Autonomous Archive/hand-curated/design-process: Difference between revisions
| (2 intermediate revisions by the same user not shown) | |||
| Line 18: | Line 18: | ||
[[File:Screen Shot 2017-12-03 at 17.15.02.png|thumbnail|names / metadata]] | [[File:Screen Shot 2017-12-03 at 17.15.02.png|thumbnail|names / metadata]] | ||
[[File:Screen Shot 2017-12-03 at 17.16.12.png|thumbnail|raster (AM Raster)]] | [[File:Screen Shot 2017-12-03 at 17.16.12.png|thumbnail|raster (AM Raster)]] | ||
Why the book as a medium? | |||
*fixed structure & narrative vs database of wiki / archive. | *fixed structure & narrative vs database of wiki / archive. | ||
*Haptic experience (Paper vs digital) | *Haptic experience (Paper vs digital) | ||
| Line 28: | Line 29: | ||
===Images=== | ===Images=== | ||
*images on glossy paper only | |||
*image captions on matt paper and with aspect ratio of images | |||
*the use of flash and verticals as a way of creating a consistent visual structure as a way to emphasize a lived in space | *the use of flash and verticals as a way of creating a consistent visual structure as a way to emphasize a lived in space | ||
*rastering (give back the character of the old print mediums from zins of formal squatts) | *rastering (give back the character of the old print mediums from zins of formal squatts) | ||
| Line 38: | Line 41: | ||
*Industrialization | *Industrialization | ||
*Eclecticism (architecture) | *Eclecticism (architecture) | ||
===Metadata=== | ===Metadata=== | ||
*Metadata (tuned – information about interviewed people | *Metadata (tuned – information about interviewed people) | ||
*Layouting much text: how to generate tension | *Layouting much text: how to generate tension | ||
→using indents and iterating throughout the book | →using indents and iterating throughout the book | ||
| Line 58: | Line 62: | ||
* We made a dummy at the American Book Center in Amsterdam with the bookprinting automat »Betty« | * We made a dummy at the American Book Center in Amsterdam with the bookprinting automat »Betty« | ||
[[File:IMG 5111.JPG|400px]] | [[File:IMG 5111.JPG|400px]] | ||
[[File:01.jpeg|400px]] | |||
[[File:02.jpeg|400px]] | |||
[[File:03.jpeg|400px]] | |||
[[File:04.jpeg|400px]] | |||
[[File:05.jpeg|400px]] | |||
[[File:06.jpeg|400px]] | |||
[[File:07.jpeg|400px]] | |||
Latest revision as of 12:55, 5 December 2017
Process
Drafts
Layout
Why the book as a medium?
- fixed structure & narrative vs database of wiki / archive.
- Haptic experience (Paper vs digital)
- Legitimacy
- Self-contained
- using the book as a statement / fixed object in time and space
- capturing a certain timeframe -> fixed
- creates access to the actual archive
Images
- images on glossy paper only
- image captions on matt paper and with aspect ratio of images
- the use of flash and verticals as a way of creating a consistent visual structure as a way to emphasize a lived in space
- rastering (give back the character of the old print mediums from zins of formal squatts)
Typography
Libre Baskerville
- open source
- supporting the open spirit
- referring to the time of PG 1879
- Industrialization
- Eclecticism (architecture)
Metadata
- Metadata (tuned – information about interviewed people)
- Layouting much text: how to generate tension
→using indents and iterating throughout the book
Paper
- Chromolux 700m(one sided glossy - one sided matt) on glossy side
- photography, on matt side - text. this way we used paper as well as an haptical communication element.
- contradiction of the building, inside - outside
- guide through the publication, seperate images and text (support structure)
- give value to archival material.
Printing & Binding
Dummy
- We made a dummy at the American Book Center in Amsterdam with the bookprinting automat »Betty«
Final Printrun
Printing:
- Laserprint 1c
- Raddraier https://raddraaier.nl/
- former squat + printer for squats (connection to PG)
Binding:
- Gluebinding
- Boekbinderij Hennink