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==Workshop with Olli Aarni== | ==Workshop with Olli Aarni== | ||
day 1 | |||
cognitive language | |||
kantele (finish traditional instruments) | |||
5 strings | |||
vibrations | |||
organic loop | |||
begena - ethiopia | |||
endlessly improvise | |||
deep listening | |||
music and language - where is the line between | |||
žalbasi | |||
žiogas | |||
žioguoja | |||
skambaluoja | |||
žiobaluoja | |||
slapukauja | |||
kalbasi | |||
pasakoja | |||
žasakoja | |||
žiogsakoja | |||
hear a sound | |||
imagine | |||
discribe | |||
day 2 | |||
Frequency - wave length | |||
Metrics (speed, tempo) bpm | |||
units of sound/per time | |||
mood | |||
character | |||
metrics can turn into pitch | |||
Modulation | |||
changing various parameters, moving, umbrella concept for changing any parameters over time | |||
Velocity | |||
Size | |||
shrink and growing | |||
force | |||
Bass haptic, low. | |||
Mid harmonic, human voice, present | |||
Treble exhausting, sharp. | |||
Stine Janvin | |||
https://stinejanvin.bandcamp.com/album/fake-synthetic-music | |||
timber | |||
audio color | |||
character | |||
texture | |||
density | |||
overtones | |||
the less overtones the rounder/softer it sounds | |||
richness | |||
saturation | |||
pitch - height of the frequency | |||
the degree of highness or lowness of a tone | |||
measured with hertz | |||
composition | |||
arrangment | |||
several sounds | |||
tuning | |||
establish typical intervals between these tones | |||
western music - intervals | |||
other running systems - different relations between notes, connected to natural sound phenomenon. | |||
loop | |||
repetition | |||
rhythmic | |||
synchronized and non synchronized | |||
loop can turn anything into music | |||
notes: | |||
image of sound | |||
visual sounds |
Revision as of 14:28, 24 September 2019
LFP
Workshop with Olli Aarni
day 1
cognitive language kantele (finish traditional instruments) 5 strings vibrations organic loop begena - ethiopia endlessly improvise deep listening music and language - where is the line between
žalbasi žiogas žioguoja skambaluoja žiobaluoja slapukauja kalbasi pasakoja žasakoja žiogsakoja
hear a sound imagine discribe
day 2
Frequency - wave length
Metrics (speed, tempo) bpm units of sound/per time mood character metrics can turn into pitch
Modulation changing various parameters, moving, umbrella concept for changing any parameters over time
Velocity Size shrink and growing force
Bass haptic, low. Mid harmonic, human voice, present Treble exhausting, sharp. Stine Janvin https://stinejanvin.bandcamp.com/album/fake-synthetic-music
timber audio color character texture density
overtones the less overtones the rounder/softer it sounds richness saturation
pitch - height of the frequency the degree of highness or lowness of a tone measured with hertz
composition arrangment several sounds
tuning establish typical intervals between these tones western music - intervals other running systems - different relations between notes, connected to natural sound phenomenon.
loop repetition rhythmic synchronized and non synchronized loop can turn anything into music
notes: image of sound visual sounds