Research resources: Difference between revisions

From XPUB & Lens-Based wiki
Line 20: Line 20:
"Visibly Connected Pages and Documents for a New Kind of Writing" <br/>
"Visibly Connected Pages and Documents for a New Kind of Writing" <br/>
A different way of presenting hierarchy, "transclusion" <br/>
A different way of presenting hierarchy, "transclusion" <br/>
"Unlike many of the more sheltered academics, he also saw the potential of a hobbyist "underground." Nelson chose to bypass (and thereby antagonize) both the academic and industrial computerists by appealing directly to the public in a series of self-published tracts that railed against the pronouncements of the programming priesthood. <br/>
Nelson realized that he was trying to create a new kind of thing. It was a tool, but it was also a library, and a medium, and a legion of slave-librarians. In the mid-1960s, when he was working at a book firm, he started to call the whole scheme Xanadu.<ref>''Tools For Thought'' by Howard Rheingold</ref><br/>


Like Doug Engelbart, whose work he had yet to learn about, Nelson yearned for more than a lazy man's typewriter. They both wanted the freedom to steer their thought paths in new ways. And Ted especially desired the prerogative of changing his mind. He wanted the freedom to insert and delete words and move paragraphs around, but he also wanted the computer to remember his decision path. One of the specs was for something he called "historical backtrack," in which the computer could quickly show him the various earlier alternative versions of his ever-changing text.<br/>
"Alternative versions"? From a place to store notes to a tool for sculpting text, his term project had now landed him in even more wondrous science-fiction territory, a place where it was possible to think in terms of parallel alternatives. Of entire libraries of parallel alternatives, and automated librarians to perform the most tedious of searches in microseconds. Why should we abandon any thought at all? Why not just store every variation on everything and let the computer take care of sifting through it when we want to view something?<br/>
Nelson realized that he was trying to create a new kind of thing. It was a tool, but it was also a library, and a medium, and a legion of slave-librarians. In the mid-1960s, when he was working at a book firm, he started to call the whole scheme Xanadu.<br/>
<ref> </ref>
[https://www.youtube.com/watch?v=1yLNGUeHapA Ted Nelson on Xanadu Space] <br/>
[https://www.youtube.com/watch?v=1yLNGUeHapA Ted Nelson on Xanadu Space] <br/>



Revision as of 21:56, 7 April 2019

Digital Literature: From Text to Hypertext and Beyond

Author: Raine Koskimaa
Publication Date: 2000

Definition of Digital Literature

  • Digitalization of print literature, such as Project Gutenberg and Project Runeberg
  • Publication of contemporary literature on digital platforms, however, the creation process follows static print procedures
  • Literary creation that actively adopted digital formats such hypertext literature, interactive poetry, and etc.
  • Net Literature, being hypertext literature made readable on networked platforms (Internet), that the content reference to and being updated by external sources.

Memex

It was based on combination of a large data base with possibility to link different parts of that data base to each other. One can start to read a Memex document and continue by using link and access the associative reasoning chain which was behind that particular document. In Memex, user is allowed to link together different documents, to gather links to named paths, to add new documents to the database and to return to the database and follow the previous paths. [1]

Project Xanadu

"Visibly Connected Pages and Documents for a New Kind of Writing"
A different way of presenting hierarchy, "transclusion"
Nelson realized that he was trying to create a new kind of thing. It was a tool, but it was also a library, and a medium, and a legion of slave-librarians. In the mid-1960s, when he was working at a book firm, he started to call the whole scheme Xanadu.[2]

Ted Nelson on Xanadu Space

Xanadu, Network Culture, and Beyond by Rheingold



Telecollaboration: Beyond Memex and NLS


As We May Think, Vannevar Bush


Electronic Literature Collection, an archive of three volumes (2006, 2011 and 2016, even have a bot section)

Qualities of Digital Literature

  • Hypertextuality, Multi-linearity, Diverse Temporality
  • User's active engagement in reading process

Brief Examples of Digital Literature

Hegirascope, in which page is refreshed in due time;
Victory Garden, in which the story has multiple hyperlinks as starting points; after entering content pages, user can choose from hyperlinks that are nested within content page.
Faith Robert Kendall's Kinetic Poetry
Luminous Airplanes in which the map shows networked clusters connect to each other
Thread Map Visualizer for web chat conversations


Eastgate, a company that provides tools for hypertext writing.


Wiretap, an event in V2 in 1995 on new ways of literature.

Gallery


References

  1. Jana Heršková "Hypertext in Art (Literature)",
  2. Tools For Thought by Howard Rheingold