User:Jacopo/final-presentation: Difference between revisions

From XPUB & Lens-Based wiki
Line 225: Line 225:
====Cave Recordings with Funclab Collective====
====Cave Recordings with Funclab Collective====
* [https://habitattt.it/Cava-Marana-Funclab-Edit.mp4 Video preview]
* [https://habitattt.it/Cava-Marana-Funclab-Edit.mp4 Video preview]
[[File:May-2022--Funclab-records--Cava.gif|400px|center]]
[[File:May-2022--Funclab-records--Cava.gif|400px|Extract from the Video preview. Habitat + Funclab Records.]]


===Thesis===
===Thesis===

Revision as of 09:13, 13 June 2022

Roots

My previous academic career has been driving me inevitably to object-oriented design, aiming at solving specific issues. The tools I've been used to have been taken for granted till the beginning of XPUB. "Experimental publishing" was for me something traceable to punk-zine cultures. The Punk side popped up soon, and not only because of papers, scissors and stolen pictures, but mostly for the subversion of the idea of the computer and its related working-creative possibilities.

>>> There are instructions for anything you may need >>> You can build your own space, your own tools, and above all, open up processes toward a collective effort. While starting questioning tools and processes, my perspective expanded in the digital realm, which I could still relate to my beloved printed matter. This expansion includes now collective tools and practices, thanks to which become possible to address issues rather than only contents, or objects.

Fancyness is cool, usefulness is cooler.

Year 1

Wor(l)ds for the Future

SPECIAL ISSUE 13

Facing Licensing for the first time. First time approaching re-publishing issues. How to preserve – expand – publish external resources/contributions? > Otherness by Daniel L. Everett.

Extract from You, the others – Wor(l)ds for the Future

My contribution

Using black <input> form to delete nouns and places from the narration, and at the same time making the room for subjectivising the given essay.

Islands were appropriated by colonialists also by re-naming them.
The text as a Map
1 person -> 1 interpretation of the reality
∞ people -> ∞ interpretations of the reality
The reality is the cohexistence of all perspectives
Otherness= individual1+individual2+.. = Oneness
Embracing the Otherness
My contribution for the SI13. Picture: Nami Kim, Federico Poni

Embracing the Otherness means understanding our part in the given system of the world.

I created 3 web pages using Python. Pandoc has been used to translate markdown files into .HTML pages, but also to layout the printed version of the same pages.

  • Demystifying HTML, .css
  • Getting used to Python
  • Web2print, Markdown, Pandoc

Woa!I didn't know I can make a printed publication out of a webpage!

Collective efforts

Contextual Team + Design Team

I Don't Know Where We're Going, But..

SPECIAL ISSUE 14
I Don’t Know Where We’re Going But…"is a local networked city quest based in The Hague.
Playing with cities' elements and infrastructures.
The City as a Playground

The booklet, hand-guide for the Special Issue 14

The publishing process become a means for distributing (not-only) knowledge and the constitution of a public space of deliberation, where different points of social intersection could come across. Pleasure, intrigue and playfulness together in a "beautiful distribution" which embraces site-specificness as a method to re-approach the possibilities for sharing and assimilating contents.

The City Coloring Book

The process: From the Hi8 Frames to OpenCV

The City Coloring Book is a small publication that plays around Dèrive, Psychogeography, getting lost in the urban jungle..and the fascination for vernacular graphic design. I hid the publications in a specific place - a small, shared neighbourhood park where people could find them only by solving a puzzle, printed in the Booklet.

Someone founds the City Colouring Book in the hidden spot!

Remixing Vernacular Graphic Design > Emphasizing the omnipresence of commercial propaganda > Dismantle it by shrinking it into lines to be coloured.

I created an HTML pages that collect the city-framing process: https://hub.xpub.nl/sandbot/PrototypingTimes/HOTSPOTS/4%20shoppingstreet/city-framing/ I used Python Library OpenCV to re-work the individual frames taken from the original video.

  • Python, Open CV.

On the other side, I started experimenting with Raspberry Pi and the Terminal.

  • Warming up with Raspberry Pi
  • Getting used to the Terminal
  • Create a Local Area Network
  • Making a server out of the Raspberry Pi

Contingent networks, immediate situations as spaces for publishing. The city shapes, influence, interact with the exhibition space.

The game in the game

Inspired by the Settimana Enigmistica. Puzzles, crosswords, mazes.

  • I designed, printed and hand-crafted with Nami and Euna the Booklet/Guide for the Launch Event @PNF.
  • Worked with Martin on the identity of the Special Issue

Radio Implicancies

SPECIAL ISSUE 15

My very first radio.
The first Habitat Radio .index

Audio sources as a medium. The radio as a publishing platform.
As soon as I learned how to build a web radio with Liquidsoap, I also decided to use it as a publishing tool for Habitat. I've always been busy with music-related events and content, but I never thought I could build myself an online platform for broadcasting.

  • The radio as a physical, convivial space; able to gather people around its' environment
  • The radio as an extended space (via WLAN)
  • The Rituality: being together, communicating together

My Contribution

Radio Implicancies 2021 Archive


  • Building-up a web radio: Liquidsoap + Html
  • Playing with PureData, SonicPi,
  • Voices + Recordings
  • Composing soundscapes for narrative-based broadcasts
  • The voice as a medium

Collective

I designed and coded the Radio Implicancies Archive with Camilo.

I Don't Know Where We were Going, but...
we implied the Radio
in the making

of a Wor(l)d for the Future
Cademonti-piana-view-jacopo-legaTavola disegno 3@4x copia.png


"Living itself exists in forms that must be questioned, rearranged, mobilized, and undone."
N. Thompson, Living as a Form, 2012

Hand-drawn Map from the 1963 showing all the settlements and houses around Tredozio.
  • Exploring current conditions of rural landscapes and decentralised villages.

- Resilience and Process of depopulation
- Dependence on main infrastructures and urban agglomerations
- Current and past Cultural assets, mainly rooted in agriculture, herding and self-sustainment
- Architectural, natural and human landscape - as fields for inspiration and action.

Urban and Rural population in the world: 1950-2050 (in millions)(UNITED NATIONS, 2010)
  • How new cultural routes could enhance temporary, and eventually permanent settlements of new residents.

  • Publishing within and beyond the local scale:

- Infrastructures and tools for an evolving cult-rural community

The infrastructures: What we used to take for granted. It is easier to notice their absence rather than their presence. Instead of questioning the technology itself, questioning how it is managed and who is made available for.

Habitat

Cà de Monti, view from the trail 569.
Marking the Matter, Workshop with Parasite2.0 at Monte Busca.
First Habitat Radio in Cà de Monti with Flee Project.

HABITAT was formalised as a project of residencies and collective workshops aiming to respond to the theme of the revitalization of decentralised villages, of their territory and cultural heritage - as an ideal place for the development of artistic practices, in dialogue with the territorial specificity.

24 July 2021, "Vai Mò"! Habitat is presented in its first public conference! Group picture with municipalities' representatives and my mom as well.
August 2022, Group picture before ending up the dream.


The local context: source of inspiration and action.

Publishing in this context means knowing how to orient oneself in its map, gathering resources, interfacing with the community, and developing a sensibility for the site-specificness of a project - be it an artefact, a tool, a temporary exhibition or a workshop - which can and must relate to the social, cultural and architectural fabric of the place.

Habitat Manifests

The first edition: June–August 2021

60 Artists, 4 public workshops, 4 diffused events, 4 printed publications [Burrasia, Sasso, Iper-Ozio, Marking the Matter], a nomad sculpture, a web radio, a bunch of projects realised and tons of pictures, video and music recordings documenting the first co-living experiment that happened in Cà de Monti, Tredozio in the summer of 2021.

Contatto

A weekly appointment in one of the three municipalities (four villages in total).

Thought of as a moment of restitution, dialogue and interaction between the residents and local communities.

Workshops

  • Workshops
  1. Rust-printing with Stamperia il Guado
  2. Marking the Matter with Parasite2.0
  3. Weeds that have a colour
  4. Portalì via di qui! (the result of a group residency)

Publishing events, workshops > Generating situations > Break through the local dimension

Publishing Sites

Collecting, sorting, archiving

A multi-voiced, diffractive narration of the collective and individual experience.

Toward a permanent Action

Why?

I believe that present times, whose conditions are influenced by a widespread over-production and consumption, require to orient individual mastery and collective cultural capacity toward new necessary living forms, able to conciliate or better integrate with the environment, “embracing the ability to fit ourselves into the given system of Earth”[2]. In this regard, the area on the border between Romagna and Tuscany offered the possibility to experiment with forms of dwelling, in our case collectively, outside of the voracious urbanization still taking place, living on the abundance of what’s already present and just waiting to be filled with new meanings.


The day we found the deal with Mr Billi.

From January, we decided to rent for a year the whole village, consisting of two big houses and a small church.

  • How to build a resilient community, able to self-organize, optimize the consumption of resources, work and live fitting in the local conditions.
  • The Infrastructures needed: Tools for the community (Internal communication ⇔ Exchange/Share- ⇔ Archiving ⇔ External communication ⇔ Publishing)
  • How Daily life is involved in the publishing process, and how the Publishing process resonates with daily life.
Experimenting with materials, questioning tools, investigating primitive and current communication forms, walking, documenting, drawing, crafting, talking, cooking, wondering, mapping, recording, printing, collecting, modifying, tracing new paths, collaborating with nature, recording the movements of the flowers, following animals traces, orienting with stars and natural hints, reading in front of the fireplace, getting the firewood, raising chickens, building shelters, piling rocks, interacting with the landscape, (...) as well as getting lost in the wood.

2022

Ospitality and creative production

New.jpg

Prole di Zeno: Broadcast from Planet Garden. Collaboration with Sandberd Instituut and Habitat

Picture from Caveja degli Anell, lecture with Enrico Malatesta.

Wanderer Oven

The making of the wanderer oven with found clay found in site. Thanks Matteo and Flora (Forno Vagabondo)

1° Pian del Cavallo's Concert

Picture from 1° Pian del Cavallo's Concert, Pic by Pietro Bucciarelli.

Cave Recordings with Funclab Collective

Extract from the Video preview. Habitat + Funclab Records.

Thesis

Living, Sharing, Adapting
The Diary as a Form. The way to restore the most sincere, yet subjective image of Habitat as a cultural operation, but also as an experiment of living and surviving, was through the narration of daily encounters, discoveries, and all the details that compose the Habitat ecosystem.

(People in residence, Local communities and villages, resources, spaces, the environment, infrastructures..)

Started as a personal diary, later developed as a digital tool to be provided to Habitats' residents as a possibility to narrate/archive/publish memories.

Final work and research

Habitat Server

Autonomous Archiving Practices. Embrace the local conditions of connectivity. Habitat Archive and webpages are hosted in a webserver donated by XPUB, eventually installed in Cà de Monti. Part of it's browsable in different online spaces:

Habitat Giardino

The collective archive, made with MediaWiki Software
The actual Habitat Radio .index

A collaborative, decentralised Archive made with MediaWiki

Our "Giardino" is intended to be a shared space for collective care. Here, thoughts, knowledge, tools, processes and paths merge while flourishing together.

Habitat Radio


Habitat Radio works as a gatherer of bodies and minds, becoming nomad if needed. Recording and sharing become collective practices to narrate, expand, and archive thoughts, memories, conversations and processes.

Room for Memories

Displaying how Room for Memories works.

[beta – soon in Habitat's server] Submitting (and not forgetting about) memories has never been that easy. This tool, developed with Flask, .HTML and .css, collects each <input> inside one .md file (per memory), which is returned in a stream of collective memories.

Habitat Pad

Open source online editor providing collaborative editing in real-time. It is installed in our server and provides to residents and collaborators a shared space for writing and exchanging material.

Activating the Archive trough the space

Me and Federico Poni (Minister of Infrastructure) will set up the Slash Gallery as an extension of the Habitat's archive, in which the digital files archived in our server (in Cà de Monti) are physically transposed or activated inside the exhibitions space (Slash Gallery)

Highlighting the connection established between Rotterdam and Tredozio, which makes possible access to our server from the exhibition space. (Worm↔connection↔Cà de Monti)

How webserver and archive are reachable from abroad
Sketch for the Graduation Show @Slash Gallery, Worm


Elements:

  1. Habitat Radio Station (Broadcasting for 1–2hours, inclusive programme: everyone can jump in)
  2. PRINT! button – Emulate the "Random Page" in the Wiki. It prints a random page from Habitat Giardino.

> The radio programme for the day will depart from the randomly printed pages.

  1. The paper Igloo made with the printed papers from the Archive
  2. Screening: Habitat 2021 Documentary projected on printed elements from the Archive (like hanging clothes)
  3. Habitat Bookshelf – a selection of zines, publications and printed matter created over the last year by different temporary residents.
  4. Background Music in the space, playing recordings from Habitat's Veranda Studio
  5. Poster: Open Call 2022 – with the poster I'm publicly projecting the intentions of Habitat toward the next session of residencies, scheduled for September 2022
  6. Various Artefacts: The Sacred Harmor, the Javelin Antenna, the Pin-nic television (video from the I° Concerto), Low-tech/rural devices

Final publication

Protocol for a collective publication

Screen from the online publication

With Camilo and Floor: creating a system that allows the compilation of the final publication by gathering materials directly from (Ether)pads, each one corresponding to a chapter/ frequency.

DESIGN AN OBJECT -> DESIGN THE PROCESS

  1. Markdown language to write the pads
  2. Pandoc to convert it to HTML using a python script.
  3. Paged.js will render the static website as a digital publication that can be printed.

[Taking care = Providing instructions to collectively build the publication] [Taking care = Sharing the process The instructions themself will be included as a part of publication

Frequencies

  1. A selection of memories from my diary, unfolding different manifestations of "taking care" around Habitat.
  2. A frequency written with Federico Poni, dedicated to the "shadow areas", in which high connectivity couldn't be performed or established at all; and why they should be preserved.

What to come?

"Giardino delle Idee" was a flower shop in Tredozio.

On a personal layer: it's my life project. I want to grow here with Habitat, its flourishing community, the tools we create, the choral narration we reverberate through the valleys, and the spaces we dwell in with new meanings.

Recreating the ideal environment both for living and artistic practices, based on share and exchange. On Habitat's layer:

Begun as a temporary attempt to trigger the cultural landscape of Romagna toscana, Habitat became soon a shared action toward new, collective living forms. As soon as Habitat was established permanently in the village of Cà de Monti, since January 2022, it became an open, convivial place for hospitality, production, and research that has to be structured and developed, but also questioned and able to be re-shaped.

Now a permanent platform for developing participative, cultural and living practices in the rural landscapes.

  • Open call for Residencies 2022 "Tni Bota!" (residency period: September-October)
  • X-FARM!!!
  • Waiting for two projects to be approved/funded:
  1. Habitare Festival: networking marginalities [programme with talks/panels and an exhibition dedicated to out-of-town art spaces, residencies and initiatives]
  2. Renewal of the second floor in Cà de Monti + Re-making of solar energy and heating system.

Il giardino delle Idee

(The garden of Ideas)

In a not so far away future, I would like to open up a new space in the centre of Tredozio. Here, I imagine hosting Habitat Radio, workshops and exhibitions. Maybe already for September 2022!

and of course, we'll keep the sign!