Sound - exercise: Difference between revisions

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How ''white'' can be represented visually as a color, acoustically as noise, and metaphorically in endless possibilities.
How ''white'' can be represented visually as a color, acoustically as noise, and metaphorically in endless possibilities.


 
''references'':




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'''"Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating."''' , by John Cage - The Future of Music: Credo" (1937)
'''"Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating."''' , by John Cage - The Future of Music: Credo" (1937)
'''"The operating system of Ra's Arkestra incorporated such 'noise' and restructured itself in the process. This 'noise' is not simply that of unmusical sound, but also in the sense that Jacques Attali adapts from information and system theory, any material that has value or significance in a given system. Attali describes the evolution of musical styles as one in which an existing system of music becomes exposed to 'noise' that at first disrupts it, but then, through incorporation restructures it and gives rise to a new system. In the voyage of the Arkestra, system would collapse and be reborn on a daily basis."''' , by Simon Yuill,  about <small>http://www.sunraarkestra.com/1-main.html</small>

Revision as of 15:06, 2 March 2015

WHITE NOISE


A series of works reflecting the concept of white. How white can be represented visually as a color, acoustically as noise, and metaphorically in endless possibilities.

references:


"I mentioned that white is information emerging from chaos." , by Kenya Hara- from the book "White"


"Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating." , by John Cage - The Future of Music: Credo" (1937)


"The operating system of Ra's Arkestra incorporated such 'noise' and restructured itself in the process. This 'noise' is not simply that of unmusical sound, but also in the sense that Jacques Attali adapts from information and system theory, any material that has value or significance in a given system. Attali describes the evolution of musical styles as one in which an existing system of music becomes exposed to 'noise' that at first disrupts it, but then, through incorporation restructures it and gives rise to a new system. In the voyage of the Arkestra, system would collapse and be reborn on a daily basis." , by Simon Yuill, about http://www.sunraarkestra.com/1-main.html