CCRU: Difference between revisions
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== ACCELERATIONISM == | == ACCELERATIONISM == | ||
[https://libcom.org/files/Accelerate%20-%20Robin%20Mackay.pdf | [https://libcom.org/files/Accelerate%20-%20Robin%20Mackay.pdf Accelerationism reader] | ||
== RESOURCES == | == RESOURCES == | ||
[https://mvupress.net/ mvupress] - [https://plutonicsjournal.com/ plutonics journal] - [http://plutonicsjournal.com/volumes/Plutonics%20Volume%2013.pdf volume XIII] | [https://mvupress.net/ mvupress] - [https://plutonicsjournal.com/ plutonics journal] - [http://plutonicsjournal.com/volumes/Plutonics%20Volume%2013.pdf volume XIII] | ||
Revision as of 13:03, 14 April 2020
==
WHO
- Sadie Plant
- 1992 - The Most Radical Gesture: The Situationist International in a Postmodern Age
- 1995 - The Future Looms: Weaving Women and Cybernetics
- 1997 - Zeroes + Ones : Digital Women and the New Technoculture
- 1999 - Writing on Drugs
- Nick Land
- Stephen Metcalf (Nietzsche)
- Mark Fisher (music theory / capitalist realism)
- Iain Hamilton Grant (speculative realism / transcendental materialism)
- Ray Brassier (speculative realism / trascendental nihilism)
- Matthew Fuller (Software Studies / Media Theory)
- Luciana Parisi (New Materialism / Media Theory)
- Reza Negarestani (Rationalist inhumanism)
- Kode 9 (music producer / hyperdub)
- Kodwo Eshun (music theory / afrofuturism)
- 0[rphan]d[rift>] (art collective / video)
- Jake and Dinos Chapman (famous artists / bad art)