Jujube/misc: Difference between revisions

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== opticals ==
== opticals ==
=== [[Jujube/making-a-camera| making a camera: terminologies and (--> meditation)]] ===
=== [[Jujube/making-a-camera| making a camera: terminologies and meditation)]] ===
=== [[Jujube/pixels| thoughts on pixels]] ===
=== [[Jujube/pixels| thoughts on pixels]] ===
=== [[Jujube/camera-history| early photographic cameras]] ===
=== [[Jujube/camera-history| early photographic cameras]] ===
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== relevant ==
== relevant ==
=== [[Jujube/copyright-research| copyright on wiki]] ===
=== [[Jujube/copyright-research| copyright on wiki]] ===
=== [[Jujube/artistic-research| artistic research as method]] ===


== production notes ==
== production notes ==

Revision as of 00:30, 4 December 2018

notes

opportunities

For photobook, group. Contemporary Artists Book Fair in Leeds, UK [1]

opticals

making a camera: terminologies and meditation)

thoughts on pixels

early photographic cameras

psyche

the photographer

relevant

copyright on wiki

production notes

Ambacht video shoot

Selected Statuses

Amsterdam Art Speech

floater

the form of dwarsliggers

memories in relational database

stories

Making A Judgment On Love | With Giancarlo Esposito [2]

The Moth Radio Hour: Stepchild, Big Brother, Mugshot [3]

What Can You Hear? [4]

watch list

watched

name (year) director one thing noted month of viewing place of viewing
Crazy Rich Asians (2018) Jon M. Chu cried through this comedy (oh the shots of New York skyline) 08.18 kino
Kanazawa Shutter Girl (2018) Terauchi Kotaro "typology" 09.18 lv (subscribed to cineville for the Camera Japan Festival)
Mori, the Artist’s Habitat (2018) Okita Shuichi the audience chuckled, why... 09.18 lv
Bodysong (2004) Simon Pummell witnessed(?) a dozen births at 10 o'clock in the morning 10.18 class
The Propaganda Game (2015) Álvaro Longoria the shooting conditions were transparent 10.18 netflix
Side by Side (2012) Christopher Kenneally history of technology 10.18 class
Leaning into the Wind (2018) Thomas Riedelsheimer the audience laughed whenever there was a contemplative silence (esp. when Goldsworthy climbed through the branches). was silence unbearable for them? 10.18 lv
Fantastic Beasts: The Crimes of Grindelwald (2018) David Yates lost in the plot, highly stylized, tears over two scenes (Dumbledore & Leta, the fight between Grindelwald and the good people) 11.18 cinerama
The Children Act (2018) Richard Eyre tears over the scene when Our Lady cried about the boy, the only instance of her vulnerability and the re-uniting moment of her marriage 11.18 lv
The Wife (2017) Björn Lunge classic dramaturgy, interwoven conflict(s), compact dialogue 11.18 cinerama
Widows (2018) Steve McQueen audio as a layer on top of the situation (conversation in the car + shots of car from the outside + transition of one place to another in one shot, radio telling one secondary story over another secondary story), dramatic cuts 11.18 kino
Touch Me Not (2018) Adina Pintilie the aesthetics does not match the content, too stylized and too removed, the silence, hesitation and alternative practices make you think, but not feel; not feeling very well during + after 12.18 lv

To watch

Paris, Texas (1984)

A Strange Love Affair with Ego (2015) Ester Gould

make list

https://www.instructables.com/id/Paper-Iris-Glasses/

https://www.premiumbeat.com/blog/film-gear-in-3d-print/