Difference between revisions of "Jujube/thesis-index"

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:narrativity of image, affect evoked by memory, aesthetics as bond (between the self and others)
 
:narrativity of image, affect evoked by memory, aesthetics as bond (between the self and others)
 
   
 
   
= References
+
= References =
  
 
Memoir
 
Memoir

Revision as of 16:18, 15 November 2019

Proposal

Final: https://docs.google.com/document/d/17f8B3_IX4SmDIgM4GAb3n6-JAGGVsB6zSEMUwA72DLw/edit#

Older drafts: jujube/thesis-drafts

Statement

I have been in search of form, just like I have been in search of home. [In the process I have realized] what was once topical and typological have given way to the existential and spiritual.

Texts

jujube/thesis-memoir

jujube/thesis-practice

jujube/thesis-critical-reflection

Keywords

Memoir

memory-image, exile, diaspora, loss

Practice

grief, self-understanding, longing, loneliness, care, ritual

Reflection

narrativity of image, affect evoked by memory, aesthetics as bond (between the self and others)

References

Memoir

CARRIÓN, U., & SCHRAENEN, G. (2016). Ulises Carrión: Dear reader, don't read.
CHEE, A. (2018) How to write an autobiographical novel : essays.
PROULX, A. (2012). Bird cloud. London, Fourth Estate.

Practice

AUFDERHEIDE, P. (2016). Documentary film: a very short introduction. Oxford, Oxford University Press.
MAMET, D. (1992) On directing film. New York: Penguin Books.
SCHRADER, P. (2018). Transcendental style in film: Ozu, Bresson, Dreyer.
SVENDSEN, L. F. H. (2017). A philosophy of loneliness.
WOOD, M. (2012). Film: a very short introduction. Oxford, Oxford University Press.
Sontag, S. (1984) On photography. 6E dr edn. Harmondsworth: Penguin.
Stallabrass, J. (2013) Documentary. London: Whitechapel (Documents of contemporary art).

Reflection

ASMA, S. T., & GABRIEL, R. (2019). United by Feelings. https://aeon.co/essays/human-culture-and-cognition-evolved-through-the-emotions
BAZIN, A., GRAY, H., TRUFFAUT, F., & ANDREW, D. (2005). What is cinema? Volume 1.
BERGER, J. P., & DYER, G. (2013). Understanding a photograph. New-York, Aperture.
BROWN, B. (2004). Things. Chicago, University Of Chicago Press.
CAMPANY, D. (2007) The cinematic. London: Whitechapel (Documents of contemporary art, 2007: 5).
Chateau, D., & Moure, J. (2016). Screens.
Kern, S. (2004) A cultural history of causality : science, murder novels, and systems of thought. Princeton: Princeton University Press.
Farr, I. (2012) Memory. London: Whitechapel Gallery (Documents of contemporary art).
Miall, D. (2011) Emotions and the Structuring of Narrative Responses. Poetics Today 1 June 2011; 32 (2): 323–348. doi: https://doi.org/10.1215/03335372-1162704
Mulvey, L. and Backman Rogers, A. (eds) (2015) Feminisms : diversity, difference and multiplicity in contemporary film cultures. Amsterdam: Amsterdam University Press (The key debates. Mutations and appropriations in European film studies, 5). doi: 10.5117/9789089646767.
Nussbaum, M. (1988) Narrative Emotions. Ethics, Vol. 98, No. 2., pp. 225-254.
Shouse, E. (2005) Feeling, Emotion, Affect. M/C Journal 8.6. <http://journal.media-culture.org.au/0512/03-shouse.php>
Sontag, S. (2002) Against interpretation: and other essays. Repr. and enl. edn. New York: Picador
Voìgt, Ellen Bryant. Image. New England Review, Vol. 13, No. 3/4, 1991, pp. 254–268. JSTOR, www.jstor.org/stable/40243421.

Organization

CARSON, A., CURRIE, R., & CATULLUS, G. V. (2010). Nox. New York, New Directions.
Merewether, C. (2006) The archive. London etc: Whitechapel etc (Documents of contemporary art).
NELSON, M. (2016). The argonauts.
PATEL, S. (2014). Migritude. New York, Kaya Press.
RIDER, B. K. (2010). The vertical interrogation of strangers. Berkeley, Calif, Kelsey Street Press.