light)
- dynamic range
- compression/RAW
- sound record
- frame-rate
- digital/analogue
- spectrum of light
- modulability or modularity
- stabilisation
- shutter speed (no rolling shutter)
- durability (environment, temperature etc.)
- cinematographer
Challenge
- Which camera feature would you like to question?
- What's the method of experimentation?
- How do you plan on documenting?
Give a brief 1 minute presentation proposing your research idea and process.
Experiment
m o b i l i t y is the key variable.
Questions:
- Inspired by the nimble cinematography of Anthony Dod Mantle, Christopher Doyle, & Emmanuel Lubezki, how much impact does movement have on a scene?
- How does the dance with the camera change the result or emotional resonance of a subject or object?
- What message or feeling can movement/stasis translate?
Method
- Shoot the same controlled scene/s multiple times with different stabalisers.
- Scene: Vinisha Umashankar COP26 Speech
- Stabalization tools: tripod v mononpod v plank v plank with two operators v handheld on wheely chair
- Camera: GX80 m43 sensor, 1080p, 24fps