Difference between revisions of "Tessel-thesis outline"

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What '''do you''' mean by macro landscape?  
 
What '''do you''' mean by macro landscape?  
  
Steve notes: method: bring together all the written material on your practice while you have been working here- descriptions of things you have made; diary entries &c  
+
Method: bring together all the written material on your practice while you have been working here- descriptions of things you have made; diary entries &c  
  
 
Introduction (500) {what are we going to read?}
 
Introduction (500) {what are we going to read?}
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Bibliography:
 
Bibliography:
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Morley, S., The Simple Truth: The Monochrome in Modern Art, Reaktion Books, 2020
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Rieser, M. & Zapp, A., New media Cinema/Art/Narrative, Palgrave Macmillan, 2002
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Berigny, de, C., Hijacking Documentary into Installation Art, ResearchGate, January 2007
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https://www.euppublishing.com/doi/full/10.3366/film.2018.0088

Revision as of 11:46, 2 December 2021

Thesis outline (first draft) Tessel Schmidt

A personal report on my research and practice

new outline

Introduction:

How do I bring the documentary narrative together with my 'macro landscapes'?

or

synthesising documentary narrative and 'macro lansdscapes'

here you need to define terms: What do you mean by 'documentary narrative' What do you mean by macro landscape?

Method: bring together all the written material on your practice while you have been working here- descriptions of things you have made; diary entries &c

Introduction (500) {what are we going to read?}

Chapter one: introduction to my work. What have I made; how did I make it and why did I make it. (2000)

Chapter two: steps towards achieving the project (how I tried to make a marriage of the two elements of my practice)(2000)

Chapter three: inspirations, works I find interesting; the book; (2000)

Conclusion (500)

Bibliography:

Morley, S., The Simple Truth: The Monochrome in Modern Art, Reaktion Books, 2020

Rieser, M. & Zapp, A., New media Cinema/Art/Narrative, Palgrave Macmillan, 2002

Berigny, de, C., Hijacking Documentary into Installation Art, ResearchGate, January 2007

https://www.euppublishing.com/doi/full/10.3366/film.2018.0088