Difference between revisions of "Jujube/moving"
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− | + | Moving Images are not just images in motion. There is always that moment when a chord is struck. Being enlightened is not the same as being moved. The former seems to indicate an intellectual clarity whereas the latter, an emotional one. | |
− | + | = IFFR 2019 = | |
− | + | [[Jujube/2019-iffr-log | participation 2019]] | |
+ | |||
+ | [[Jujube/2019-iffr-takeaway | thoughts from IFFR 2019]] | ||
= Moving = | = Moving = | ||
− | == A View from the Windows == | + | == Cine Seminar 10.12.18 == |
+ | |||
+ | === Bär === | ||
+ | |||
+ | {{vimeo|174254407}} | ||
+ | |||
+ | === My Utopia === | ||
+ | |||
+ | [[File:Che_onejoon_1.jpg | 500px]] | ||
+ | |||
+ | https://rijksakademie.nl/NL/resident/che-onejoon | ||
+ | |||
+ | 259029795 | ||
+ | |||
+ | == Cine Seminar 18.03.2019 == | ||
+ | |||
+ | === Taller Than the Trees === | ||
+ | |||
+ | {{vimeo|196524988}} | ||
+ | |||
+ | Having re-watched it several times (first in summer 2018, and most recently in march 2019), I must say the film becomes more mundane and less, well, moving. This is not a film that can hold up scrutiny. | ||
+ | |||
+ | Also, translation and caption is a process more than pure communication. | ||
+ | |||
+ | === A View from the Windows === | ||
{{vimeo|285359780}} | {{vimeo|285359780}} | ||
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because my voice identifies me as a Deaf Person." | because my voice identifies me as a Deaf Person." | ||
− | == | + | == Being 97 == |
+ | |||
+ | http://www.ftrmgc.com/project/being-97-short-doc/ | ||
+ | |||
+ | == Greetings from Aleppo == | ||
− | + | {{youtube|pGN1h73hGoM}} | |
− | + | pay attention to the credits also | |
+ | |||
+ | == Are you a human? == | ||
+ | |||
+ | {{youtube|ccIt-qRQBoI}} | ||
− | == | + | == Ίσως είμαι εγώ/Maybe it’s me == |
− | {{vimeo| | + | {{vimeo|224283964}} |
== The Maid == | == The Maid == | ||
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https://www.sculpture-center.org/exhibitions/3431/the-maid | https://www.sculpture-center.org/exhibitions/3431/the-maid | ||
+ | |||
+ | = Noteworthy = | ||
+ | |||
+ | == La Noria == | ||
+ | |||
+ | https://www.youtube.com/watch?v=TktL3QR8Yg8 | ||
+ | |||
+ | fear and grief | ||
+ | |||
+ | == New Pompidou == | ||
+ | |||
+ | Film was part of the exhibition: LA STRADA. DOVE SI CREA IL MONDO @ MAXXI (07 dicembre 2018 - 28 aprile 2019) | ||
+ | |||
+ | [[File:1 simon fujiwara 22new pompidou22 performance 14 fevrier 2014 c nicolas giraud 2014.jpg| 400px]] | ||
+ | |||
+ | https://www.lafayetteanticipations.com/en/exposition/simon-fujiwara | ||
+ | |||
+ | == Internet Story == | ||
+ | |||
+ | {{vimeo|13780892}} | ||
+ | |||
+ | == Eye == | ||
+ | |||
+ | {{vimeo | 7779363}} | ||
+ | |||
+ | == Critical Living == | ||
+ | |||
+ | {{vimeo|213344845}} | ||
== My Dead Dad's Porno Tapes == | == My Dead Dad's Porno Tapes == | ||
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{{vimeo|292537862}} | {{vimeo|292537862}} | ||
− | == | + | == OUTSIDE == |
+ | |||
+ | {{vimeo | 20369237}} | ||
+ | |||
+ | portugese filmmaker supported by Red Mansion Foundation (hmm) | ||
+ | |||
+ | == Hans Op de Beeck. Staging Silence 1&2 == | ||
+ | |||
+ | {{youtube|zxplzeHnTtw}} | ||
+ | |||
+ | {{youtube|8f6iMoG6dmc}} | ||
+ | |||
+ | == Otobong Nkanga performance == | ||
+ | |||
+ | {{youtube|iR8_t1AM0dw}} | ||
+ | |||
+ | == Works by Vladimir Tomin == | ||
+ | |||
+ | {{vimeo|300421677}} | ||
+ | |||
+ | {{vimeo|282440136}} | ||
+ | |||
+ | {{vimeo|292858712}} | ||
+ | |||
+ | ==“__ /__ /__”== | ||
+ | |||
+ | {{vimeo|301454473}} | ||
− | + | ==The Shirley Temple == | |
− | + | {{vimeo|68803061}} | |
== Concerning Language == | == Concerning Language == | ||
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{{youtube|3MWpHQQ-wQg}} | {{youtube|3MWpHQQ-wQg}} | ||
+ | |||
+ | == Trevor Noah explains reparation == | ||
+ | |||
+ | {{youtube | RjTu1NmQLP8}} | ||
== Hello. / Mashup Self portrait == | == Hello. / Mashup Self portrait == | ||
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{{youtube|qLrnkK2YEcE}} | {{youtube|qLrnkK2YEcE}} | ||
− | |||
== Nobody Else Quite Like You == | == Nobody Else Quite Like You == | ||
Line 78: | Line 169: | ||
{{vimeo|290250649}} | {{vimeo|290250649}} | ||
+ | |||
+ | </div> |
Latest revision as of 14:54, 3 November 2019
Moving Images are not just images in motion. There is always that moment when a chord is struck. Being enlightened is not the same as being moved. The former seems to indicate an intellectual clarity whereas the latter, an emotional one.
Contents
- 1 IFFR 2019
- 2 Moving
- 3 Noteworthy
- 3.1 La Noria
- 3.2 New Pompidou
- 3.3 Internet Story
- 3.4 Eye
- 3.5 Critical Living
- 3.6 My Dead Dad's Porno Tapes
- 3.7 OUTSIDE
- 3.8 Hans Op de Beeck. Staging Silence 1&2
- 3.9 Otobong Nkanga performance
- 3.10 Works by Vladimir Tomin
- 3.11 “__ /__ /__”
- 3.12 The Shirley Temple
- 3.13 Concerning Language
- 3.14 Trevor Noah explains reparation
- 3.15 Hello. / Mashup Self portrait
- 3.16 Do Nut Diagram
- 3.17 Frontier Psychiatrist
- 3.18 Nobody Else Quite Like You
- 3.19 Archive
- 3.20 Downside Up
IFFR 2019
Moving
Cine Seminar 10.12.18
Bär
My Utopia
https://rijksakademie.nl/NL/resident/che-onejoon
259029795
Cine Seminar 18.03.2019
Taller Than the Trees
Having re-watched it several times (first in summer 2018, and most recently in march 2019), I must say the film becomes more mundane and less, well, moving. This is not a film that can hold up scrutiny.
Also, translation and caption is a process more than pure communication.
A View from the Windows
"I point to my ears to let them know I am Deaf.
But the cops didn't believe me.
They kept asking me questions,
because my voice identifies me as a Deaf Person."
Being 97
http://www.ftrmgc.com/project/being-97-short-doc/
Greetings from Aleppo
pay attention to the credits also
Are you a human?
Ίσως είμαι εγώ/Maybe it’s me
The Maid
https://www.sculpture-center.org/exhibitions/3431/the-maid
Noteworthy
La Noria
https://www.youtube.com/watch?v=TktL3QR8Yg8
fear and grief
New Pompidou
Film was part of the exhibition: LA STRADA. DOVE SI CREA IL MONDO @ MAXXI (07 dicembre 2018 - 28 aprile 2019)
https://www.lafayetteanticipations.com/en/exposition/simon-fujiwara
Internet Story
Eye
http://vimeo.com/ 7779363
Critical Living
My Dead Dad's Porno Tapes
OUTSIDE
http://vimeo.com/ 20369237
portugese filmmaker supported by Red Mansion Foundation (hmm)
Hans Op de Beeck. Staging Silence 1&2
Otobong Nkanga performance
Works by Vladimir Tomin
“__ /__ /__”
The Shirley Temple
Concerning Language
from A Bit of Fry & Laurie
Trevor Noah explains reparation
Hello. / Mashup Self portrait
...editing and collage...
Do Nut Diagram
Pan!!