Text On Method - Paula: Difference between revisions
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Throughout the past years I have been developing a photo practice which involves photographing other people. I prefer to work with ''real'' people instead of professional models. Finding people to pose and finding or creating settings for a session is an important aspect of my practice. Recurring themes in my works are desire, sexuality, gender and representation and I usually work in a serial way. For my work ''Exceptional Encounters'' I contacted men on an online sex-dating website with the request to photograph them naked in hotel rooms. The meetings with the strangers and the act of photographing them turned into a performative act. I, the artist and image creator, served as projection screen | Throughout the past years I have been developing a photo practice which involves photographing other people. I prefer to work with ''real'' people instead of professional models. Finding people to pose and finding or creating settings for a session is an important aspect of my practice. Recurring themes in my works are desire, sexuality, gender and representation and I usually work in a serial way. For my work ''Exceptional Encounters'' I contacted men on an online sex-dating website with the request to photograph them naked in hotel rooms. The meetings with the strangers and the act of photographing them turned into a performative act. I, the artist and image creator, served as projection screen | ||
were embedded in a performative plot loaded with a sense of secrecy, fantasy and role play. The camera serves as a bond | |||
The notion of the camera setting as a surrogate. | The notion of the camera setting as a surrogate. | ||
Revision as of 19:30, 18 April 2017
Abstract: what is this document?; what do you want the reader to get from this text? (50 words) Introduction: Give outline of the text and make the points you want to get across clear. (200 words)
Current Practice (resource: here you can use the text made in the last session, interview...) What are you working on now?; (200) what do you want to work on? (200) Who can help you and how? (50)
I just finished my latest work "worldpeace" which marks a change in my working practice. I will point out the new strategies I used in relation to my previous working practice and I will take a look at how this shift can inform the development of my future work.
Throughout the past years I have been developing a photo practice which involves photographing other people. I prefer to work with real people instead of professional models. Finding people to pose and finding or creating settings for a session is an important aspect of my practice. Recurring themes in my works are desire, sexuality, gender and representation and I usually work in a serial way. For my work Exceptional Encounters I contacted men on an online sex-dating website with the request to photograph them naked in hotel rooms. The meetings with the strangers and the act of photographing them turned into a performative act. I, the artist and image creator, served as projection screen were embedded in a performative plot loaded with a sense of secrecy, fantasy and role play. The camera serves as a bond
The notion of the camera setting as a surrogate.
How Queer Theory has informed my interest and practice
Informed by Imagery of Western Art History
Queering Art History
Encounters - die Treffen in den Vordergrund stellen