SteveSuggestsAna

WHAT HOW WHY

1. EMOTIONAL REALISM OR DO YOU DO YOURSELF ON YOURSELF

It is a title of a series of photographs. [what do we see?; try to evoke an image through simple description] There are around 18 analog photographs in the series that make part of this story.

how

The real story took place over three nights and four days on an island in Croatia. It was a short get away, for me, my best friend and his dog. I guess everybody had their own reasons for needing to elope. The main idea was to get at least 500 kilometers from the city and then cross the sea to the island, find a beach to settle down on and sleep under the sky for some nights and stay clean from the everyday habits.

[this is flowing much better as a story, with characters &c You could really develop this with descriptions of the people and what was said, and more description of what happened, providing a 'back story for the photos']

There are certain thing one needs to do for his self- therapy. I wanted to deal with my pre-anxiety before a big project I was about to embark on. To be more precise, I wanted not to think about the project and use the best of my three day short holiday break. Without making these rules, I wanted to be one/with the sea, two/ under the sky, /three/find complete darkness compared to the stars above. Moving through these steps consciously, you might actually enter a slowmotion mode and virtually prolong the 3 day holiday into many and more - non time subjected moments.

The title and the term that means: “ A representational quality in a narrative that is felt to be – true to – life “. It also suggests that for some viewers, when watching a soap opera or a long running series - gives viewers a chance to form parasocial interactions with the characters. Hence my close ups shots – are aiming to develop a parasocial relationship with the nature itself. For the cultural theorist Ian Eng who coined the term, emotional realism depends on connotation more than on denotation. Even if at the level of content the treatment is unrealistic, what is recognized as real is truth to feeling.

2. FEED YOUR HEAD

The images, both in color and in black and white, show groups of people, predominantly white males but also women and children wearing masks. The most used mask is about a meter long sheepskin made totem planted on the top of the person's head. The atmosphere should be one of a celebration, while in reality it is not.

[I moved this. you need to put description ahead of all else: this is our subject] On the contrary, if - and - as - the idle mind is the devil’s playground, feed your head would be a metaphor on what is my position toward this people’s non- evolution. [<this needs unpacking, and more explanation, not sure of your position; currently in danger of reading as self-righteous and angry. ]

This body of work was made with two analog cameras during an afternoon. It is a record of a pagan ritual that takes part every year in the region of Croatia that is not as close to the sea as it is engraved in the solid rocks. Rocks are also a representation of a nationalistic right wing conservative ignorant society that now predominates the region. In some previous times during the history of paganism, people were mostly shepherds, and so their everyday life was mostly defined by the season, or the rain or the lack of it. It is well know how strong and strenuous work leaves no time for the mind to overplay you'. [I don't understand 'overplay' ]'Bold text

To play with the eerie feeling I received from the experience and to mix it with the already formed opinion on the people performing the ritual. To propose a message to the same people to feed their heads with something more useful than the nationalistic propaganda. [<this is unclear] To give another option on how to read the photographs, with a musical background of Jefferson Airplane’s White Rabbit song. Or just : Go ask Alice, I think she'll know. [what the dormouse knew :-)]

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[Check out David Lamelas' conceptual photography]

http://www.latinart.com/faview.cfm?id=946