User:Tisa/practice

object

A collection of beach-found plastic rhizomatic structures.

sculpture

Rhizomatic structures captured/preserved by epoxy resin/salt/sugar/formaldehyde.

3 days later:

print

• Rhizomatic structures print: embossing/debossing OR expose to silkscreen print.

key-etching

...

print

hackpact prototype

29-9-20

archive of visual research

A historical archive has found its way into my possession.

I will repurpose its binding mechanism, and fix the aged cover - to archive my visual research throughout this year.

I wish to reuse the paper that is inside. contact De Hoop

visions

biopolitics and fishing:

"Jata rib prosta plava vse stima, flow. Človek mreža struktura ribolov."

also - "Represivna gesta naravnemu redu. Restabilizacija jate - recurrent. Excessive fish-eating (its good for u). Fejk ribja pasta v modelčku."

performance

sound

I perform in the domain of sound, more specificaly sound improvisation/free/real-time composition; using my voice, language/words/poetry, sometimes analogue effects, abletone, or woodwind instruments.

My soundcloud. ... cTrL (duo) soundcloud.

• new, w/L

used guvcview to capture video from a webcam

soldered an instrument together

...

• 27. 9. 2020, performance cTrL+P (w/Lucija Gregov and Philipp Ernsting), Ateliergebouw Oranjeboom, Rotterdam, NL

https://www.facebook.com/events/693905521218830

&transcribe lyrics

• 18. 9. 2020, performance ProPolis (w/Marek Fakuč), Festival poraznodete, Žužemberk, Slovenia

Recording: https://drive.google.com/file/d/1gYfLKt0M8dAI0ouzy9u7R8nSEnJCvH4h/view?usp=sharing

• 14. 9. 2020, R A D A R, radio show, Radio Student

https://radiostudent.si/kultura/r-a-d-a-r/1-prelet-tnh

• 8. 9. 2020, 27-letnica AKC Metelkova: Defonija, duo w/Pascal Jarchow, Gromka, Metelkova, Ljubljana, Slovenia

&recording

• 6. 9. 2020, Formacije: Duo, duo w/Pascal Jarchow, Ferdova, Ljubljana, Slovenia

&recording

• 24. 8. 2020, performans w/Equilibrium as Insta_bility (Tobija Hudnik, Luka Poljanec, Lenart De Bock, Brina Kren, Pascal Jarchow), festival A dela?, Cirkulacija2, Ljubljana

Recording: https://drive.google.com/file/d/157aqjMXv2uFKKoJP14JIwMtlhyVQQoZQ/view

• 6. 8. 2020, JazklubMezzoforte, performans w/Jonas Žabkar, Thierno Diallo, Liza Šimenc, Urban Megušar, Maj Kavšek, Mojca Zupančič, Žiga Pilih, Cirkusarna NaokROG, Tovarna Rog, Ljubljana, Slovenia

&recording

...

theatre

Idea w/Z, F, L, P, M.

public/collective

Composing sensibility session (CSS)

Made the 1st Composing Sensibility Session I. on the 25th January 2020. 10 people attended. At Theater Galerie Dordtselaan.

This is the working description: Composing sensibility is a workshop, an exploration of our individual capacities (capabilities) of perception and a collective construction of tactics for the everyday. Believing that sensibility is the fist step towards understanding the world around us, social relations, occurrences, one should train it, include it into the daily routine and always pay attention to oneself, others and the surrounding context. In the workshop, I will propose a set of exercises (merged from sound and theater improvisation techniques, contemporary dance, meditation; based on movement, voice and text) that one can explore by themselves and collaboratively with others in any environment, at any time. The final outcome is a revalorization of senses and their potential. Emphasizing the possibility within each individual to interpret and eventually intervene in the existing state of affairs. Real-time sensibility is the first step, interpretation (awareness and understanding) is the second, reacting and intervening the third; all of them nurture the other and construct a fluid composition of everyday practice to be aware, present, critical, empowered, sensible as an individual subject that always moves in between communities and settings of multiple subjectivities.

The sessions function as a setting of mutual support, collective learning, experimentation, and courage to sense and make sense.

sensibilization -> awareness -> understanding -> reacting -> change

"Death of the author"

This is a collective writing session, using etherpad as the working environment. All text produced is performed in real-time.

...

needs a new title.

it is not anymore about "killing the author".

it is about finding ways to be a live collective thinking organism.

writing text together.

projected big.

using a pad, access from numerous points.

anonimity enables honesty.

inter-textuality.

performing the written.

real-time.

sound also made simultaneously.

a microphone passed around the room.

fluidity.

collective construction of metaphors and meaning.

no predispositions on content.

who knows what happens.

it will probably be fun.

This is briefly the outline. Imagine. Bunch of people, simultaneously together in a physical (Varia) and virtual (pad) space. Writing the "script", some sort of collective imagination, consciousness if you wish is being expressed in language. Performing it. Sound. Production of meaning otherwise. Thinking together out loud. Transgressing the individual. Because - edit me, make my meaning ours.

We've done this before (couple of years ago) in Modri kot (Blue corner), a place in the squatted Rog Factory in Ljubljana, Slovenia: my now-sadly-almost-extinct community. I'm proposing it to you, as an idea, searching for its continuation ...

(I forgot to mention that you can also take part in the writing if you are not in the space.)

> (sent a mail to Varia)

> This is the pad from november 2017 (in slovenian): https://totalism.org/smrt_avtorstvu

Clearer explanation of the idea

I would like to propose to make an evening event at Varia, open to public.

The evening could be from 20h to 00h, open bar if possible.

Concerning the date, I am open to your suggestions (maybe weekend is the most suitable?)

I would make sure that there are some people that start the engine of the evening (sound-makers, people that write, that perform the written), but all these roles are to be played by anyone that comes by. (The number of people is hard to predict.)

Technicalities: PA, projector, wifi. People bring computers/phones to access a pad.

Method: Collective writing (on a pad, projected big) that is performed in real-time (voice and sound). An improvised session. Encouraging everyone to join in the process. Like a literary evening, but not really. Content is unpredictable. From poetry to academic texts?

Why: I'm interested in this dynamics that happen when people write together. How meaning is constructed, changed. How unpredictable innovation happens, when we are not in our individual, isolated mode of creating. In my experience from before, these meetups were always a source of inspiration. And enjoyable.

It is about finding ways to be a live collective thinking organism.