Tessel-thesis outline: Difference between revisions
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'''A personal report on my research and practice''' | '''A personal report on my research and practice''' | ||
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Introduction: | Introduction: | ||
How do I bring the documentary narrative together with my 'macro landscapes | |||
or | |||
'''synthesising documentary narrative and 'macro lansdscapes' | |||
''' | |||
What | here you need to define terms: | ||
What '''do you''' mean by 'documentary narrative' | |||
What '''do you''' mean by macro landscape? | |||
Steve notes: method: bring together all the written material on your practice while you have been working here- descriptions of things you have made; diary entries &c | Steve notes: method: bring together all the written material on your practice while you have been working here- descriptions of things you have made; diary entries &c |
Revision as of 12:36, 18 November 2021
Thesis outline (first draft) Tessel Schmidt
A personal report on my research and practice
new outline
Introduction:
How do I bring the documentary narrative together with my 'macro landscapes
or
synthesising documentary narrative and 'macro lansdscapes'
here you need to define terms: What do you mean by 'documentary narrative' What do you mean by macro landscape?
Steve notes: method: bring together all the written material on your practice while you have been working here- descriptions of things you have made; diary entries &c
Introduction (500)
Chapter one: introduction to my work. What have I made; how did I make it and why did I make it. (2000)
Chapter two: steps towards achieving the project (how I tried to make a marriage of the two elements of my practice)(2000)
Chapter three: inspirations, works I find interesting; the book; (2000)
Conclusion (500)
"new materialism" (make a synopsis of this text- tell the story in brief; what ideas are valuable to you?) + other 4 texts= make a synopsis of this text- tell the story in brief; what ideas are valuable to you? (Method=3 texts + 3 works)
]
Chapter 1: What inspires me?
What are my inspirations? What can I distill from these works for my own practice? What works and texts speak to me?
Chapter 2: Theoretical framework
In this chapter I will describe theories and texts that match my inspirations. In what traditions do the makers who inspire me operate? What can I learn from them for my own practice?
Chapter 3: What are the ingredients of most of my works?
How do I describe my filming method and what are the ‘rules” for my kind of framing, perspective and camera movement? When do I use a certain image and why not? What are the ingredients of my work and how do I try to combine them?
Conclusion
Putting it all together in a practical and theoretical context. Writing a “How to” on my work.
Bibliography: