Nami-thesis outline: Difference between revisions
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<li>Any differences in the work process between net artists and the commercial designers? In which ways are they similar and different?</li><br> | <li>Any differences in the work process between net artists and the commercial designers? In which ways are they similar and different?</li><br> | ||
===3. Experiments | ===3. Experiments on the "uniformity": What happens if the "uniform" becomes "re/de-form"? and What can I speak through this experiment? My stance as a web designer?=== | ||
<li style = “font-family:Helvetica;”>The history of frameworks for Css and Javascript, mostly developed by mega tech companies</li>
| <li style = “font-family: Helvetica;”>The history of frameworks for Css and Javascript, mostly developed by mega tech companies</li>
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<li style = “font-family:Helvetica;”>In which way and how often do designers and developers depend on the frameworks?</li>
| <li style = “font-family: Helvetica;”>In which way and how often do designers and developers depend on the frameworks?</li>
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<li style = “width: 75%; font-family:Helvetica;”>Experiments (Participatory workshops) -> Try both pure coding and extracting codes from the frameworks, aiming for the same design sketch. How do I and participants feel? Compare the two mechanisms? </li> | <li style = “font-family: Helvetica;”>Experiments to over(write) or implement codes from the frameworks? What happens if we edit/deform the codes in our own ways? (Participatory workshops)</li> | ||
<li style = “width: 75%; font-family: Helvetica;”>Experiments (Participatory workshops) -> Try both pure coding and extracting codes from the frameworks, aiming for the same design sketch. How do I and participants feel? Compare the two mechanisms? </li> | |||
<br> | <br> | ||
Revision as of 11:27, 22 November 2021
Introduction : Circular structure of web design market (A starting point(simply) + Main research question + sub questions)
My enjoyment of making hand-crafted web pages has been navigating my career to web design practice. But I do admit that most of my future tasks will be occupied by commercial agenda, not being able to play with elements and styles I want in most cases.
This speculation has made me observe current mainstream websites in detail, and I've come to a realisation that my desire in making quirky and fun websites will conflict with the market structure in many ways.
Meaning, it's pretty obvious that most major web pages have certain types of features in common. For example, the shapes of most icons and the locations of the menu bar seem quite similar each other, as well as the user navigation system.
I am not completely denying the implicit rules, claiming that there needs a total subversion/revolution on the web design context. But still, this repetition of the sameness is worthwhile to be questioned, even for figuring out my attitude as a web designer.
Thus I'd like to explore the circular structure of the web design market, missions many designers confront, and how I will be balancing my stance as a web designer.
Sub-questions are below:
The thesis will be a documentation of my exploration of the research questions .
1. Uniformity : Does it exist? A few cases and reviews
2. Potential causes of the uniformity (reading + interviewing)
3. Experiments on the "uniformity": What happens if the "uniform" becomes "re/de-form"? and What can I speak through this experiment? My stance as a web designer?
Conclusion
Recap the research