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| =Image Consciousness into Archive=
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| I am interested in the sociological paradigms of computation and image understanding. As an indigenous person, the concept of image making is linked to technological advancement and globalization, the camera is a sign of modernity, the computational camera all the more so. But there are also means of image making that are more tradition, more indigenous to human physicality(mark-making). I am interested in dealing with the images of this history, specifically from an archive of the indigenous-camera interaction, though essayistic moving image making.
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| =Computational Image-making=
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| Looking at images as pure technological beings, I am interested in how the modern day visual explorer (no matter where they are) experiences sublime purely through technology (porn/videogames/TikTok/GoogleEarth/general internet images). I am interested in how computational image formulations(purity is pixel and code) can interact with real(capture) imagery as juxtapositions of changing "exploratory" contexts.
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| =Hauntology and Cyberspace Depression=
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| The internet allows for time-travel like never before. In this temporal sense(given remix culture, "comeback" aesthetics), the present seems to be haunted by nostalgia. I am interested in this distortion and whether it engages with the caged individual(caged within the grid of the pixel, the code, the cubicle of online work) through photorealistic image regeneration.
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| =Invisible Economics=
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| I am interested in thinking about physics about different dimensions and how this could translate into a particular visual language for my works([https://www.youtube.com/playlist?list=PLelIK3uylPMGj__g3PeO9yg1QTCiKhwgF explained here]). This is then a context to use for the understanding of systems of money and labor that cannot be rendered by the visible eye, visibility being a space of whats politically enabled.
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