Jujube/bibliography: Difference between revisions
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Bibliography | Bibliography | ||
* | // Main | ||
* | * AUFDERHEIDE, P. (2016). Documentary film: a very short introduction. | ||
* | * BAZIN, A., GRAY, H., TRUFFAUT, F., & ANDREW, D. (2005). What is cinema? Volume 2. Volume 2. What Is Cinema?. | ||
* CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5). | |||
* CHATEAU, D., & MOURE, J. (2016). Screens. | |||
* CHEE, A. (2018) How to write an autobiographical novel : essays. Boston: Houghton Mifflin Harcourt. | |||
* KERN, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press. | |||
* FARR, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art). | |||
* MAMET, D. (1992) On directing film. New York: Penguin Books. | |||
* MEREWETHER, C. (2006) The archive. London etc: Whitechapel etc (Documents of contemporary art). | |||
* MIALL, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704 | |||
* NUSSBAUM, M. (1988) Narrative Emotions. Ethics, Vol. 98, No. 2., pp. 225-254. | |||
* PROULX, A. (2012). Bird cloud. London, Fourth Estate. | |||
* SCHRADER, P. (2018). Transcendental style in film: Ozu, Bresson, Dreyer. | |||
* SHOUSE, E. (2005) Feeling, Emotion, Affect. M/C Journal 8.6. <http://journal.media-culture.org.au/0512/03-shouse.php> | |||
* STALLABRASS, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art). | |||
* WOOD, M. (2012). Film a very short introduction. Oxford, Oxford University Press. | |||
* VOÌGT, E. Image. New England Review, Vol. 13, No. 3/4, 1991, pp. 254–268. JSTOR, www.jstor.org/stable/40243421. | |||
// relevant, but not necessary using | |||
* Chateau, D. and Moure José (2016) Screens: from materiality to spectatorship - a historical and theoretical reassessment. Place of publication not identified: Amsterdam University Press (The key debates : mutations an appropriations in European film studies, [6]). doi: 10.5117/9789462981904. | |||
* Dassen, W. M., & Bruns, M. (2017). Aesthetics of haptics : an experience approach to haptic interaction design. In Proceedings on the Conference on Designing Interactive Systems (DIS'17), 10-14 June 2017, Edinburgh, United Kingdom (pp. 254-258). New York: Association for Computing Machinery, Inc. DOI: 10.1145/3064857.3079156 | |||
* Faust, C. (2016). Conference or Workshop, Haptic Aesthetics at Transimage Conference, Plymouth, UK, 1-3 July 2016. | |||
// less relevant | // less relevant for self-directed research | ||
* De Mul, Jos. “The Work of Art in the Age of Digital Recombination.” Digital Material: Tracing New Media in Everyday Life and Technology, edited by Marianne Van den Boomen et al., Amsterdam University Press, Amsterdam, 2009, pp. 95–106. | * De Mul, Jos. “The Work of Art in the Age of Digital Recombination.” Digital Material: Tracing New Media in Everyday Life and Technology, edited by Marianne Van den Boomen et al., Amsterdam University Press, Amsterdam, 2009, pp. 95–106. | ||
| Line 12: | Line 31: | ||
* Williams, G. (2014) How to write about contemporary art. London: Thames & Hudson. | * Williams, G. (2014) How to write about contemporary art. London: Thames & Hudson. | ||
* Zürcher Hochschule der Künste (2010) Art and artistic research. Edited by C. Caduff, F. Siegenthaler, and Wälchli Tan. Zurich: Verlag Scheidegger & Spiess AG (Zurich yearbook of the arts = Zürcher Jahrbuch der Künste, 2009 ; Volume 6). | * Zürcher Hochschule der Künste (2010) Art and artistic research. Edited by C. Caduff, F. Siegenthaler, and Wälchli Tan. Zurich: Verlag Scheidegger & Spiess AG (Zurich yearbook of the arts = Zürcher Jahrbuch der Künste, 2009 ; Volume 6). | ||
// no longer relevant | |||
* Armstrong, K. (2012). A Short History Of Myth. New York, Canongate U.S. http://rbdigital.oneclickdigital.com. | |||
* Harman, O. (2019). EVOLUTIONS: fifteen myths that explain our world. [Place of publication not identified], FARRAR, STRAUS & GIROUX. | |||
Latest revision as of 11:16, 8 November 2019
Bibliography
// Main
- AUFDERHEIDE, P. (2016). Documentary film: a very short introduction.
- BAZIN, A., GRAY, H., TRUFFAUT, F., & ANDREW, D. (2005). What is cinema? Volume 2. Volume 2. What Is Cinema?.
- CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
- CHATEAU, D., & MOURE, J. (2016). Screens.
- CHEE, A. (2018) How to write an autobiographical novel : essays. Boston: Houghton Mifflin Harcourt.
- KERN, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.
- FARR, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
- MAMET, D. (1992) On directing film. New York: Penguin Books.
- MEREWETHER, C. (2006) The archive. London etc: Whitechapel etc (Documents of contemporary art).
- MIALL, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
- NUSSBAUM, M. (1988) Narrative Emotions. Ethics, Vol. 98, No. 2., pp. 225-254.
- PROULX, A. (2012). Bird cloud. London, Fourth Estate.
- SCHRADER, P. (2018). Transcendental style in film: Ozu, Bresson, Dreyer.
- SHOUSE, E. (2005) Feeling, Emotion, Affect. M/C Journal 8.6. <http://journal.media-culture.org.au/0512/03-shouse.php>
- STALLABRASS, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).
- WOOD, M. (2012). Film a very short introduction. Oxford, Oxford University Press.
- VOÌGT, E. Image. New England Review, Vol. 13, No. 3/4, 1991, pp. 254–268. JSTOR, www.jstor.org/stable/40243421.
// relevant, but not necessary using
- Chateau, D. and Moure José (2016) Screens: from materiality to spectatorship - a historical and theoretical reassessment. Place of publication not identified: Amsterdam University Press (The key debates : mutations an appropriations in European film studies, [6]). doi: 10.5117/9789462981904.
- Dassen, W. M., & Bruns, M. (2017). Aesthetics of haptics : an experience approach to haptic interaction design. In Proceedings on the Conference on Designing Interactive Systems (DIS'17), 10-14 June 2017, Edinburgh, United Kingdom (pp. 254-258). New York: Association for Computing Machinery, Inc. DOI: 10.1145/3064857.3079156
- Faust, C. (2016). Conference or Workshop, Haptic Aesthetics at Transimage Conference, Plymouth, UK, 1-3 July 2016.
// less relevant for self-directed research
- De Mul, Jos. “The Work of Art in the Age of Digital Recombination.” Digital Material: Tracing New Media in Everyday Life and Technology, edited by Marianne Van den Boomen et al., Amsterdam University Press, Amsterdam, 2009, pp. 95–106.
- Menkman, R. (2011) The glitch moment(um). Amsterdam: Institute of Network Cultures (Network notebooks, 04).
- Williams, G. (2014) How to write about contemporary art. London: Thames & Hudson.
- Zürcher Hochschule der Künste (2010) Art and artistic research. Edited by C. Caduff, F. Siegenthaler, and Wälchli Tan. Zurich: Verlag Scheidegger & Spiess AG (Zurich yearbook of the arts = Zürcher Jahrbuch der Künste, 2009 ; Volume 6).
// no longer relevant
- Armstrong, K. (2012). A Short History Of Myth. New York, Canongate U.S. http://rbdigital.oneclickdigital.com.
- Harman, O. (2019). EVOLUTIONS: fifteen myths that explain our world. [Place of publication not identified], FARRAR, STRAUS & GIROUX.