View source for OWN WORK METHOD AND WRITING

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Writing out in loose pieces of paper the subjects that interest me. Other pieces of paper include the whys, projects I'm working on right now and statements from the feedback of the assessment that I have to keep in mind or answer. I want to move these pieces around to create a good overview of the red line through my work.
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week 1

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week 2

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week 3

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WhatHowWhat version 1 -<br><br>

(Titel) This project works with photographs made of multiple repeated frames taken from my own home video dvd clips. These dvd clips were recorded from VHS originally. The images show that these frames are duplicated and repeated, seen as one long still image, and seen as a ‘glitch’. These duplicated frames are a cover-up for not being able to read the ‘real’ frames originally from the VHS tape.
I recorded the ‘glitch’ moments from DVD’s and pasted them together into a separate video. I took every frame from this video and made it into a new image file. Printed these images as physical photographs and pasted these photographs into a photo album.  
After these images have been multiplied so often these moments have increased in meaning. In our generation we will always see these images as more special because this ‘glitch’ is a result of the new medium and at the same time the old (original) medium gets more inaccessible as time goes on. I put these photographs in an album to take them back to the time and value of analogue media, during which these moments were recorded.<br><br>


(The Places in Between) The book ‘The Places in Between’ is an encrypted documentation of one day in my life. The stripes of paper are metaphors for the privacy and accessibility levels you go through to get to my information.
I used a key logger to automatically get data from the devices everyone carries with them. I coded my webcam in order to make it take short clips of the view on every hour. This information is stored on my computer daily.  For the book I chose to use all information regarding the first day everything was working automatically.
Looking at each others information has changed the value of that digital information, and the act of looking at it. We forget we are inside someone’s privacy area because the act of clicking inside an interface is meaningless. When you feel the physical act of peeling away privacy layers, you feel that your getting deeper into someone’s secrets/life.<br><br>


WhatHowWhat revised (Femke Snelting notes) 'PERSONAL' version -<br><br>

(Titel)This project works with photographs made of multiple repeated stills taken from my own home video dvd clips. These home video tapes are mainly about me and my sister growing up. The dvd clips were recorded from a VHS tape originally. The stills show that these frames are duplicated and repeated, seen as one long still image, and seen as a ‘glitch’. These duplicated stills are a cover-up for not being able to read the ‘real’ frames originally from the VHS tape.
I recorded the ‘glitch’ moments from DVD’s and pasted them together into a separate video. I took every repeated still from this video and made it into a new image file. After printing these images as physical photographs, I pasted these photographs into a photo album.  
These stills have been multiplied so often that these moments have increased in meaning to me. I will always see these images as more special because they are repeated and therefore the focus. This ‘glitch’ is a result of the new medium and at the same time the old (original) medium gets more inaccessible as time goes on. I put these photographs in an album to take them back to the time and value of analogue media, because on the DVD’s these video stills look like photographs.<br><br>

(The Places in Between) The book ‘The Places in Between’ is an encrypted documentation of one day in my life. The stripes of paper are metaphors for the privacy and accessibility levels you go through to get to my information.
I used key loggers and codes to automatically get data from the devices I use daily, from which I can enter the digital world. For instance: I coded my webcam in order to let it take short clips of the view on every hour. All the digital information was stored on my computer daily. I decided to put all this information together in a book, as the opposite metaphor to the digital interface. For this book I chose to use all information from the first day all the coded devices were working automatically.
Because my information is out in an invisible world, and I cant know who is looking at it and when, the value of this information has changed compared to when the accessibility to the digital world was not as easy, and the information was not all connected to that world. You forget your inside my privacy area because the act of clicking inside an interface is not a physical one. When you feel the physical act of peeling away privacy layers, you feel that your getting deeper into my life.<br><br>

WhatHowWhat revised (Femke Snelting notes) 'GENERAL' version -<br><br>

(Titel) This project works with photographs made of multiple repeated stills taken from a young woman’s home video dvd clips. These home video tapes are mainly about her family growing up. The dvd clips were recorded from a VHS tape originally. The stills show that these frames are duplicated and repeated, seen as one long still image, and seen as a ‘glitch’. These duplicated stills are a cover-up for not being able to read the ‘real’ frames originally from the VHS tape.
The ‘glitch’ moments from DVD’s  are recorded and pasted together into a separate video. All the repeated stills from this video are made into a new image file. After printing these images as physical photographs, they are pasted into a photo album.  
These stills have been multiplied so often that these moments have increased in meaning to the person who these dvds belong to. She will always see these images as more special because they are repeated and therefore the focus. This ‘glitch’ is a result of the new medium and at the same time the old (original) medium gets more inaccessible as time goes on. These photographs are put into an album to take them back to the time and value of analogue media, because on the DVD’s these video stills look like photographs.<br><br>

(The Places in Between) The book ‘The Places in Between’ is an encrypted documentation of one day into a persons life. The stripes of paper are metaphors for the privacy and accessibility levels you go through to get to that information.
Using key loggers and codes to automatically get data from the devices the ‘PEOPLE’ use daily from which you can enter the digital world. For instance: Coding a webcam in order to let it take short clips of the view on every hour. All the digital information was stored on the computer daily. All this information is collected together in a book, as the opposite metaphor to the digital interface. For this book all the information from the first day was used, the day on which all the coded devices were working automatically.
Because digital information is out in an invisible world, and you cant know who is looking at it and when, the value of this information has changed compared to when the accessibility to the digital world was not as easy, and the information was not all connected to that world. You forget your inside the privacy area because the act of clicking inside an interface is not a physical one. When you feel the physical act of peeling away privacy layers, you feel that your getting deeper into a persons life.<br><br>

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Transcript Interview 1 (By Yuzhen) :<br><br>

You have to take those away, it’s a physical act, and it..uhh. Then is when people are like.. they are more afraid to take that away. They don’t realize<br>


-	the strip is only on your project data or also on ----<br>

no, its divided between levels. I have public data, private and so on until its very private, and the deeper the level goes the more stripes are on there as the levels go.. so you have to roll off the stripes<br>

-	also you transform the encrypted level to the physical <br>

yeah<br>

-	actions <br>

yeah that is actually an effort you have to go through<br>


-	I was wondering, do you think its different, make a difference if the people know you, if the reader knows or doesn’t know you before, will it make difference?<br>

Yes it does make a difference, because uh, there is also.. if you look at some of the information I added, it’s inaccurate actually, but that’s the automated, I have these uuh, automated devices take my data. That’s how they provide it, but its not always accurate.<br>

So people that know me will know that some things are inaccurate, but some people will know there are certain things are inaccurate, but people that don’t know me at all don’t know that.<br>

-	so for different readers, will see different connections<br>
yes<br>

-	if the book will be exhibited at the exhibition are you supposed to have multiple readers reader it at the same time or..<br>

uuh what do you mean exactly?<br>

-	the book, its this size (makes hand gestures) but if you want several people to read it at the same time, especially if you take a strip away. Is it supposed to be that multiple readers can read it at the same time or just one reader?<br>

Supposed to be one reader, but I hadn’t really thought about it. Because also that’s why I made a physical book because when your reading online, or in the digital world or whatever you don’t know who else is reading the same info? Because everyone can be there, but when your reading a book by yourself you know its only you, so its maybe a different experience. But I haven’t thought about making a physical book that everyone can read at the same time yet.<br>

-	for you then it makes a difference when people read by themselves<br>

yes<br>

-	so will you record their feedback or collect them looking in the end or how many strips they take away or.<br>

I haven’t thought about that yet. Mm that’s a good point, I haven’t thought about that. But its definitely something I should think about actually.<br>

-	so whats it what your really interested in. do you know INSERT NAME work, ending candies  where in the same as his wife who has died already, where he takes the candy wrappings, and its about taking the wrappings of to show the sweet<br>

aahh<br>

-	the work made me think of you in relaton to this so how you can see the, how you protect the data, and the data in your  domain, its like your privacy. You serve the visitors to read them and how they gonna share with the data makes a difference for you, and how you want to proceed for next year, for your work? Do you want to present this different layer?<br>

Yeah. Now im thinking about what your just saying.. so Im a little.. what was the name of that artist?<br>

-	INSERT NAME<br>

Youll have to write that down.<br>

-	yes, its interesting because.. I don’t really take every strip from your data, the data, the pictures or the text. The intimacy is different for everyone. The loss of a his lover is really intimate to him, so he invited the audience to share this layer they had before. but not everyone takes of the wrapper. So what do you want to share with the visitors, what do you want to show from you? From your data.<br>

Yeah, that’s.. I don’t know that yet, that is something that I’m still developing, and it’s important. I should… yeah. But I’m not that far yet in my conceptualization.<br>

-	But do you have a precise month of data, because I read its about just one day?<br>

Yeah<br>

-	Is that a special day or..<br>

No its basically the first day on which all the devices that I installed were working. I though oh Ill use that day, because that’s the first day actually everything worked finally.<br>

-	if you have a choice will you make it different, will you use a different day instead of last time, with editing and looking at the data.<br>

Well I was thinking about using all the data, but I don’t think know for sure yet. Im recording now all the data, it all works automatically, so I have everything, but I don’t know I’m going to use it.<br>

-	another question is will you sort through the data?<br>

What?<br>

-	will you sort through the data, because you didn’t choose, for now you didn’t choose.<br>

No I chose everything<br>

-	yes so there will be something true, something private, something wrong, all embedded all in one.<br>

Yeah, yeah<br>

-	there are some secrets in there, luckily its dutch so almost no one here can read it<br>