Tessel-thesis outline: Difference between revisions
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Chapter one: introduction to my work. What have I made; how did I make it and why did I make it. (2000) | Chapter one: introduction to my work. What have I made; how did I make it and why did I make it. (2000) | ||
#REDIRECT [[First draft chapter one]] | |||
Chapter two: steps towards achieving the project (how I tried to make a marriage of the two elements of my practice)(2000) | Chapter two: steps towards achieving the project (how I tried to make a marriage of the two elements of my practice)(2000) | ||
Revision as of 11:47, 2 December 2021
Thesis outline (first draft) Tessel Schmidt
A personal report on my research and practice
new outline
Introduction:
How do I bring the documentary narrative together with my 'macro landscapes'?
or
synthesising documentary narrative and 'macro lansdscapes'
here you need to define terms: What do you mean by 'documentary narrative' What do you mean by macro landscape?
Method: bring together all the written material on your practice while you have been working here- descriptions of things you have made; diary entries &c
Introduction (500) {what are we going to read?}
Chapter one: introduction to my work. What have I made; how did I make it and why did I make it. (2000)
- REDIRECT First draft chapter one
Chapter two: steps towards achieving the project (how I tried to make a marriage of the two elements of my practice)(2000)
Chapter three: inspirations, works I find interesting; the book; (2000)
Conclusion (500)
Bibliography:
Morley, S., The Simple Truth: The Monochrome in Modern Art, Reaktion Books, 2020
Rieser, M. & Zapp, A., New media Cinema/Art/Narrative, Palgrave Macmillan, 2002
Berigny, de, C., Hijacking Documentary into Installation Art, ResearchGate, January 2007
https://www.euppublishing.com/doi/full/10.3366/film.2018.0088