Research-group-sjm: Difference between revisions

From XPUB & Lens-Based wiki
No edit summary
(Blanked the page)
Tag: Blanking
 
(127 intermediate revisions by 3 users not shown)
Line 1: Line 1:
This is a page for research group: Susanna,  Jue, Marieke.


Keywords: AFFECT, GAZE, GENDER
= key text =
Laura Mulvey
* Essay: Visual Pleasure and Narrative Cinema’ (p177, The Narrative Reader)
* Essay: Afterthoughts on “Visual Pleasure and Narrative Cinema” Inspired by Duel in the Sun (p182, The Narrative Reader)
* Book: Death 24x Times per second. pdf [https://dubravka.memoryoftheworld.org/Laura%20Mulvey/Death%2024x%20a%20Second_%20Stillness%20and%20the%20Moving%20Image%20(181)/Death%2024x%20a%20Second_%20Stillness%20and%20the%20Moving%20Image%20-%20Laura%20Mulvey.pdf]
Find the two essays in this book --> [[File:The_Narrative_Reader_-_Martin_McQuillan.pdf]]
= branching text =
* The new brutality film: race and affect in contemporary Hollywood cinema. By Paul Gormley
* Feeling, Emotions, Affect
* Why be nonbinary [https://aeon.co/essays/nonbinary-identity-is-a-radical-stance-against-gender-segregation]
* Invention of Hysteria - Georges Didi-Huberman
* Why I am not a feminist - Jessa Crispin
* Mind the Screen (selected chapters) [https://www.jstor.org/stable/j.ctt46n2j2?Search=yes&resultItemClick=true&searchText=affect&searchText=cinema&searchText=screen&searchText=emotions&searchText=amsterdam&searchText=university&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Daffect%2Bcinema%2Bscreen%2Bemotions%2Bamsterdam%2Buniversity&ab_segments=0%2Ftbsub-1%2Frelevance_config_with_tbsub&refreqid=search%3Af0e85e400df842102745c5b7a03aa90a]
* suggestions from Simon (narrative focus group) [http://pzwiki.wdka.nl/mediadesign/Narrative_Focus_Group_2018/2019]
* Book: Stories [https://www.jstor.org/stable/j.ctv5rf6vf?Search=yes&resultItemClick=true&searchText=affect&searchText=cinema&searchText=screen&searchText=emotions&searchText=amsterdam&searchText=university&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Daffect%2Bcinema%2Bscreen%2Bemotions%2Bamsterdam%2Buniversity&ab_segments=0%2Ftbsub-1%2Frelevance_config_with_tbsub&refreqid=search%3Af0e85e400df842102745c5b7a03aa90a]
* The Emergence of Cinematic Time - Mary Ann Doane
= related films =
for potential movie night!
* Afternoon Delight  - by Jill Soloway
* The Florida Project
* Capernaüm
* Guusje America - Video Home System
* White Noise - Antoine d'Agata
= next meetings =
Sunday 17.03 @ 18.30
Meet to discuss key text (at least the two essays) plus any other readings done till then.
= notes =
== day of forming research group 06.03.2019 ==
'''Questions from our practice'''
- How has the spectator/observer/viewer/audience changed over time?
- How do we feel/relate to people when we present an idea/image as a certain gaze (doesn't have to be defined according to gender)?
- What is gaze?
- Should I/we, as female artists be aware of our gaze and our gender when creating culture?
The male gaze is slowly becoming an outdated term.
Let's define gaze intuitively: We look at something for some time, we are intrigued, and we try to understand from our own (cultural) framework of reference.
- Why do filmmakers want to show work? What is inside the filmmaker?
- What's in our work?
Marieke:::subvert norms: make a statement to make the audience (for the lack of the word) aware - how do people relate?
Jue:::meditation: affect - how are people moved in cinema?

Latest revision as of 18:55, 30 June 2021