Jujube/bibliography: Difference between revisions
m (Jujube moved page Jujube/methods-bibliography to Jujube/bibliography) |
No edit summary |
||
| Line 1: | Line 1: | ||
Bibliography | Bibliography | ||
// Main | |||
* Campany, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5). | * Campany, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5). | ||
* Chee, A. (2018) How to write an autobiographical novel : essays. Boston: Houghton Mifflin Harcourt. | * Chee, A. (2018) How to write an autobiographical novel : essays. Boston: Houghton Mifflin Harcourt. | ||
* Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press. | * Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press. | ||
* Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art). | * Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art). | ||
* Mamet, D. (1992) On directing film. New York: Penguin Books. | * Mamet, D. (1992) On directing film. New York: Penguin Books. | ||
* Merewether, C. (2006) The archive. London etc: Whitechapel etc (Documents of contemporary art). | |||
* Miall, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704 | * Miall, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704 | ||
* Shouse, | * Nussbaum, M. (1988) Narrative Emotions. Ethics, Vol. 98, No. 2., pp. 225-254. | ||
* Shouse, E. (2005) Feeling, Emotion, Affect. M/C Journal 8.6. <http://journal.media-culture.org.au/0512/03-shouse.php> | |||
* Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art). | * Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art). | ||
// relevant, but not necessary using | // relevant, but not necessary using | ||
* Chateau, D. and Moure José (2016) Screens: from materiality to spectatorship - a historical and theoretical reassessment. Place of publication not identified: Amsterdam University Press (The key debates : mutations an appropriations in European film studies, [6]). doi: 10.5117/9789462981904. | |||
* Dassen, W. M., & Bruns, M. (2017). Aesthetics of haptics : an experience approach to haptic interaction design. In Proceedings on the Conference on Designing Interactive Systems (DIS'17), 10-14 June 2017, Edinburgh, United Kingdom (pp. 254-258). New York: Association for Computing Machinery, Inc. DOI: 10.1145/3064857.3079156 | * Dassen, W. M., & Bruns, M. (2017). Aesthetics of haptics : an experience approach to haptic interaction design. In Proceedings on the Conference on Designing Interactive Systems (DIS'17), 10-14 June 2017, Edinburgh, United Kingdom (pp. 254-258). New York: Association for Computing Machinery, Inc. DOI: 10.1145/3064857.3079156 | ||
* Faust, C. (2016). Conference or Workshop, Haptic Aesthetics at Transimage Conference, Plymouth, UK, 1-3 July 2016. | * Faust, C. (2016). Conference or Workshop, Haptic Aesthetics at Transimage Conference, Plymouth, UK, 1-3 July 2016. | ||
Revision as of 11:01, 26 September 2019
Bibliography
// Main
- Campany, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
- Chee, A. (2018) How to write an autobiographical novel : essays. Boston: Houghton Mifflin Harcourt.
- Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.
- Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
- Mamet, D. (1992) On directing film. New York: Penguin Books.
- Merewether, C. (2006) The archive. London etc: Whitechapel etc (Documents of contemporary art).
- Miall, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
- Nussbaum, M. (1988) Narrative Emotions. Ethics, Vol. 98, No. 2., pp. 225-254.
- Shouse, E. (2005) Feeling, Emotion, Affect. M/C Journal 8.6. <http://journal.media-culture.org.au/0512/03-shouse.php>
- Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).
// relevant, but not necessary using
- Chateau, D. and Moure José (2016) Screens: from materiality to spectatorship - a historical and theoretical reassessment. Place of publication not identified: Amsterdam University Press (The key debates : mutations an appropriations in European film studies, [6]). doi: 10.5117/9789462981904.
- Dassen, W. M., & Bruns, M. (2017). Aesthetics of haptics : an experience approach to haptic interaction design. In Proceedings on the Conference on Designing Interactive Systems (DIS'17), 10-14 June 2017, Edinburgh, United Kingdom (pp. 254-258). New York: Association for Computing Machinery, Inc. DOI: 10.1145/3064857.3079156
- Faust, C. (2016). Conference or Workshop, Haptic Aesthetics at Transimage Conference, Plymouth, UK, 1-3 July 2016.
// less relevant for self-directed research
- De Mul, Jos. “The Work of Art in the Age of Digital Recombination.” Digital Material: Tracing New Media in Everyday Life and Technology, edited by Marianne Van den Boomen et al., Amsterdam University Press, Amsterdam, 2009, pp. 95–106.
- Menkman, R. (2011) The glitch moment(um). Amsterdam: Institute of Network Cultures (Network notebooks, 04).
- Williams, G. (2014) How to write about contemporary art. London: Thames & Hudson.
- Zürcher Hochschule der Künste (2010) Art and artistic research. Edited by C. Caduff, F. Siegenthaler, and Wälchli Tan. Zurich: Verlag Scheidegger & Spiess AG (Zurich yearbook of the arts = Zürcher Jahrbuch der Künste, 2009 ; Volume 6).
// no longer relevant
- Armstrong, K. (2012). A Short History Of Myth. New York, Canongate U.S. http://rbdigital.oneclickdigital.com.
- Harman, O. (2019). EVOLUTIONS: fifteen myths that explain our world. [Place of publication not identified], FARRAR, STRAUS & GIROUX.