Jujube/bibliography: Difference between revisions
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Bibliography | Bibliography | ||
* Campany, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5). | * Campany, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5). | ||
* Chateau, D. and Moure José (2016) Screens: from materiality to spectatorship - a historical and theoretical reassessment. Place of publication not identified: Amsterdam University Press (The key debates : mutations an appropriations in European film studies, [6]). doi: 10.5117/9789462981904. | |||
* Chee, A. (2018) How to write an autobiographical novel : essays. Boston: Houghton Mifflin Harcourt. | * Chee, A. (2018) How to write an autobiographical novel : essays. Boston: Houghton Mifflin Harcourt. | ||
* Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press. | * Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press. | ||
Revision as of 10:18, 6 June 2019
Bibliography
- Campany, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
- Chateau, D. and Moure José (2016) Screens: from materiality to spectatorship - a historical and theoretical reassessment. Place of publication not identified: Amsterdam University Press (The key debates : mutations an appropriations in European film studies, [6]). doi: 10.5117/9789462981904.
- Chee, A. (2018) How to write an autobiographical novel : essays. Boston: Houghton Mifflin Harcourt.
- Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.
- Mamet, D. (1992) On directing film. New York: Penguin Books.
- Shouse, Eric. (2005) "Feeling, Emotion, Affect." M/C Journal 8.6. <http://journal.media-culture.org.au/0512/03-shouse.php>
// relevant, but not necessary using
- Dassen, W. M., & Bruns, M. (2017). Aesthetics of haptics : an experience approach to haptic interaction design. In Proceedings on the Conference on Designing Interactive Systems (DIS'17), 10-14 June 2017, Edinburgh, United Kingdom (pp. 254-258). New York: Association for Computing Machinery, Inc. DOI: 10.1145/3064857.3079156
- Faust, C. (2016). Conference or Workshop, Haptic Aesthetics at Transimage Conference, Plymouth, UK, 1-3 July 2016.
// less relevant for self-directed research
- De Mul, Jos. “The Work of Art in the Age of Digital Recombination.” Digital Material: Tracing New Media in Everyday Life and Technology, edited by Marianne Van den Boomen et al., Amsterdam University Press, Amsterdam, 2009, pp. 95–106.
- Menkman, R. (2011) The glitch moment(um). Amsterdam: Institute of Network Cultures (Network notebooks, 04).
- Williams, G. (2014) How to write about contemporary art. London: Thames & Hudson.
- Zürcher Hochschule der Künste (2010) Art and artistic research. Edited by C. Caduff, F. Siegenthaler, and Wälchli Tan. Zurich: Verlag Scheidegger & Spiess AG (Zurich yearbook of the arts = Zürcher Jahrbuch der Künste, 2009 ; Volume 6).
// no longer relevant
- Armstrong, K. (2012). A Short History Of Myth. New York, Canongate U.S. http://rbdigital.oneclickdigital.com.
- Harman, O. (2019). EVOLUTIONS: fifteen myths that explain our world. [Place of publication not identified], FARRAR, STRAUS & GIROUX.