User:Angeliki/Grad-thesis: Difference between revisions
| Line 9: | Line 9: | ||
::'''invisible frequencies''' | ::'''invisible frequencies''' | ||
::Radio stations: a tool to appropriate physical space and electromagnetic spectrum (ref:"Take it to the air"). Being present in the space and radio at the same time. Multiple voices (presence and absence). Voice based communication platforms. Scanning through weird sounds, broadcasters. Mapping the frequencies through 'live' speech recognition. | ::Radio stations: a tool to appropriate physical space and electromagnetic spectrum (ref:"Take it to the air"). Being present in the space and radio at the same time. Multiple voices (presence and absence). Voice based communication platforms. Scanning through weird sounds, broadcasters. Mapping the frequencies through 'live' speech recognition. | ||
::Documentation of: making antennas, scanning through frequencies, interviews with pirates. | ::Documentation of: making antennas, scanning through frequencies, interviews with pirates. Radio airwaves restrictions | ||
| Line 15: | Line 15: | ||
:'''speech/voice/phonetics'''<br /> | :'''speech/voice/phonetics'''<br /> | ||
:How voices of the voiceless becomes present in counter- communication platforms. The need for embodied presence (ref:"Orality and literacy"). The practice of gossiping (ref: text of Amy, "practices of everyday life"), phonetics | :How voices of the voiceless becomes present in counter- communication platforms. The need for embodied presence (ref:"Orality and literacy"). The practice of gossiping (ref: text of Amy, "practices of everyday life"), phonetics | ||
:Control over voice (ref: articles of Gizmodo): when the voice and speech data become material for control by using speech recognition. | :Control over voice (ref: articles of Gizmodo): when the voice and speech data become material for control by using speech recognition. Speech | ||
:::'''leave a trace: politics of presence''' | :::'''leave a trace: politics of presence''' | ||
:::Public space and pirate radios. Walking (ref:"Walking and mapping"), mapping, tracing, tracking, listening, murmuring. | :::Public space and pirate radios. Walking (ref:"Walking and mapping"), mapping, tracing, tracking, listening, murmuring. | ||
Revision as of 12:05, 14 October 2018
Thesis outline
Structure of the text: radio show, song, theatre play, script, python script, structure of phonetic rules (ref: "Speech for the stage"), structure of pocketsphinx
- Statement: How communication platforms like radio electromagnetic spectrum raise questions on limited and restricted public spaces. How the voice and speech give presence.
- Motivation: (gender) exclusion in communication platforms like radio because of the exclusion in the technical knowledge of them. Redefining those mediums by appropriate them in a way that follows up the "situation"/position (cultural, political) of that person.
- invisible frequencies
- Radio stations: a tool to appropriate physical space and electromagnetic spectrum (ref:"Take it to the air"). Being present in the space and radio at the same time. Multiple voices (presence and absence). Voice based communication platforms. Scanning through weird sounds, broadcasters. Mapping the frequencies through 'live' speech recognition.
- Documentation of: making antennas, scanning through frequencies, interviews with pirates. Radio airwaves restrictions
- speech/voice/phonetics
- How voices of the voiceless becomes present in counter- communication platforms. The need for embodied presence (ref:"Orality and literacy"). The practice of gossiping (ref: text of Amy, "practices of everyday life"), phonetics
- Control over voice (ref: articles of Gizmodo): when the voice and speech data become material for control by using speech recognition. Speech
- leave a trace: politics of presence
- Public space and pirate radios. Walking (ref:"Walking and mapping"), mapping, tracing, tracking, listening, murmuring.