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| Research group SJM
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| '''Keywords: AFFECT, GAZE, GENDER'''
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| Members: Susanna, Jue, Marieke
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| = core text =
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| Laura Mulvey
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| * Essay: Visual Pleasure and Narrative Cinema’ (1975, p177 The Narrative Reader)
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| * Essay: Afterthoughts on “Visual Pleasure and Narrative Cinema” Inspired by Duel in the Sun (1989, p181, The Narrative Reader)
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| * Book: Death 24x Times per second (2005). pdf [https://dubravka.memoryoftheworld.org/Laura%20Mulvey/Death%2024x%20a%20Second_%20Stillness%20and%20the%20Moving%20Image%20(181)/Death%2024x%20a%20Second_%20Stillness%20and%20the%20Moving%20Image%20-%20Laura%20Mulvey.pdf]
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| Find the two essays in this book --> [[File:The_Narrative_Reader_-_Martin_McQuillan.pdf]]
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| = branching text =
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| * The new brutality film: race and affect in contemporary Hollywood cinema - Paul Gormley
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| * Feeling, Emotions, Affect - Eric Shouse [http://journal.media-culture.org.au/0512/03-shouse.php]
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| * Why be nonbinary - Robin Dembroff [https://aeon.co/essays/nonbinary-identity-is-a-radical-stance-against-gender-segregation]
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| * Why I am not a feminist - Jessa Crispin
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| * Mind the Screen (selected chapters) [https://www.jstor.org/stable/j.ctt46n2j2?Search=yes&resultItemClick=true&searchText=affect&searchText=cinema&searchText=screen&searchText=emotions&searchText=amsterdam&searchText=university&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Daffect%2Bcinema%2Bscreen%2Bemotions%2Bamsterdam%2Buniversity&ab_segments=0%2Ftbsub-1%2Frelevance_config_with_tbsub&refreqid=search%3Af0e85e400df842102745c5b7a03aa90a]
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| * [[File:The_Narrative_Reader_-_Martin_McQuillan.pdf]]
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| * On the origin of Stories - Brian Boyd
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| * Stories [https://www.jstor.org/stable/j.ctv5rf6vf?Search=yes&resultItemClick=true&searchText=affect&searchText=cinema&searchText=screen&searchText=emotions&searchText=amsterdam&searchText=university&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Daffect%2Bcinema%2Bscreen%2Bemotions%2Bamsterdam%2Buniversity&ab_segments=0%2Ftbsub-1%2Frelevance_config_with_tbsub&refreqid=search%3Af0e85e400df842102745c5b7a03aa90a]
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| * The Emergence of Cinematic Time - Mary Ann Doane
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| * Fire and Ice - Peter Wollen (1984)
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| * Stillness in the Moving Image: Visualizing Time and Its Passing - Laura Mulvey (2003)
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| * Invention of Hysteria - Georges Didi-Huberman
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| * Photography and Fetish - Christian Metz (1985)
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| = related films =
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| for potential movie night!
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| * Afternoon Delight - Jill Soloway
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| * The Florida Project
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| * Capernaüm
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| * Guusje America - Video Home System
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| * White Noise - Antoine d'Agata
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| * Marnie - Hitchcock
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| * Vertigo - Hitchcock
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| * Lost Highway - Lynch
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| * Belle de Jour
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| (Susanna's thought: would it be a good idea to (re-) watch these films in chronological order and make some comments on their historical context?)
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| = next meetings =
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| Sunday 17.03 @ 18.30
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| Meet to discuss key text (at least the two essays) plus any other readings done till then.
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| = notes =
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| == day of forming research group 06.03.2019 ==
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| '''Questions from our practice'''
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| - How has the spectator/observer/viewer/audience changed over time?
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| - How do we feel/relate to people when we present an idea/image as a certain gaze (doesn't have to be defined according to gender)?
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| - What is gaze?
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| - Should I/we, as female artists be aware of our gaze and our gender when creating culture?
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| The male gaze is slowly becoming an outdated term.
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| Let's define gaze intuitively: We look at something for some time, we are intrigued, and we try to understand from our own (cultural) framework of reference.
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| - Why do filmmakers want to show work? What is inside the filmmaker?
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| - What's in our work?
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| Marieke:::subvert norms: make a statement to make the audience (for the lack of the word) aware - how do people relate?
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| Jue:::meditation: affect - how are people moved in cinema?
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