Screenscapes: Difference between revisions
Andre Castro (talk | contribs) No edit summary |
Andre Castro (talk | contribs) No edit summary |
||
| Line 3: | Line 3: | ||
|Date=2017 | |Date=2017 | ||
|Bio=Nataliya Sinelshchikova (RU) is a researcher and media artist with a background in graphic design. Her interests revolve around generative art, media specificities and the aesthetics of distortion as an inevitable part of our relationships with technology. | |Bio=Nataliya Sinelshchikova (RU) is a researcher and media artist with a background in graphic design. Her interests revolve around generative art, media specificities and the aesthetics of distortion as an inevitable part of our relationships with technology. | ||
|Thumbnail= | |Thumbnail=Filler.png | ||
|Description=''Digital Landscapes'' is a video installation that aims to express the anxiety of losing oneself in a digital void. The abstract, code-based video uses the author's computer logs and the video documentation of her digital routine as a source for data visualization. The project invites the audience to travel through digital landscapes that will carry the viewer away into the environment it creates. | |Description=''Digital Landscapes'' is a video installation that aims to express the anxiety of losing oneself in a digital void. The abstract, code-based video uses the author's computer logs and the video documentation of her digital routine as a source for data visualization. The project invites the audience to travel through digital landscapes that will carry the viewer away into the environment it creates. | ||
}} | }} | ||
Revision as of 15:19, 22 May 2017
| Screenscapes | |
|---|---|
| Creator | Nataliya Sinelshchikova |
| Year | 2017 |
| Bio | Nataliya Sinelshchikova (RU) is a researcher and media artist with a background in graphic design. Her interests revolve around generative art, media specificities and the aesthetics of distortion as an inevitable part of our relationships with technology. |
| Thumbnail | |
Digital Landscapes is a video installation that aims to express the anxiety of losing oneself in a digital void. The abstract, code-based video uses the author's computer logs and the video documentation of her digital routine as a source for data visualization. The project invites the audience to travel through digital landscapes that will carry the viewer away into the environment it creates.