Irma's Proposal Draft: Difference between revisions
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==WHAT== | ==WHAT== | ||
I want to make a short film, around 20-30 minutes, with interlocking storylines of three main characters and one protagonist of a documentary which one of the main characters is working on. My film would use various visual languages, it would be a mix of a documentary style combined with a "classic Hollywood" cinema look and social media film-look to address the state of a character. (see visual examples at description of characters) One of the themes of the movies would be the rhetorics of storytelling. All the characters in the film struggle with choices within the representation of themselves or the world around them. The manner that a story is told is very relevant to judge the trustworthiness of the information, how the audience judge if the message or person is relevant. The language that society uses to share information has an important position in the rhetorical playfield. With the rise of video, the manipulation skills which were often used in commercials and propaganda are in reach for every common person in the western society. But could you be part of the game if you | I want to make a short film, around 20-30 minutes, with interlocking storylines of three main characters and one protagonist of a documentary which one of the main characters is working on. My film would use various visual languages, it would be a mix of a documentary style combined with a "classic Hollywood" cinema look and social media film-look to address the state of a character. (see visual examples at description of characters) One of the themes of the movies would be the rhetorics of storytelling. All the characters in the film struggle with choices within the representation of themselves or the world around them. The manner that a story is told is very relevant to judge the trustworthiness of the information, how the audience judge if the message or person is relevant. The language that society uses to share information has an important position in the rhetorical playfield. With the rise of video, the manipulation skills which were often used in commercials and propaganda are in reach for every common person in the western society. But could you be part of the game if you're not aware of the impact? | ||
<p style="text-align: left;"><span style="background-color:#f9d322;color:RED; border style: dots; font-family: Helvetica;"> [http://irma-paperwork.com/characters.html| DESCRIPTION AND STORYLINE OF THE FOUR MAIN CHARACTERS]</span></p> | <p style="text-align: left;"><span style="background-color:#f9d322;color:RED; border style: dots; font-family: Helvetica;"> [http://irma-paperwork.com/characters.html| DESCRIPTION AND STORYLINE OF THE FOUR MAIN CHARACTERS]</span></p> | ||
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There is a strong connection with this thesis and my graduation film. My | There is a strong connection with this thesis and my graduation film. My characters are all based on a theory I'm researching in my thesis. For example, the storyline of the documentary-filmmaker Emma, is based on the journalistic opinions of Noam Chomsky and the personality of Ed is based on Edward Bernays. | ||
==HOW== | ==HOW== |
Revision as of 09:37, 16 November 2017
WHAT
I want to make a short film, around 20-30 minutes, with interlocking storylines of three main characters and one protagonist of a documentary which one of the main characters is working on. My film would use various visual languages, it would be a mix of a documentary style combined with a "classic Hollywood" cinema look and social media film-look to address the state of a character. (see visual examples at description of characters) One of the themes of the movies would be the rhetorics of storytelling. All the characters in the film struggle with choices within the representation of themselves or the world around them. The manner that a story is told is very relevant to judge the trustworthiness of the information, how the audience judge if the message or person is relevant. The language that society uses to share information has an important position in the rhetorical playfield. With the rise of video, the manipulation skills which were often used in commercials and propaganda are in reach for every common person in the western society. But could you be part of the game if you're not aware of the impact?
DESCRIPTION AND STORYLINE OF THE FOUR MAIN CHARACTERS
There is a strong connection with this thesis and my graduation film. My characters are all based on a theory I'm researching in my thesis. For example, the storyline of the documentary-filmmaker Emma, is based on the journalistic opinions of Noam Chomsky and the personality of Ed is based on Edward Bernays.
HOW
Working step by step, navigating between theory and practice. I will to develop the scripts and characters more, organize and research my theme. The starting-point is filming the most practical storyline, like the characters Margarita and Ed (see script) while I get in contact and research the character which I want to base the documentary scenes on. My goal is that these stories can be read in different layers as I think it is important that the film is still interesting for an audience that is not familiar with the theory.
WHY
I want to use the medium of film to express my personal point of view on the world, to use the storyline of different characters that represent theories I've been reading.
In my artistic practice, I like to play with the language of communication and how this influence the interpretation of the audience. My work method, in a nutshell, is to analyze a recipe of a familiar visual communication language, then use these rhetorics to plays with the expectation of the public, often I try to create a tipping point in the project to express my comments or to create awareness on the theme I'm working with.
Rhetoric in communication is used on a day to day bases and does affect us if we like it or not. These often well-known tricks are done in commercial marketing, but the seeds seem to have been spread through politics and mass media communication. Could you say that in every form of information, there is a profit to be made? And if the information is offered for free it is then likely that the receiver is the product? This brings the receiver in a difficult position, they have to judge the intentions of the sender before they can accept the information as the truth.
WHEN
November
- Make (test) shots/casting shots of actors
- test shots film location and cinemagrophy
- Work on Ed/Margarita script
- If this is in a developed narrative, then I'll start filming already
Before Dec 2017
- develop the script
- Organise first location and actress
- Start filming the scenes of the woman
- research the real-life character, sovereign citizen, have a pre-interview.
Before 7th of May 2018
- Have all Film all footage
Before end of MAY 2018
- First draft Film
JUNE 2018
- test screening on peers
- color and sound effects
Who can help you and how?
- Next to peers, tutors I'm also trying to get some knowledge on creative writing during an extra course at crea/Uva
- The actors:
- Margarita, found actress, will start with first recordings in December
- Ed, need to get in contact when the script and timetable are clear.
- Emma, haven't found the person yet, but she is the last one on the list to film.
- Sakshin, need to get in contact when the script and timetable are clear.
- Extra's for the company at Ed's office
- Some locations
- Maybe extra technical help on some shooting days, I have enough filmers in my network.
Relation to a larger context
in combination with my thesis, I would like to research the cause and effect of storytelling, the rhetoric's behind the manipulation of believability of the truth.
I'm researching different storytellers, the ones I see as role models are:
- Charlie Kaufman
- Patricia Highsmith
- George Orwell
Relation to previous practice
I'm trying to stay in my previous themes of interest. Wich I consider is manipulation of truth, the longing for advice from a bigger individual or spirit and creating a language that is suitable for the target audience.
I see a lot of overlap in my previous research in specifically the second character, whois the sovereign citizen. In the theories of Ideology, the big other, trepanation (making a hole in the skull of a living person to create a higher consciousness) which seems in the line of the Tachyon Energy Theory, longing for a bigger power. This was also a theme within the projects of last year called Fortunewood. Hereby a company has the role of the bigger other and offers advice to individuals. I can also imagine there is a connection with the philosophy of Noam Chomsky and a person choosing to be a sovereign citizen. Both theories lean against conspiracy theories, I find it fascinating where a story crosses the line of conspiracy.
References
Research on Emma (documentary maker)
- MANUFACTURING CONSENT The Political Economy of the Mass Media by Edward S. Herman and Noam Chomsky (1988)
- Manufacturing Consent - Noam Chomsky And The Media-The Companion Book To The Award-Winning Film by Peter Wintonick and Mark Achbar (1994)
- The Propaganda Model: a retrospective by Edward S. Herman
- Documentary 'Requiem for the American Dream' (2015) - Noam Chomsky
- Het einde van de Americaanse droom- Noam Chomsky (book based on Documentary 'Requiem for the American Dream (2015)'
- Post-truth by Matthew Dáncona
Research on Ed (App developer)
- The Century of the Self -Adam Curtis
- Propaganda - Edward Bernays
- The Father of Spin - Larry Tye
Research on Saksin (Sovereign citizen)
- "The Big Other doesn't exist" - Slavoj Zizek
- Mockumentaries such as Incident at Loch Ness by Werner Herzog
Research on Margarita (Social media influential)
- Rachel Dolezal - a white woman pretending to be black.
- Zjesus Zila - art project of a student from the HKU who pretended online to be on Holiday while she was staying in holland.
- Merel Brugman https://www.ad.nl/binnenland/boze-merel-populaire-scriptie-over-schijnreis-is-jatwerk~a919e799/
- Jacques Lacan - mirror stage
- Documentary: PBS Frontline 2014 Generation Like
- Essay on representing a persona - Het weerzinwekkende lot van de oude filosoof Socrates by Connie Palmen
- De Zonde van de vrouw - Connie Palmen She analyzes 4 women on self-destruction
Research on Storytelling
- Wired for Storytelling - Lisa Cron
- Plotting and Writing suspense fiction - Patrica Highsmith
- Me and You and Memento and Fargo - J. J. Murphy
- Anatomy of a Premise Line - Jeff Lyons