Transcription: Difference between revisions

Latest revision as of 15:12, 2 December 2021

trascription exercise

https://hub.xpub.nl/soupboat/~flem/__lab__/lab/tree/public_html/TOBY.pdf

good afternoon come on faster faster its ten to four no time to waste we have so much to squeeze in Instant magical penguin pingu coming right up in a few moments, look at him bless him don't miss him could you bit up for a rooster booster cookie jar, could be you after why did the chicken later on? speed racer, that's just in 20 minutes time. And stay on track the ant & dec show it's only here at 4.35 and top news to finish up with escape from jupiter Down the pole, greetings to you, picky and not pretty standing, i have to watch that in the next couple of days here the images we've been showing some of your lovely pictures on the lunchtime club in the last couple of days, earlier today as well. and here they are again not in big size, in the park coming away spring time sunshine Gavin Griffiths age 5, thank you very much. And here they are on the swing, with big smiles on their faces, that's a gorgeous one by Carly Bacon. thank you too for those.But now settle back and enjoy another magical pingu moment

PINGU go straight, in line kids, don't do anything stupid today please.. go on go on give me back my mp3, i know you took it! come on, what are you doing there? stop chatting and walk, we're almost there!

ahhahahha you idiot, aaa it hurts, i'll hit you

come on, the place is over ther... PAM i'm sorry i'm sorry i didn't want to hit you.... shut up and go on!

uuuuh what's that, loookkkk!!! what is he doing??

tadadadada Hello! we are here for the visit, can you explain the guys the work? we're americans and don't know anything about this. this is a big whale sculpture oh come on.. why he doesn't talk???

come on let's do something yeaaah let's hit it lalalalalla ehehehheheh

hey don't touch it!!! it's my work!

ahhahhahh i don't care let's go there you stupid no you dstupid hellooo look at me i can see everything from here!! i'm the king noooo you're not i am the king come down! what are you doing up there????

this is a typical sculpture by the well-known artist Snowball Brown i start by choosing the right size of ice, it usually takes a few months of research.. but you need the right one to do a good job, look here...

yeee look at meeee i'm on the top!! oooh nooo come down!!! what are you doing there! it's dangerous i'm the best!You are nooot!!

oh nooooo help me help me i'm gonna dieeeee help me help meeee

oh my god...

calm down take this, le'ts solve it this way, take this!

let's see if i can do something.. oh nooooo ii can't hold it anymore i'm falling aaaaa i'm gonna dieeeee i love my mom

give me your hand, jump here, you have to trust me!

let's use this guys, fix it there, help me let's do this together! ok ok let's do this

aaaa i'm falling

come on come on it's safe, let you fall here! noooo i'm scared i can't do it nowww

ohhh what a scaring moment... i feel better now...

calm down everything is okay now. you're safe! thank you guys

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-Transcibe voice recording
+==trascription exercise==
-Research artist and write what you see.
-What have you done since your project proposal?
+https://hub.xpub.nl/soupboat/~flem/__lab__/lab/tree/public_html/TOBY.pdf
-I try to find a way to contecturize the sculptures because within the talks with David we found out that it has a strong technical background and a solid building block to work from. Only context is still disputable..
+good afternoon come on faster faster its ten to four no time to waste
+we have so much to squeeze in
+Instant magical penguin pingu coming right up in a few moments, look at him bless him don't miss him
+could you bit up for a rooster booster cookie jar,  could be you after why did the chicken later on?
+speed racer, that's just in 20 minutes time. And stay on track the ant & dec show it's only here at 4.35 and top news to finish up with escape from jupiter
+Down the pole, greetings to you, picky and not pretty standing, i have to watch that in the next couple of days
+here the images we've been showing some of your lovely pictures on the lunchtime club in the last couple of days, earlier today as well. and here they are again not in big size, in the park coming away spring time sunshine Gavin Griffiths age 5, thank you very much. And here they are on the swing, with big smiles on their faces, that's a gorgeous one by Carly Bacon. thank you too for those.But now settle back and enjoy another magical pingu moment
-What does that mean?
+PINGU
+go straight, in line kids, don't do anything stupid today please.. go on go on
+give me back my mp3, i know you took it!
+come on, what are you doing there? stop chatting and walk, we're almost there!
-Well, just, what is the context? And in which way does it need to have context and is it an objective project in stead of a project that is really informs theviewer of what they see. I’m going actualy in the direction of an objective artform that has connection with the technical or previous..
-How does that manifest itself?
+ahhahahha you idiot,
+aaa it hurts, i'll hit you
-I think you remember the purple stick. I have made a bigger one from wood, it’s much taller, i also made a kind of wave vorm, made out of discs
+come on, the place is over ther... PAM
+i'm sorry i'm sorry i didn't want to hit you....
+shut up  and go on!
-Is it rotated on a..
+uuuuh what's that, loookkkk!!!
+what is he doing??
-Yeah, it’s all made out of discs and you just stick them together and then you have the outline and the vorm. These are all quite interesting shapes and strong shapes..
+tadadadada
+Hello! we are here for the visit, can you explain the guys the work? we're americans and don't know anything about this.
+this is a big whale sculpture
+oh come on.. why he doesn't talk???
-How many did you make?
+come on let's do something
+yeaaah let's hit it lalalalalla ehehehheheh
+hey don't touch it!!! it's my work!
-How big are they?
+ahhahhahh i don't care let's go there
+you stupid
+no you dstupid
+hellooo look at me i can see everything from here!! i'm the king
+noooo you're not i am the king
+come down! what are you doing up there????
-No, the biggest is this. Smaller one like this etc..
+this is a typical sculpture by the well-known artist Snowball Brown
+i start by choosing the right size of ice, it usually takes a few months of research.. but you need the right one to do a good job, look here...
-Why re they the same wave vorm?
+yeee look at meeee i'm on the top!!
+oooh nooo come down!!! what are you doing there! it's dangerous
+i'm the best!You are nooot!!
-Because the technical aspect of recreating the wave form and getting information from an object is already set. And i have to work towards prototyping different materials or experimenting with materials.
+oh nooooo help me help me i'm gonna dieeeee help me help meeee
-Ok, so your intention is to work with lots of different materials?
+oh my god...
-At this point, yeah.
+calm down take this, le'ts solve it this way, take this!
-What happened after the wooden…?
+let's see if i can do something..
+oh nooooo ii can't hold it anymore i'm falling aaaaa i'm gonna dieeeee i love my mom
-This wooden figurine is
+give me your hand, jump here, you have to trust me!
-Basically it’s still a jar because sound is coming from a jar, it’s generated by the jar. And it’s just captured know in some wooden scalpture but it’s a jar.
-Explain that to me
+let's use this guys, fix it there, help me let's do this together!
+ok ok let's do this
-The characteristics of what the jar is in sound is captured within the object. What is made out of wood and the jar is made out of glass. So the next step was to find similar material to make the sculpture out to either have connection with what it is or was or an idea that like this the wave.. the sculpture being out of metal. Because when you have the measurement of the room the equipment you are present in the room, so in some way you alter the room, it’s not really clean, because you’ve been there, the soundwaves reflects on you and you make the measurement different than it could be.
+aaaa i'm falling
-Presents alters the result. And if I make the sculpture out of a shiny object and the object is put back in the room and you are not there it is natural environment, let’s say a zero point. But as soon asomeone wants to look at it closer you distort the object because your reflection is giving within that object and you alter the same way you’ve done with..
-You’re saying the interruption of…
+come on come on it's safe, let you fall here!
+noooo i'm scared i can't
+do it nowww
-That is the one aspect that I find interesting. Because the ideas to give the viewer a new engagement with space, i think this comes close to what i imagine, or what i want.. It is kind of a gimmic or a trick. When you see it, i‘ve tricked you in altering my sculpture and it is exactly the same as the sculpture that was made actually
+ohhh what a scaring moment... i feel better now...
+calm down everything is okay now. you're safe!
+thank you guys
-Why do you want to trick people?
-It is not a trick, it’s just a way of making stuff. It’s just a, i don’t know.
-Is the metal one made?
-I have think about making one. Because it is going in all different area that i havn’t been before. I have done some metal works before, but not in a way that i have to actually melt metal and poor it into a cast. That’s like..
-I can make a malt from the wooden one and then go from there. It’s all within reach.
-In an ideal world, how do you see it exhibited?
-I’m not so, i don’t know. I don’t need really a galery, i need just a space that either the response was made in and have the same amount of visitors visiting an exhibition but then in a space that relates to the object.
-What changed?
-I think my personal breakthrough. No matter what happens in these next months/years is that within the state of mind that i’m normally in working also towards an endproduct, like i do daily in my studio, it’s not, if you want to be really creative or different, you have to look more carefully to every step you’re making and don’t be fixed on the end point. That is like maybe for some people, they already knew this, but for me it is quit revelating.
-What are the possibilities after the metal shapes and form?
-It is actually a data set were i’m working with. I have this measurement that’s all cool and nice but then you have the outcome of it. It’s up to me to find a way to show or to visualize / sonolize to show that data. And know I choose a wave shaped form/sculpture, but it can also been done in different ways. And not sticking with one way but still going from one step back to what i originally had, the data, and then going sprout my way into different directions. But that’s not good for this graduation anymore because then i’ll start over again.
-What options would there be?
-I’ve got some artists from David. I wrote it down. Isa Hesse, Rachel Witereed
-What’s about these artists?
-I did’t look them up yet. David was really font of the plastic aspect of the material. Because it remindend of socialist sculpturism 60’s I think the material plays a big role withing the sculpture
-If you use different materials next to the reflecting ones.
-It’s like when you have 2 mirrors and you want to see the infinite reflection. The sculpture is the same
-You can’ t see the original because yo become part of the sculpter and that also happens with the acoustics of the room when you make an impulse respionse
-Just liek science when you pay attention to the precense of the scienticst like in quantum physics .
-Using this form are there anyways of making this clear.
-If you use plaster or hay or musley
-.On of the thing I was think of to make the material the same as the material of the object the impulse responce come from and to place the original object next to the sculpture. Like stone sculpture and metal casing takes time and I have only so much time.
-But what can you use the material to devlop new associasiont and possibilities with connection to the sculpture. What does it mean to makei t out of plaster?
-Other then just the material then the impulse responce was taken I don’t see any diifference connection yet. If I lthink longer about what you just said.
-When you make things you releasie things. How does it work.?
-It’s still hard there is somehing I want but the process is important make little spteps and focus on those and something will come out. Still the resilt is where you start you are gonna sculpt with something in mind a pre exisitng idea and when you are making new things comeup and there are technical limitations.