Ugo/tutorials

08-10-2018 Ine

• My sociological and anthropological concerns - what role in my work
• Focus on focal camera experimentation of continuous recording
• REF: British artist Gillian Wearing and her statement on anthropology and documentary

09-10-2018 Barend

• Continue working on focal camera and start with medium format : cutting the film, scanning the film, reconstruction of the long image digitally.
• What processes is my work related to: Slit Scan, what are the differences
• My references to impressionism (Monet) and sociology (Zygmunt Bauman, Liquid Modernity). Liquidity, Fluidity, Fixity. How do this relate to my research on Identity?
• REF: Gerhard Richter (Painting over photograph?) and Adam Magyar (Slit-scan)

29-10-2018 David

• Continue working on continuous recording project with a focus on the gesture
• Gesture of re-winding, analyse and precise the gesture and the possible links with time
• Start building a more specific vocabulary, avoid speaking in too abstract or general terms
• The importance of the choice in the gesture, dialectic of choice-process. Gesture & Techniques
• What subjects are more suitable for the process
• The poetic and philosophical aspect of my research: the construction of the self, the representation of the self, the concept of time (re-winding) in the work or maybe a more theoretical research on what is photography / photographic?

30-10-2018 Barend

• Take a break with continuous recording project. Shifting to moving image.
• How can I transfer the work to moving image. Is my work not already a moving image? What is the border between fix and moving image - the shift from photography to cinema (Marker, C. (1962) La Jetée)
• Start writing scenes or images that come in my mind.
• 16mm film introduction at Worm. My focal camera is a simple version of a movie camera, with no shutter and medium film format.
• REF: Michel van Bakel (Forest Paths IFFR (2019), The Dutch Mountain (2015) & Equestrian (2003))

19-11-2018 Javi

• The materiality of film : Peter Kudelka & Rosa Barba
• Defining the place of the body in the process
• The fragmentation : Jan Dibbets & Paul Sharits
• Manual speed variation as a "control" on results = narrative or intentionality

27-11-2018 Simon

• Main focus on practice - Practice led research
• REF: All That Is Solid Melts into Air

08-01-2018 Barend

• How can I improve workflow

14-01-2018 Javi

• After PZI: Education, Research, Art Practice
• PhD Art NL or FR, KABK-LEIDEN (Art), AMU-ENSP (Image, Philosophie), PSL-SACre (Mouvement)
• Applying for funds: CBK-Rotterdam City, Mondriaan Fond, Stimulerings Fond
• Applying for Art residency
• Applying to film festival
• Developing my research network: Getting involve with Filmwerkplaatz

04-02-2019 Ine

• Disruption is necessary in the Abiding video
• Specifity of the medium: re-define terms within the work "animate" "time"
• "It is a harsh separation between photo and film, you tear them apart"
• "I don't think you wanna tell stories, you wanna tell content" (meaning?)
• Articulation theory & practice works well

04-02-2019 David

• Strong reference to film and painting - dutch painting
• Taking the filter out (no need), working with the indexality character of the medium, showing body variation = subtle interaction maker/environment/camera
• What subject to develop next: a series on dutch landscape, image within image (billboard, adverts)
• How to add narrative element using this particular language
• REF: Lyndsey Sears, Tacita Dean, Lisa Reihana (Venezia 2017)