Silvie-thesis outline

THESIS OUTLINE

This thesis will be a journey, a voyage, through time, recounting the socio economic development and colonial expansion of The Netherlands, from the perspective of the sea. The sea, at once ancient and new everyday, local and global, shapeshifting and plural, is a witness. An infrastructure for trade and transport. A source of creation and destruction.

By adopting the sea as the perspective of this thesis, blending essayistic as well as creative writing / speculative fiction, I aim to talk about history while getting rid off the objectivity and linearity often propagated by historical narratives. Instead; aiming for subjectivity and circularity.

Our vision comes from the sea. The ancient eye of Protista.

INTRODUCTION

The 'Discovery of the Millennium': the existence of water memory (expand) shows that water retains, collects information about where it has been and what has traversed, been submerged in it. This discovery however has caused great outrage and has been dismissed by many scientists as pseudoscience, homeopathy. While often things need to be discovered, scientifically proven, before they are believed, that which is True did not come into existence by 'discovery', it was there already.

Water functions as an archive, a record of time. Water and time are inextricably linked to one another. Time is said to have come from the word tide, the same holds for the Dutch equivalent getij derived from tijd. 2 tides a day, created by an intermix between the gravitational forces of the sun and the moon, and the rotation of the earth. The sea with its waves crashing on the shore is like a metronome. What would the accumulated songs of the sea sound like?

<summarize what the song - what has the sea seen, set stage for the structure of the thesis>

The sea has seen the creation and destruction of land, carried out by itself and by humans; the 'discovery' of land through the first colonial maritime expeditions, the transition of VOC ships, the cradle of capitalism, into VOC cargo ships, organic shells replaced by Off-shore Shell refinery platforms, while its waters are rising.

CHAPTER 2: The Tide: The Moon and the Merchant

Harbour

"If the Moon pulls the tides, it also rules the market" (Alice Sparkly Cat)

In Astrology the Moon is related to material fortune.

The sailors looked up at the stars to navigate.

SEARCH FOR THE MOST EFFICIENT COMPASS

Expeditions and imperialism driven by hunger not by technological invention(counter example of China).

The moon is only visible half of the time, through reflecting the light of the sun.
Visibility always comes at the cost of the invisibility of something else.

"The sea, or water, is the great medium of circulation established by nature, just as money has been created by man for the exchange of products" (Alfred Thayer Mahan, Naval Strategy).

"If the stock market is the site in which the abstract character of money rules, the harbour is the site in which material goods appear in bulk, in the very flux of exchange ... But the more regularised, literally containerised, the movement of goods in harbours, that is, the more rationalized and automated, the more the harbour comes to resemble the stock market" (Allan Sekula)

• VOC first registered company that went to the stock exchange. This "company" acted much like a governmental body.

• "... the V.O.C. became, by some measures, the largest company in human history, worth more than ExxonMobil, Apple, and Amazon combined." (Taiwo, O., 2021) (creation through destruction)
• “No trade without war, and no war without trade,” Jan Pieterszoon Coen, the fourth governor-general of the Dutch East Indies, declared.

"Debt creates currency" (Sparkly Cat p. 117)

Empty ships that come back full. Extractivism.

CHAPTER 3: Liquid land

Liquid financial markets

Liquifying land —> loss of firm ground —> "the problem of a world of floating, nonreferential signs, the creation of value from nothing, has been further intensified" (Klose, A. 2016)

The internet cables on the bottom of the ocean

BIBLIOGRAPHY

1. Klose, A. (2016). Container Principle. Cambridge, Massachusetts: The Mit Press.

2. J Michelle Coghlan (2020). ˜Theœ Cambridge companion to literature and food. Cambridge Cambridge University Press.

3. Fox, D. (2019). Limbo. Fitzcarraldo Editions.

4. Sparkly Cat, A. (2021). Post-colonial Astrology.

5. Adriaan Geuze and Olof Koekebakker (2005). The flood : 2nd International Architecture Biennale Rotterdam ; catalogue ; [26 mei - 26 juni 2005]. Rotterdam: Internationale Architectuur Biënnale.

6. THE FUNAMBULIST MAGAZINE. (2017). Students: Shipping Tales. [online] Available at: https://thefunambulist.net/magazine/09-islands/students-shipping-tales-christina-varvia [Accessed 3 Nov. 2021].

7. Taiwo, O. (2021). Our Planet Is Heating Up. Why Are Climate Politics Still Frozen? [online] The New Yorker. Available at: https://www.newyorker.com/magazine/2021/11/01/our-planet-is-heating-up-why-are-climate-politics-still-frozen-colonialism-environment [Accessed 4 Nov. 2021].

8.