ALEPH ZETA: The Star: Difference between revisions
(Created page with "{{Graduation work |Creator=Ana Buljan |Date=2019 |Bio=Ana Buljan[HR] is an artist working with still and moving images that strive to preserve ephemeral landscapes. Her wor...") |
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|Creator=Ana Buljan | |Creator=Ana Buljan | ||
|Date=2019 | |Date=2019 | ||
|Bio=Ana Buljan[HR] is an artist | |Bio=Ana Buljan [HR] is an artist who works with still and moving images that seek to preserve ephemeral landscapes. Her work pursues the transient, situated through frames of memory and dislocation. Her current research has focused on situating traditional filmmaking methods within contemporary narratives. She also works as a production designer in film and theatre. | ||
|Thumbnail=Buljan5.jpeg | |||
|Thumbnail=Buljan5 | |||
|Website=http://anabuljan.com | |Website=http://anabuljan.com | ||
|Description= | |Description=This film is a part of an experiment in constructing a visual language that can be seen as a consequence to her attraction to chance and the unintended. | ||
Mirroring her own multiple realities, the superimposition she often uses in her work seem coded | Mirroring her own multiple realities, the superimposition she often uses in her work seem coded. In attempt to build a narrative space that unifies the absolute and the relative, the intention is to reveal things for what they are, very alive and unstable. | ||
}} | }} | ||
[[File : | [[File:Buljan.jpg]] | ||
Latest revision as of 19:46, 21 June 2019
| ALEPH ZETA: The Star | |
|---|---|
| Creator | Ana Buljan |
| Year | 2019 |
| Bio | Ana Buljan [HR] is an artist who works with still and moving images that seek to preserve ephemeral landscapes. Her work pursues the transient, situated through frames of memory and dislocation. Her current research has focused on situating traditional filmmaking methods within contemporary narratives. She also works as a production designer in film and theatre. |
| Thumbnail | |
| Website | http://anabuljan.com |
This film is a part of an experiment in constructing a visual language that can be seen as a consequence to her attraction to chance and the unintended. Mirroring her own multiple realities, the superimposition she often uses in her work seem coded. In attempt to build a narrative space that unifies the absolute and the relative, the intention is to reveal things for what they are, very alive and unstable.
