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| == What is ==
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| Multimedia presentation of a mound of clay being fisted. The piece consists of three depictions of clay fisting: live action, 3D rendering, and live performance. Fisting is an accidental direct reference to Joseph Kosuth's 'One & Three Cahirs' (1965).
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| [[File:One & Three Chairs.jpg|frameless|center]]
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| == Critiques ==
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| * the image processing level correlates with audio processing, so the live is the most 'honest' while the 3D is the most augmented
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| * the three performances can be spontaneous and on their own, not in sync. This way the whole is less deterministic, more spontaneous
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| * a direct reference to ASMR
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| * the real live performance could be the most uncanny, the most processed and augmented
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| == Research ==
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| Joseph Kosuth, Wiki
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| * Joseph Kosuth, "Art is not a question of forms and colors but one of the production of meaning."
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| * His activity has consistently explored the production and role of language and meaning within art.
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| * stripping art of personal emotion, reducing it to nearly pure information or idea and greatly playing down the art object
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| * 1966 Kosuth also embarked upon a series of works entitled Art as Idea as Idea, involving texts, through which he probed the condition of art.
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| * Kosuth forwards tautological statements, where the works literally are what they say they are.
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| * he spent time in the Trobriand islands with the Aboriginal tribe that Malinowski had studied and wrote on. From Kosuth's point of view, " I knew I could, would, never enter into their cultural reality, but I wanted to experience the edge of my own." It was this experience and study which lead to his well-known text ‘The Artist as Anthropologist’ in 1975.
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