User:Francg/expub/thesis/draft1: Difference between revisions
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<br>I want to start researching the conceptual implications of this issue and alongside keep on producing prototypes to help me acquiring skills and a better a understanding of its theoretical & technical complexities. This means to find out why this topic is interesting to an specific audience, and how to communicate it. Ideally by the end of each trimester I will be able to gather a series of prototypes and collect more relevant thoughts, which will define a more visible pattern of what my work will be. | <br>I want to start researching the conceptual implications of this issue and alongside keep on producing prototypes to help me acquiring skills and a better a understanding of its theoretical & technical complexities. This means to find out why this topic is interesting to an specific audience, and how to communicate it. Ideally by the end of each trimester I will be able to gather a series of prototypes and collect more relevant thoughts, which will define a more visible pattern of what my work will be. | ||
<br><br>'''References''' | <br><br>'''References''' | ||
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[http://www.brendandawes.com/| Brendan Dawes]. Artist and designer exploring the interaction of objects, people, art and technology using form and code with a mix of analog and digital materials. | [http://www.brendandawes.com/| Brendan Dawes]. Artist and designer exploring the interaction of objects, people, art and technology using form and code with a mix of analog and digital materials. | ||
<br>[http://feltron.com/index.html| Nicholas Felton] | <br>[http://feltron.com/index.html| Nicholas Felton] | ||
<br>Back to old sources such as: | |||
Lanier, J. (2010) You Are Not a Gadget, Penguin Adult | |||
Hayles, K (2008) How We Became Posthuman. Virtual Bodies in Cybernetics, Literature, and Informatics, University of Chicago Press | |||
<br>[https://en.wikipedia.org/wiki/Hypertext_fiction| What is Hypertext Fiction?] | |||
<br>[http://collection.eliterature.org/3/| Electronic Literature Collection 3, 2016] | |||
<br>[http://collection.eliterature.org/2/| Electronic Literature Collection 2, 2011] | |||
<br>[http://collection.eliterature.org/1/| Electronic Literature Collection 1, 2006] | |||
<br>[http://www.eastgate.com/catalog/PatchworkGirl.html| Eastgate - Patchwork Girl] | |||
<br>[https://www.youtube.com/watch?v=v02WFh_Kdl0| "Now You're Playing With Power" - Nintendo 1986 Commercial] | |||
<br>[http://www.furtherfield.org/reviews/feedback-signalnoise| Feedback: Signal Noise] | |||
<br>Webs: | <br>Webs: | ||
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<br>Writing Machines, Hayles, Katherine | <br>Writing Machines, Hayles, Katherine | ||
</div> | </div> |
Revision as of 15:47, 24 September 2017
Graduate Proposal:
Draft
What do you want to make?
Data as story-telling, data-collection to catalogue a human experience, turning data into stories, data is not neutral, it is a story-telling device, interpreters. What they tell us about the World around us is subjective, but it can be meaningful.
Infographics, Interface, symbiotically exchange information, upgrade...
Bio-Ethics, Morpholical Freedom, trans-humanism, moral significance of our status quo, simulated reality, book..
Self-awareness through data, being way more critical about our understanding.
Why do you want to make it?
Physiological functioning is increasingly dependent on electronics.
Process of union between technology and body. Perceiving different.
Creating extensions of our body’s given natural qualities.
Tools for self-created expression, they make a statement about their social influence.
Lurking in the digital world, being more mindful about our environments...
Online anonymity, transgression... in the absence of leadership, people have the choice to take different roles.
Relation to larger context
Looking out for Identity, Actor network, cultural perspective of society in relation to self-enhancement, whether digitally or physically. Is personal data so valuable, interesting or a hazard?
Human and non human devices.
a..
Who can help and how?
aaa..
How do you plan to make it?
aaa..
What is your timetable
I want to start researching the conceptual implications of this issue and alongside keep on producing prototypes to help me acquiring skills and a better a understanding of its theoretical & technical complexities. This means to find out why this topic is interesting to an specific audience, and how to communicate it. Ideally by the end of each trimester I will be able to gather a series of prototypes and collect more relevant thoughts, which will define a more visible pattern of what my work will be.
References
Brendan Dawes. Artist and designer exploring the interaction of objects, people, art and technology using form and code with a mix of analog and digital materials.
Nicholas Felton
Back to old sources such as:
Lanier, J. (2010) You Are Not a Gadget, Penguin Adult
Hayles, K (2008) How We Became Posthuman. Virtual Bodies in Cybernetics, Literature, and Informatics, University of Chicago Press
What is Hypertext Fiction?
Electronic Literature Collection 3, 2016
Electronic Literature Collection 2, 2011
Electronic Literature Collection 1, 2006
Eastgate - Patchwork Girl
"Now You're Playing With Power" - Nintendo 1986 Commercial
Feedback: Signal Noise
Webs:
The Guardian Data blog
http://thedigitalhuman.tumblr.com/archive%7C The digital Human Archive]
https://wellcomecollection.org/whats-on/exhibitions/superhuman%7C Superhuman exhibition]
Music and Fractal Landscapes
Post Digital publishing Archive
Daniel Engber - article
The Internet of Cells - article
Books:
Beautiful Data: A History of Vision and Reason since 1945, Halpern, Orit
From Print to eBooks - A Hybrid Publishing Toolkit for the Arts, Pzwart
The Cybernetic Brain: Sketches of Another Future
Artists’ Magazines. An Alternative Space for Art
The Century of Artists' Books, Drucker, Johanna
Graphesis: Visual Forms of Knowledge Production, Drucker, Johanna
Reading Writing Interfaces, Emerson, Lori
Book to the Future, Cataloguing the World, Wright, Alex
Book to the Future, Worthington, Simon
Writing Machines, Hayles, Katherine