Guest Lecture by Chris Kraus: Difference between revisions
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== BIO == | == BIO == | ||
<b>Chris Kraus</b> is the an author of <I>I Love Dick, Aliens & Anorexia </I> and various books on art criticism. | <b>Chris Kraus</b> is the an author of <I>I Love Dick, Aliens & Anorexia </I> and various books on art criticism. <br><br> | ||
Experimental approach to writing, auto-fiction. Using her own life as a case study, a site of theoretical speculation. In doing so, she manages to complicate the dichotomy between theory and practice. Who are perceived as those in the position to "generate knowledge"? | Experimental approach to writing, auto-fiction. Using her own life as a case study, a site of theoretical speculation. In doing so, she manages to complicate the dichotomy between theory and practice. Who are perceived as those in the position to "generate knowledge"? <br><br> | ||
Both I Love Dick and Aliens & Anorexia show this experimental approach to writing - the revolutionary, disrupting potential of the first person narrator. What does it mean to claim the I? | Both I Love Dick and Aliens & Anorexia show this experimental approach to writing - the revolutionary, disrupting potential of the first person narrator. What does it mean to claim the I? | ||
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= ''''' "Chris Kraus’ texts show a great fascination with the figure of the artist as loser, which is most famously the case with her 1997 cult novel I Love Dick ... By valorizing losing as a mode of authenticity, Chris Kraus brings to the fore a tradition of subversion within a world of various coded rivalries (between men and women, between overt and shameful desire, between artists in the art market, etc.) and in doing so establishes the art of losing as a radical ethical position." [https://www.cairn-int.info/journal-revue-francaise-d-etudes-americaines-2020-2-page-46.htm <I>1</I>]''''' = | = ''''' "Chris Kraus’ texts show a great fascination with the figure of the artist as loser, which is most famously the case with her 1997 cult novel I Love Dick ... By valorizing losing as a mode of authenticity, Chris Kraus brings to the fore a tradition of subversion within a world of various coded rivalries (between men and women, between overt and shameful desire, between artists in the art market, etc.) and in doing so establishes the art of losing as a radical ethical position." [https://www.cairn-int.info/journal-revue-francaise-d-etudes-americaines-2020-2-page-46.htm <I>1</I>]''''' = | ||
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She's the co-editor of independent press [http://semiotexte.com Semiotext(e)] (specified in critical theory, activist texts, art and philosophy). Common denominator of many the publications is that they don't easily fit into one genre, but remain rather genre defiant. | She's the co-editor of independent press [http://semiotexte.com Semiotext(e)] (specified in critical theory, activist texts, art and philosophy). Common denominator of many the publications is that they don't easily fit into one genre, but remain rather genre defiant. | ||
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Revision as of 14:49, 1 November 2021
BIO
Chris Kraus is the an author of I Love Dick, Aliens & Anorexia and various books on art criticism.
Experimental approach to writing, auto-fiction. Using her own life as a case study, a site of theoretical speculation. In doing so, she manages to complicate the dichotomy between theory and practice. Who are perceived as those in the position to "generate knowledge"?
Both I Love Dick and Aliens & Anorexia show this experimental approach to writing - the revolutionary, disrupting potential of the first person narrator. What does it mean to claim the I?
"Chris Kraus’ texts show a great fascination with the figure of the artist as loser, which is most famously the case with her 1997 cult novel I Love Dick ... By valorizing losing as a mode of authenticity, Chris Kraus brings to the fore a tradition of subversion within a world of various coded rivalries (between men and women, between overt and shameful desire, between artists in the art market, etc.) and in doing so establishes the art of losing as a radical ethical position." 1
She's the co-editor of independent press Semiotext(e) (specified in critical theory, activist texts, art and philosophy). Common denominator of many the publications is that they don't easily fit into one genre, but remain rather genre defiant.
Overview of work and links to writing as well as film work can be accessed through the following link: https://monoskop.org/Chris_Kraus
For this short lecture I have proposed to Chris that she reads selected bits from her work that can form the starting point of our conversation as well as preparing a smaller writing exercise!
Associated to the literary movement New Narrative .
QUESTIONS / SUGGESTIONS
(please feel free to paste some thoughts and ideas here that I can forward before the meeting)