Ugo/tutorials: Difference between revisions
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* The fragmentation : Jan Dibbets & Paul Sharits | * The fragmentation : Jan Dibbets & Paul Sharits | ||
* Manual speed variation as a "control" on results = narrative or intentionality | * Manual speed variation as a "control" on results = narrative or intentionality | ||
=== -11-2018 Simon === |
Revision as of 13:25, 3 December 2018
08-10-2018 Ine
- My sociological and anthropological concerns - what role in my work
- Focus on focal camera experimentation of continuous recording
- REF: British artist Gillian Wearing and her statement on anthropology and documentary
09-10-2018 Barend
- Continue working on focal camera and start with medium format : cutting the film, scanning the film, reconstruction of the long image digitally.
- What processes is my work related to: Slit Scan, what are the differences
- My references to impressionism (Monet) and sociology (Zygmunt Bauman, Liquid Modernity). Liquidity, Fluidity, Fixity. How do this relate to my research on Identity?
- REF: Gerhard Richter (Painting over photograph?) and Adam Magyar (Slit-scan)
29-10-2018 David
- Continue working on continuous recording project with a focus on the gesture
- Gesture of re-winding, analyse and precise the gesture and the possible links with time
- Start building a more specific vocabulary, avoid speaking in too abstract or general terms
- The importance of the choice in the gesture, dialectic of choice-process. Gesture & Techniques
- What subjects are more suitable for the process
- The poetic and philosophical aspect of my research: the construction of the self, the representation of the self, the concept of time (re-winding) in the work or maybe a more theoretical research on what is photography / photographic?
30-10-2018 Barend
- Take a break with continuous recording project. Shifting to moving image.
- How can I transfer the work to moving image. Is my work not already a moving image? What is the border between fix and moving image - the shift from photography to cinema (Marker, C. (1962) La Jetée)
- Start writing scenes or images that come in my mind.
- 16mm film introduction at Worm. My focal camera is a simple version of a movie camera, with no shutter and medium film format.
- REF: Michel van Bakel (Forest Paths IFFR (2019), The Dutch Mountain (2015) & Equestrian (2003))
19-11-2018 Javi
- The materiality of film : Peter Kudelka & Rosa Barba
- Defining the place of the body in the process
- The fragmentation : Jan Dibbets & Paul Sharits
- Manual speed variation as a "control" on results = narrative or intentionality