Autonomous Archive/hand-curated/design-process: Difference between revisions

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=Layout=
<gallery mode="nolines" widths=500px heights=400px>
File:IMG 5054.JPG
File:IMG 5209.JPG
File:IMG 5211.JPG
File:IMG 5213.JPG
File:IMG 5216.JPG
</gallery>


*Why the book as a medium?
==Layout==
[[File:Screen Shot 2017-12-03 at 17.13.51.png|thumbnail|layout grid]]
[[File:Screen Shot 2017-12-03 at 17.14.33.png|thumbnail|image captions with aspect ratio]]
[[File:Screen Shot 2017-12-03 at 17.15.02.png|thumbnail|names / metadata]]
[[File:Screen Shot 2017-12-03 at 17.16.12.png|thumbnail|raster (AM Raster)]]
 
Why the book as a medium?
*fixed structure & narrative vs database of wiki / archive.
*fixed structure & narrative vs database of wiki / archive.
*Haptic experience (Paper vs digital)
*Haptic experience (Paper vs digital)
Line 15: Line 27:
*capturing a certain timeframe -> fixed
*capturing a certain timeframe -> fixed
*creates access to the actual archive
*creates access to the actual archive
==Text==
==Images==
==Typography==
==Metadata==


*Metadata (tuned – information about interviewed people) (Alex)
===Images===
*images on glossy paper only
*image captions on matt paper and with aspect ratio of images
*the use of flash and verticals as a way of creating a consistent visual structure as a way to emphasize a lived in space
*rastering (give back the character of the old print mediums from zins of formal squatts)
 
===Typography===
'''Libre Baskerville'''
*open source
*supporting the open spirit
*referring to the time of PG 1879
*Industrialization
*Eclecticism (architecture)
 
 
===Metadata===
 
*Metadata (tuned – information about interviewed people)
*Layouting much text: how to generate tension
*Layouting much text: how to generate tension
→using indents and iterating throughout the book
→using indents and iterating throughout the book


=Paper=
==Paper==
* Chromolux 700m(one sided glossy - one sided matt) on glossy side  
* Chromolux 700m(one sided glossy - one sided matt) on glossy side  
* photography, on matt side - text. this way we used paper as well as an haptical communication element.
* photography, on matt side - text. this way we used paper as well as an haptical communication element.
* contradiction of the building, inside - outside
* contradiction of the building, inside - outside
* guide through the publication, seperate images and text (support structure)
* guide through the publication, seperate images and text (support structure)
* give value to archival material.  
* give value to archival material.
 
[[File:IMG 4770.JPG|300px|frameless]]


=Printing & Binding=
=Printing & Binding=
==Dummy==
* We made a dummy at the American Book Center in Amsterdam with the bookprinting automat »Betty«
[[File:IMG 5111.JPG|400px]]
[[File:01.jpeg|400px]]
[[File:02.jpeg|400px]]
[[File:03.jpeg|400px]]
[[File:04.jpeg|400px]]
[[File:05.jpeg|400px]]
[[File:06.jpeg|400px]]
[[File:07.jpeg|400px]]
==Final Printrun==
Printing:
* Laserprint 1c
* Raddraier https://raddraaier.nl/
* Raddraier https://raddraaier.nl/
* former squat + printer for squats (connection to PG)
* former squat + printer for squats (connection to PG)


<gallery>
File:24331426 10215308013479385 1080589234 n.jpg
File:24331304 10215308013439384 1780382645 n.jpg
File:24331265 10215308013399383 1509178463 n.jpg
File:24581247 10215308012919371 1130172231 n.jpg
</gallery>
Binding:
* Gluebinding
* Boekbinderij Hennink


</onlyinclude>
</onlyinclude>

Latest revision as of 12:55, 5 December 2017


Process

Drafts

Layout

layout grid
image captions with aspect ratio
names / metadata
raster (AM Raster)

Why the book as a medium?

  • fixed structure & narrative vs database of wiki / archive.
  • Haptic experience (Paper vs digital)
  • Legitimacy
  • Self-contained
  • using the book as a statement / fixed object in time and space
  • capturing a certain timeframe -> fixed
  • creates access to the actual archive

Images

  • images on glossy paper only
  • image captions on matt paper and with aspect ratio of images
  • the use of flash and verticals as a way of creating a consistent visual structure as a way to emphasize a lived in space
  • rastering (give back the character of the old print mediums from zins of formal squatts)

Typography

Libre Baskerville

  • open source
  • supporting the open spirit
  • referring to the time of PG 1879
  • Industrialization
  • Eclecticism (architecture)


Metadata

  • Metadata (tuned – information about interviewed people)
  • Layouting much text: how to generate tension

→using indents and iterating throughout the book

Paper

  • Chromolux 700m(one sided glossy - one sided matt) on glossy side
  • photography, on matt side - text. this way we used paper as well as an haptical communication element.
  • contradiction of the building, inside - outside
  • guide through the publication, seperate images and text (support structure)
  • give value to archival material.

IMG 4770.JPG

Printing & Binding

Dummy

  • We made a dummy at the American Book Center in Amsterdam with the bookprinting automat »Betty«

IMG 5111.JPG

01.jpeg 02.jpeg 03.jpeg 04.jpeg 05.jpeg 06.jpeg 07.jpeg


Final Printrun

Printing:

Binding:

  • Gluebinding
  • Boekbinderij Hennink