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| [[https://docs.google.com/document/d/1fzmir3MJ9jzHc9IAW-t941h7jmETdckc6K_EAQupNu0/edit PAD]] | | [[https://docs.google.com/document/d/1fzmir3MJ9jzHc9IAW-t941h7jmETdckc6K_EAQupNu0/edit PAD]] |
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| day 1
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| cognitive language
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| kantele (finish traditional instruments)
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| 5 strings
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| vibrations
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| organic loop
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| begena - ethiopia
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| endlessly improvise
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| deep listening
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| music and language - where is the line between
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| žalbasi
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| žiogas
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| žioguoja
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| skambaluoja
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| žiobaluoja
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| slapukauja
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| kalbasi
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| pasakoja
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| žasakoja
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| žiogsakoja
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| hear a sound
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| imagine
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| describe
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| day 2
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| Frequency - wave length
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| Metrics (speed, tempo) bpm
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| units of sound/per time
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| mood
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| character
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| metrics can turn into pitch
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| Modulation
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| changing various parameters, moving, umbrella concept for changing any parameters over time
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| Velocity
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| Size
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| shrink and growing
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| force
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| Bass haptic, low.
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| Mid harmonic, human voice, present
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| Treble exhausting, sharp.
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| Stine Janvin
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| https://stinejanvin.bandcamp.com/album/fake-synthetic-music
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| timber
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| audio color
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| character
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| texture
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| density
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| overtones
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| the less overtones the rounder/softer it sounds
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| richness
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| saturation
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| pitch - height of the frequency
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| the degree of highness or lowness of a tone
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| measured with hertz
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| composition
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| arrangment
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| several sounds
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| tuning
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| establish typical intervals between these tones
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| western music - intervals
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| other running systems - different relations between notes, connected to natural sound phenomenon.
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| loop
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| repetition
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| rhythmic
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| synchronized and non synchronized
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| loop can turn anything into music
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| notes:
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| image of sound
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| visual sounds
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