View source for User:Lbattich/Trimester 2 recap

== Themes ==
===Appropriation and re-enacting of art historical works===
* Address our engagement with artistic objects and aesthetic experience, and how this is affected by the digital technologies we take for granted today.

* Effect or impact of digital media on our relationship with cultural artefacts and the history of art.

* Re-enacting and referencing works from the history of the avant-garde and modernism at large, much in the manner of proposing a homage, while also distorting these works in the process.

* This strategy is a way of reflecting on the ways the languages of digital media have altered – or can alter – our relationship and perception of history, particularly art historical timelines and pre-digital modern art.

Interventions:
*Book intervention

===Colour===

*A less methodic (less conceptually-driven) approach. Look at colour's status in modernist and historical works (the white cube notion, Kandinsky's pure universal language, etc); and within digital media.
*The modernist discourse on colour can be juxtaposed with the code and data necessary to access these works through digital technologies.
*Question the use and perception of digital colour, by analysing the RGB colour system (which is used, for example, as the standard gamut for Internet colours),




== Self-directed project from trimester 1 ==

* [[User:Lbattich/Quotations | Quotations in my works are like robbers by the roadside]]
[[File:Quotations.png|thumb|center|600px|Screenshot]]

== Photo Book Projects ==
*[[User:Lbattich/Narratives/Photo Book Proposals | Photo Book: Preliminar notes]]


*[[User:Lbattich/Narratives/Digital work - Photo book Thematic Project | Digital "book": WHITE]]
*[[User:LBattich/Narratives/Print Photo Book - Thematic Project | Printed book: "The Story of Art"]]

[[File:White-book4.jpg|600px]]

== Self-directed work ==

* [[User:Lbattich/Retrograde Chapbooks | Retrograde Chapbooks]]

== Prototyping Trimester 2 ==

*[[User:LBattich/Editing prototypes | Editing and video-based prototypes]]

== Tentative continuation ==

To set up a mock institution-like entity:

'''Institute for the Re-Apropriation of the Avant-Garde'''

* The Institute for the Re-Apropriation of the Avant-Garde engages in the production of cultural objects. Its products are compromised mostly of re-enactments and re-appropiations of historical avant-garde works.

(Motto: Comrades, make your art market-savvy!)

Appropriate artists like Baldessari, Marcel Broodthaers, etc.